Years
2019 2018
Months
April May June September November December
Jollie Patrollie
2018-05-16

Jollie PatrollieNAME OF PRODUCTION: JOLLIE PATROLLIE

SCRIPT BY: NICO LUWES

DIRECTED BY: NICO LUWES

VENUE: WYNAND MOUTON THEATRE, UFS-MAIN CAMPUS

LANGUAGE: AFKRIAANS

GENRE: COMEDY

Photo by Esté Strydom.
Juani Smith
Janco Pieterse
Claudia Herbst
Barend Kriel
Esmarie Booysen

Date and times:

  • 16 May @ 19:30
  • 17 May @ 19:30
  • 18 May @ 19:30

TICKETS:

  • R 40.00 PER PERSON
  • R 30.00 FOR STUDENTS, SCHOLARS,
  • R 25.00 FOR PENSIONERS

BOOKINGS: COMPUTICKET (0861 915 8000)

Nico Luwes new Afrikaans farce, Jollie Patrollie, was specially written for the talented, young third year drama students in 2018. Farce provides exceptional intellectual and physical challenges and artistic skills for actors. A typical farce depends on surprises and unexpected twists in the plot so to tell too much about the story beforehand, might give the fun away. In this crazy farce, a nerdy young bank official tries to convince his grumpy boss, Bidou von Brakel, and his prim and proper wife, Barabarossa, that he is a happily married man and the ideal husband. If he can convince them of his high morals, he might be promoted at work. His only problem is that he is not married and hired a young girl to play his so-called wife named, Jollie, for the evening. Due to various comical misunderstandings, the situation turns into a chaotic nightmare for the goodhearted Stephanus. One wonders if the grumpy old boss, Bidou, is as morally innocent as he pretends. Bidou’s wife, Barbarossa sits squarely on her poor husband’s head and does not trust Stephanus and his wife, Jollie, at all. Might Stephanus be a very kinky man with strange habits or not? She finds his wife, Jollie, is even more bizarre. Does she just play dumb or are the little pigs in her head just totally running in circles?

As in all the well-known previous farces by Luwes the comedy lies in the complex plot filled with comical characters caught up strange situations. The plot move at break-neck speed from one crisis to the other and the poor Stephanus must desperately put out fires to get out of trouble. In his typical farce style, double meanings in dialogue is driven further in that one of the characters does not understand one word of Afrikaans! Or do the characters just not have a clue about the situation they are caught in? The actors and the audience must keep their wits together to figure out who knows what, what the real situation and intentions of the characters are. The final test for a farce text and the production on stage depends on whether the audience can be convinced that this could have happened in real life. So beware! Who knows? Maybe you might one day find yourself in a similar situation! This hilarious farce can be enjoyed by the whole family and promises a good old belly laugh for all.

Performances in the Wynand Mouton Theatre take place at 7:30 on 16, 17 and 18 May. Booking at Computicket.


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LUKÁŠ VONDRÁCEK piano recital

6 March 2015

Odeion

19:30

 

"Lukáš Vondrácek drew the finest possible lines and added bell-like sounds as soft as butter, allowing the disparate compositional elements to become part of a greater whole. It comes as no surprise that this young musician is recognized as one of the greatest pianistic talents of our times.” (Stuttgarter Zeitung, April 2012)

 

"27-year-old Czech pianist Lukáš Vondrácek and conductor Anu Tali collaborated on a brilliant reading of Rachmaninoff’s “Rhapsody on a Theme of Paganini,” bringing out inner voices and colors that made this work seem reborn. There were ripples of humor, stretches of passion and intense musicality that delineated the kind of music-making generally relegated to the best of chamber performances." (Herald-Tribune (Sarasota), November 2013)

 

 

Born in Opava (Czech Republic) in 1986, Lukáš gave his first concert at the age of four and now, has already visited 27 different countries giving in excess of 1000 concerts.  His first international tour was at the age of ten. 

 

He also spent time studying at the Vienna Hochschule with Prof Peter Barcaba, at the Academy of Music in Katowice (Poland), with Prof Andrzej Jasinsky, and at Ostrava University with Prof Rudolf Bernatik.  Currently Lukáš is pursuing an Artist Diploma at the New England Conservatory (Boston) under the tutelage of Prof Hung-Kuan Chen.  He performed debut recitals at La Cite in Paris, the Palais des Beaux Arts (Brussels), the Auditorio Nacional (Madrid), the Concertgebouw (Amsterdam) and the Tonhalle (Zurich).

 

Lukáš made his debut with the Czech Philharmonic Orchestra and conductor Vladimir Ashkenazy in May 2002.  As a concert soloist Lukáš has played with orchestras throughout the world: the Philharmonia, Royal Liverpool, and Royal Scottish National Orchestra (UK), St. Petersburg Philharmonic, Hong Kong Philharmonic, Cape Town Philharmonic, Deutsches Symphonie-Orchester (Berlin), Malta National Orchestra and the symphonies of Iceland, Dallas and Cincinnati. 

 

He has toured in Japan with the NHK Symphony. In December 2007 he performed in Sao Paulo (Brasil), with one of the leading orchestras in South America, the Orquestra Sinfonica do Estado de Sao Paulo.  During the 2008/2009 season he made his recital debut in Istanbul before returning to the US for a number of concerts with the El Paso, the Colorado, and the Baltimore Symphony Orchestras.  Performances in Germany, Switzerland, Canada, the United States, Nigeria and Great Britain were among the highlights of the 2010/2011 season.  Engagements of 2011/2012 include concerts with the Orchestre National de Belgique, Orquestra Sinfonica Portuguesa, London Philharmonic and Washington's National Symphony Orchestra.

 

In 2010 he won first prize at the 10th Hilton Head International Piano Competition in South Carolina (USA).  In 2012 he took first prize, grand prize plus four special prizes at the 2012 UNISA Vodacom International Piano Competition (Pretoria). 

 

PROGRAMME

Mozart: Sonata No. 10 in C major, K.330

Smetana: Three Czech Dances (Furiant, Hulán, Cibulicka)

Dohnanyi: Capriccio from Four Pieces, Op. 4 No. 2

Suk: Piano Pieces, Op. 7 (No. 1 Love Song, No. 4 Little Idylls)

Schumann: Symphonic Etudes, Op. 13

 

ADMISSION

R130 (adults)

R90 (pensioners)

R70 (UFS staff)

R50 (students and learners)

R50 (group bookings of 10+)

Tickets available at Computicket.

 

ENQUIRIES

Ninette Pretorius (tel. 051 – 401 2504)

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