Years
2019 2018
Jollie Patrollie
2018-05-16

Jollie PatrollieNAME OF PRODUCTION: JOLLIE PATROLLIE

SCRIPT BY: NICO LUWES

DIRECTED BY: NICO LUWES

VENUE: WYNAND MOUTON THEATRE, UFS-MAIN CAMPUS

LANGUAGE: AFKRIAANS

GENRE: COMEDY

Photo by Esté Strydom.
Juani Smith
Janco Pieterse
Claudia Herbst
Barend Kriel
Esmarie Booysen

Date and times:

  • 16 May @ 19:30
  • 17 May @ 19:30
  • 18 May @ 19:30

TICKETS:

  • R 40.00 PER PERSON
  • R 30.00 FOR STUDENTS, SCHOLARS,
  • R 25.00 FOR PENSIONERS

BOOKINGS: COMPUTICKET (0861 915 8000)

Nico Luwes new Afrikaans farce, Jollie Patrollie, was specially written for the talented, young third year drama students in 2018. Farce provides exceptional intellectual and physical challenges and artistic skills for actors. A typical farce depends on surprises and unexpected twists in the plot so to tell too much about the story beforehand, might give the fun away. In this crazy farce, a nerdy young bank official tries to convince his grumpy boss, Bidou von Brakel, and his prim and proper wife, Barabarossa, that he is a happily married man and the ideal husband. If he can convince them of his high morals, he might be promoted at work. His only problem is that he is not married and hired a young girl to play his so-called wife named, Jollie, for the evening. Due to various comical misunderstandings, the situation turns into a chaotic nightmare for the goodhearted Stephanus. One wonders if the grumpy old boss, Bidou, is as morally innocent as he pretends. Bidou’s wife, Barbarossa sits squarely on her poor husband’s head and does not trust Stephanus and his wife, Jollie, at all. Might Stephanus be a very kinky man with strange habits or not? She finds his wife, Jollie, is even more bizarre. Does she just play dumb or are the little pigs in her head just totally running in circles?

As in all the well-known previous farces by Luwes the comedy lies in the complex plot filled with comical characters caught up strange situations. The plot move at break-neck speed from one crisis to the other and the poor Stephanus must desperately put out fires to get out of trouble. In his typical farce style, double meanings in dialogue is driven further in that one of the characters does not understand one word of Afrikaans! Or do the characters just not have a clue about the situation they are caught in? The actors and the audience must keep their wits together to figure out who knows what, what the real situation and intentions of the characters are. The final test for a farce text and the production on stage depends on whether the audience can be convinced that this could have happened in real life. So beware! Who knows? Maybe you might one day find yourself in a similar situation! This hilarious farce can be enjoyed by the whole family and promises a good old belly laugh for all.

Performances in the Wynand Mouton Theatre take place at 7:30 on 16, 17 and 18 May. Booking at Computicket.


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Free State Symphony Orchestra conducted by Gérard Korsten
 

Gérard Korsten

 

 
 Ben Schoeman

 

Korsten conducts

 

Free State Symphony Orchestra conducted by Gérard Korsten

 

Soloist :           Ben Schoeman (piano)

 

Date    :           Saturday 30 May 2015 at 19:30 in the Sand du Plessis theatre

 

Two of our country’s most successful musicians, Gérard Korsten and Ben Schoeman, will perform with the Free State Symphony Orchestra in the Sand du Plessis theatre on Saturday 30 May. This concert is made possible by a grant from the National Lottery Distribution Trust Fund (NLDTF).

 

Korsten held positions of Principal Conductor of the State Theatre in Pretoria and the Uppsala Chamber Orchestra before he was appointed Music Director of the Orchestra del Teatro Lirico di Cagliari from 1999-2005. In Cagliari he conducted the first Italian performances of Richard Strauss’s Die ägyptische Helena, Weber’s Euryanthe, Delius’s A Village Romeo and Juliet and Schubert’s Alfonso und Estrella, as well as the productions of the core operatic repertoire including Die Zauberflöte, Don Giovanni, Lucia di Lammermoor, Carmen, Die Fledermaus, Tosca, Aïda, The Barber of Seville and Don Pasquale. In 2009 he was appointed Music Director of the London Mozart Players, the position he relinquished at the end of last season.

Gérard Korsten has appeared in the most notable opera houses and concert halls around Europe including Teatro La Scala Milan (Le nozze di Figaro), Maggio Musicale Florence (Così fan tutte), Teatro Reggio di Parma (La sonnambula), Teatro Lirico Verdi Trieste (Don Pasquale and La fille du régiment), Opéra de Lyon (Ariadne auf Naxos, Henze’s L’Upupa und der Triumph der Sohnesliebe, Siegfried, La Traviata and La Vie Parisienne), Royal Swedish Opera (Don Giovanni), Netherlands Opera (Così fan tutte), English National Opera (Aïda), Glyndebourne Festival Opera (Albert Herring) and the Lincoln Centre New York.

Ben Schoeman is regarded as one of South Africa’s foremost pianists. He has won major prizes, including the first grand prize in the 11th UNISA International Piano Competition, Pretoria (2008), first prize and gold medal in the Royal Over-Seas League Music Competition, London (2009), the Standard Bank Young Artist Award for Music (2011) and the Contemporary Music Prize at the Cleveland International Piano Competition, USA (2013).

He has given solo, chamber music and concerto performances throughout Europe, Canada, the USA and South Africa in such prestigious concert halls as the Wigmore, Barbican, Cadogan and Queen Elizabeth Halls in London and the Konzerthaus in Berlin. As soloist he has collaborated with a number of celebrated conductors, including Yasuo Shinozaki, En Shao, James Judd, Diego Masson, Nicholas Cleobury, Gérard Korsten, Vincent de Kort, Theodore Kuchar and Conrad van Alphen.

In 2012, along with duo-partner cellist Anzél Gerber, he was awarded the first prize in the Ibla Grand Prize Competition in Italy. As part of this prize the duo gave a recital at Carnegie Hall, New York.

ADMISSION:

R150 (adults)

R100 (pensioners)

Students can buy tickets at R50 at the venue 50 minutes before the concert commences.

 

Tickets for the concert in the Sand du Plessis are available from PACOFS in St. Andrews Street, Bloemfontein (free, safe parking while you do your booking.). Telephonic bookings can be done at (051) 447-7772.

Business hours:  Monday to Friday 08:30 to 17:00, Saturday 09:00 to 12:00, on performance dates and 50 minutes before a show commences in the Sand du Plessis theatre.

 

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