Years
2019 2018
Months
April May June September November December
Jollie Patrollie
2018-05-16

Jollie PatrollieNAME OF PRODUCTION: JOLLIE PATROLLIE

SCRIPT BY: NICO LUWES

DIRECTED BY: NICO LUWES

VENUE: WYNAND MOUTON THEATRE, UFS-MAIN CAMPUS

LANGUAGE: AFKRIAANS

GENRE: COMEDY

Photo by Esté Strydom.
Juani Smith
Janco Pieterse
Claudia Herbst
Barend Kriel
Esmarie Booysen

Date and times:

  • 16 May @ 19:30
  • 17 May @ 19:30
  • 18 May @ 19:30

TICKETS:

  • R 40.00 PER PERSON
  • R 30.00 FOR STUDENTS, SCHOLARS,
  • R 25.00 FOR PENSIONERS

BOOKINGS: COMPUTICKET (0861 915 8000)

Nico Luwes new Afrikaans farce, Jollie Patrollie, was specially written for the talented, young third year drama students in 2018. Farce provides exceptional intellectual and physical challenges and artistic skills for actors. A typical farce depends on surprises and unexpected twists in the plot so to tell too much about the story beforehand, might give the fun away. In this crazy farce, a nerdy young bank official tries to convince his grumpy boss, Bidou von Brakel, and his prim and proper wife, Barabarossa, that he is a happily married man and the ideal husband. If he can convince them of his high morals, he might be promoted at work. His only problem is that he is not married and hired a young girl to play his so-called wife named, Jollie, for the evening. Due to various comical misunderstandings, the situation turns into a chaotic nightmare for the goodhearted Stephanus. One wonders if the grumpy old boss, Bidou, is as morally innocent as he pretends. Bidou’s wife, Barbarossa sits squarely on her poor husband’s head and does not trust Stephanus and his wife, Jollie, at all. Might Stephanus be a very kinky man with strange habits or not? She finds his wife, Jollie, is even more bizarre. Does she just play dumb or are the little pigs in her head just totally running in circles?

As in all the well-known previous farces by Luwes the comedy lies in the complex plot filled with comical characters caught up strange situations. The plot move at break-neck speed from one crisis to the other and the poor Stephanus must desperately put out fires to get out of trouble. In his typical farce style, double meanings in dialogue is driven further in that one of the characters does not understand one word of Afrikaans! Or do the characters just not have a clue about the situation they are caught in? The actors and the audience must keep their wits together to figure out who knows what, what the real situation and intentions of the characters are. The final test for a farce text and the production on stage depends on whether the audience can be convinced that this could have happened in real life. So beware! Who knows? Maybe you might one day find yourself in a similar situation! This hilarious farce can be enjoyed by the whole family and promises a good old belly laugh for all.

Performances in the Wynand Mouton Theatre take place at 7:30 on 16, 17 and 18 May. Booking at Computicket.


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Georgi Anichenko (cello) & Anastasya Terenkova (piano)

Thursday, 16 October 2014

Odeion

19:30

 

Cello virtuoso, Georgi Anichenko was born in 1985 in Minsk (Bielorussia).  He started plyain ghte cello at the age of five at the Minsk State Music College with Vladimir Perlin.  In 1996 he won first prize in the International Competition for Young Musicians (Moscow) and in 1997 he won the virtuosity prize at the Junior Tchaikovsky Competition (St. Petersburg). 

 

In 2000, at the age of 15, Georgi entered the Paris National Superior Conservatory where he studied under Philippe Muller and graduated in 2004 with the highest mention (Très Bien a l’unanimité).  He received the French Government Scholarship, Vladimir Spivakov Foundation Scholarship, Tarazzi Foundation Scholarship, Meyer Foundation Scholarship and the Nadia and Lili International Foundation Scholarship.  In October 2004 he became winner of the European Young concert Artists Audition (Paris) and the Finalist of the Young Concert Artists Audition 2005 (New York, USA).

 

Georgie has performed at the Théâtre Mogador, Salle Cortot Paris, Concertgebouw Amsterdam, Walt Disney Concert Hall (Los Angeles), Auditorium du Louvre (Paris) and the  Seongnam Cultural Center (South Korea), to name but a few, as well as at festivals like the Festivals La Folle Journée, Saint-Riquier, Colmar International Music Festival (France) and the Kings Place Music Festival (London).  Since 2001 he frequently performs in duo with Anastasya Terenkova.  Georgi is principal cellist of the Orquestra de la Comunitat Valenciana and the Palau de les Arts Reina Sofia (Valencia, Spain) since 2006.  In 2007 he entered the postgraduate course of the Paris National Superior Conservatory in the class of Jérôme Pernoo.  He won several international competition prizes including first prize at the UNISA International Strings Competition.

 

Described by Diapazon magazine as a “ravishing pianist”, Anastasya has received international critical acclaim and numerous competitions and awards, including the first prize in the Dorothy MacKenzie Artist Recognition Award (USA) and the prestigious 2010 Gawon International Music Award (South Korea).  She has been invited to perform at numerous renowned festivals such as the Auvers-sur-Oise, Saint-Riquier, Perigord Noir (all in France), King’s Place (London), Bluthner Piano Series (Leipzig), Trestler Music Series (Montreal) and the Palau de les Arts Reina Sofia chamber music series (Valencia).

 

Anastasya was born in Moscow and started playing piano at the agte of six in the famous Moscow Gnessin Special Music School (the alma mater of prominent pianists such as Yevgeny Kissin, Boris Berezovsky and Nikolai Demidenko).  In 2001 she enrolled in the Paris National Superior Conservatory of Music and Dance where she also completed a postgraduate course (Perfectionnement and Artist Diploma) studying with Georges Pludermacher, Francois Frederic Guy, Itamar Golan and Jacques Rouvier. 

 

She has won numerous awards and scholarships from institutions such as the Georges Cziffra Music Foundation, Meyer Foundation, Nadia et Lili Boulanger Foundation and the ADAMI Foundation and is proud recipient of a Bluthner grand piano from the Arnold Reinhold Foundation.  She has performed at the Auditorium du Louvre, Auditorium du Musée d’Orsay, Cité de la Musique, Salle Cortot (Paris), Rachmaninov- and other halls of the Moscow Tchaikovsky Conservatory, Aaronoff Center (Cincinnati), Mannes Concert Hall (New York), Palau de les Arts Reina Sofia (Valencia) and the Sejong Performing Art Center (Seoul).  Her debut solo CD featuring works by Scarlatti, Chopin and Mussorgsky was released in 2010.

 

PROGRAMME:

Schumann: Adagio et Allegro for cello and piano

Grieg: Sonata for cello and piano

Rachmaninov: Sonata for cello and piano

 

OSM INTERNATIONAL MASTERCLASS SERIES 2014

The OSM, in collaboration with ClassicSA, presents masterclasses with Georgi Anichenko on Friday morning, 17 October 2014 (8:00 – 12:00).  For enquiries or is you are interested in taking part, contact Ninette Pretorius (051 401 2504 / pretoriusn@ufs.ac.za)

 

ADMISSION:

R130 (adults)

R90 (pensioners)

R70 (UFS staff)

R50 (students and learners)

R50 (group bookings of 10+)

Tickets available at Computicket.

 

ENQUIRIES:   

Ninette Pretorius (tel. 051 – 401 2504)

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