Years
2019 2018
Jollie Patrollie
2018-05-16

Jollie PatrollieNAME OF PRODUCTION: JOLLIE PATROLLIE

SCRIPT BY: NICO LUWES

DIRECTED BY: NICO LUWES

VENUE: WYNAND MOUTON THEATRE, UFS-MAIN CAMPUS

LANGUAGE: AFKRIAANS

GENRE: COMEDY

Photo by Esté Strydom.
Juani Smith
Janco Pieterse
Claudia Herbst
Barend Kriel
Esmarie Booysen

Date and times:

  • 16 May @ 19:30
  • 17 May @ 19:30
  • 18 May @ 19:30

TICKETS:

  • R 40.00 PER PERSON
  • R 30.00 FOR STUDENTS, SCHOLARS,
  • R 25.00 FOR PENSIONERS

BOOKINGS: COMPUTICKET (0861 915 8000)

Nico Luwes new Afrikaans farce, Jollie Patrollie, was specially written for the talented, young third year drama students in 2018. Farce provides exceptional intellectual and physical challenges and artistic skills for actors. A typical farce depends on surprises and unexpected twists in the plot so to tell too much about the story beforehand, might give the fun away. In this crazy farce, a nerdy young bank official tries to convince his grumpy boss, Bidou von Brakel, and his prim and proper wife, Barabarossa, that he is a happily married man and the ideal husband. If he can convince them of his high morals, he might be promoted at work. His only problem is that he is not married and hired a young girl to play his so-called wife named, Jollie, for the evening. Due to various comical misunderstandings, the situation turns into a chaotic nightmare for the goodhearted Stephanus. One wonders if the grumpy old boss, Bidou, is as morally innocent as he pretends. Bidou’s wife, Barbarossa sits squarely on her poor husband’s head and does not trust Stephanus and his wife, Jollie, at all. Might Stephanus be a very kinky man with strange habits or not? She finds his wife, Jollie, is even more bizarre. Does she just play dumb or are the little pigs in her head just totally running in circles?

As in all the well-known previous farces by Luwes the comedy lies in the complex plot filled with comical characters caught up strange situations. The plot move at break-neck speed from one crisis to the other and the poor Stephanus must desperately put out fires to get out of trouble. In his typical farce style, double meanings in dialogue is driven further in that one of the characters does not understand one word of Afrikaans! Or do the characters just not have a clue about the situation they are caught in? The actors and the audience must keep their wits together to figure out who knows what, what the real situation and intentions of the characters are. The final test for a farce text and the production on stage depends on whether the audience can be convinced that this could have happened in real life. So beware! Who knows? Maybe you might one day find yourself in a similar situation! This hilarious farce can be enjoyed by the whole family and promises a good old belly laugh for all.

Performances in the Wynand Mouton Theatre take place at 7:30 on 16, 17 and 18 May. Booking at Computicket.


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Anzél Gerber (cello) & Ben Schoeman (piano)

28 May 2015

Odeion

19:30

 

Praised by various critics for her ability to capture the audience through her mature artistic approach, extraordinary musicality and technique, Anzél Gerber is increasingly performing on internationally renowned stages.  Her art as cellist has been shaped by Russia's most prominent teachers and soloists, starting with Alexander Fedortchenko (Spain), and Alexander Kniazev (Moscow State Conservatory).  Later, as part of her PhD in performance (Goldsmiths College, University of London, 2008), she pursued her studies under Natalia Shakhovskaya.  She is a dedicated exponent of the Russian school.

 

She received her first cello lessons from Glenda Piek and later Marian Lewin.  Under Lewin's tutelage she won several music competitions and scholarships, which enabled her to further her studies abroad.  She received guidance from David Geringas, Karine Georgian, Ralph Kirshbaum and Maxim Vengerov and has also attended masterclasses by Mstislav Rostropovich, Natalia Gutman, Heinrich Schiff, Bernard Greenhouse, Gary Hoffman, Maria Kliegel, Young-Chang Cho, Philippe Muller and Julius Berger.

 

As soloist she has collaborated with numerous conductors, including Gérard Korsten, Yasuo Shinozaki, Guido Ajmone-Marsan, David Tidboald, Leslie B Dunner, Christopher Dowdeswell, Robert Maxym, Gordon Hunt, Richard Cock and Hector Hevia.  Together with Ben Schoeman she received the Baronessa Constanza Arezzo Giampiccolo di Donnafugata IBLA Award as overall winners of the IBLA Grand Prize International Music Competition (Italy, 2012). 

 

She served on the faculty and was a member of the jury for the International Music Academy and Competition in Cremona (Italy, July 2013).  She is lecturing cello performance at the University of Stellenbosch since 2014. 

 

Ben Schoeman is regarded as one of South Africa's foremost pianists.  He studied at the University of Pretoria, the Accademia Pianistica 'Incontri col Maestro' (Imola, Italy), the Guildhall School of Music & Drama (UK) and the Scuola di Musica di Fiesole (Italy).  His teachers include Joseph Stanford, Michel Dalberto, Louis Lortie, Boris Petrushansky, Eliso Virsaladze and Ronan O'Hora.  He is currently completing a doctoral thesis on the piano music of South African composer Stefans Grové.  He has won the first grand prize in the 11th UNISA International Piano Competition (2008), first prize in the Royal Overseas League Music Competition (London, 2009), the Standard Bank Young Artist Award for Music (2011) and the Contemporary Music Prize at the Cleveland International Piano Competition (USA, 2013).  He has given solo, chamber music and concerto performances throughout Europe, Canada, the USA and South Africa in such prestigious concert halls as the Wigmore, Barbican, Cadogan and Queen Elizabeth Halls (London), the Konzerthaus (Berlin), Paleis het Loo (the Netherlands), the Gulbenkian Auditorium (Lisbon), Teatro del Giglio (Lucca) and the Romanian Athenaeum (Bucharest).  He has performed at major festivals in the United Kingdom, Italy, South Africa, Romania and Canada. 

 

His solo album, featuring works of Franz Liszt, was released in 2011.  Ben was awarded the KykNet Fiësta and Kanna Awards in recognition of his performances of Liszt's music during the bicentenary of the composer (2011).  He is a Steinway Artist.

 

PROGRAMME

Anton Rubinstein: Sonata no. 1 in D major for cello and piano, Op. 18

Benjamin Britten: Sonata for cello and piano, Op. 65

Frédéric Chopin: Sonata for cello and piano in G minor, Op. 65

Bohuslav Martinu: Variations on a theme of Rossini for cello and piano (1942)

 

ADMISSION

R130 (adults)

R90 (pensioners)

R70 (UFS staff)

R50 (students and learners)

R50 (group bookings of 10+)

Tickets available at Computicket.

 

ENQUIRIES

Ninette Pretorius (tel. 051 – 401 2504051 – 401 2504)

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