Years
2019 2018
Jollie Patrollie
2018-05-16

Jollie PatrollieNAME OF PRODUCTION: JOLLIE PATROLLIE

SCRIPT BY: NICO LUWES

DIRECTED BY: NICO LUWES

VENUE: WYNAND MOUTON THEATRE, UFS-MAIN CAMPUS

LANGUAGE: AFKRIAANS

GENRE: COMEDY

Photo by Esté Strydom.
Juani Smith
Janco Pieterse
Claudia Herbst
Barend Kriel
Esmarie Booysen

Date and times:

  • 16 May @ 19:30
  • 17 May @ 19:30
  • 18 May @ 19:30

TICKETS:

  • R 40.00 PER PERSON
  • R 30.00 FOR STUDENTS, SCHOLARS,
  • R 25.00 FOR PENSIONERS

BOOKINGS: COMPUTICKET (0861 915 8000)

Nico Luwes new Afrikaans farce, Jollie Patrollie, was specially written for the talented, young third year drama students in 2018. Farce provides exceptional intellectual and physical challenges and artistic skills for actors. A typical farce depends on surprises and unexpected twists in the plot so to tell too much about the story beforehand, might give the fun away. In this crazy farce, a nerdy young bank official tries to convince his grumpy boss, Bidou von Brakel, and his prim and proper wife, Barabarossa, that he is a happily married man and the ideal husband. If he can convince them of his high morals, he might be promoted at work. His only problem is that he is not married and hired a young girl to play his so-called wife named, Jollie, for the evening. Due to various comical misunderstandings, the situation turns into a chaotic nightmare for the goodhearted Stephanus. One wonders if the grumpy old boss, Bidou, is as morally innocent as he pretends. Bidou’s wife, Barbarossa sits squarely on her poor husband’s head and does not trust Stephanus and his wife, Jollie, at all. Might Stephanus be a very kinky man with strange habits or not? She finds his wife, Jollie, is even more bizarre. Does she just play dumb or are the little pigs in her head just totally running in circles?

As in all the well-known previous farces by Luwes the comedy lies in the complex plot filled with comical characters caught up strange situations. The plot move at break-neck speed from one crisis to the other and the poor Stephanus must desperately put out fires to get out of trouble. In his typical farce style, double meanings in dialogue is driven further in that one of the characters does not understand one word of Afrikaans! Or do the characters just not have a clue about the situation they are caught in? The actors and the audience must keep their wits together to figure out who knows what, what the real situation and intentions of the characters are. The final test for a farce text and the production on stage depends on whether the audience can be convinced that this could have happened in real life. So beware! Who knows? Maybe you might one day find yourself in a similar situation! This hilarious farce can be enjoyed by the whole family and promises a good old belly laugh for all.

Performances in the Wynand Mouton Theatre take place at 7:30 on 16, 17 and 18 May. Booking at Computicket.


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Ben Capps (cello) & Pieter Grobler (piano)

American virtuoso cellist in concert!

 

20 August 2015

Odeion

19:30

 

Exciting young American cellist Ben Capps enjoys a versatile performing career as a soloist, chamber musician and orchestral principal.  His artistry has been praised as “most appealing” by the New York Times, “virtuosic and impassioned” by the Barre Montpelier Times.  The Holland Times hailed Capps as a “young cello phenomenon from New York” with “dazzling technique and a fearsomely meaty tone”, and the Epoch Times proclaimed that “Capps has it all ... cello playing of the very highest standard.” 

 

Ben started playing the cello at age four with Nellis DeLay.  At ten he was admitted to Juilliard Pre-College, where he studied with Anne Alton, Andre Emelianoff, and modern cello guru Fred Sherry.  He received a BMus degree at Manhattan School of Music, and an MMus from Juilliard (2010), both under the guidance of David Soyer.  He is currently enrolled in the Graduate Diploma program at New England Conservatory (Boston), where he is a student of Laurence Lesser.  He is the recipient of many awards, including the New York State Association of Music Teachers Scholarship Competition (1999); Juilliard Pre-College Symphony Concerto Competition (2001), the Lillian Fuchs Award (2004), the Francis Goelet Scholarship (Juilliard, 2008-2009), the Irving Mulde Scholarship (Juilliard, 2009-10), and the Piatigorsky Scholarship (New England Conservatory, 2012-13).  He has coached with numerous cellists, including Bernard Greenhouse, Ko Iwasaki, Paul Katz, and Nathanial Rosen, has performed in masterclasses for Steven Isserlis, Alexander Rudin, Mischa Maisky, Natalia Gutman, Peter Wylie, Timothy Eddy, Matt Haimowitz and Jonathan Biss. He has performed at such prestigious venues as Carnegie Hall's Stern Auditorium, Weill and Zankel Halls, Lincoln Center's Avery Fisher Hall, Alice Tully Hall, the Kennedy Center for the Performing Arts in Washington D.C., Mann Hall in Tel Aviv and Sala Nezahualcoytl in Mexico City.  He has appeared as soloist with the Philharmonic Orchestra of the Americas, the New York Concerti Sinfonietta, the Manchester Music Festival Orchestra and the Manhattan School of Music Composer's Orchestra.  Recent performance highlights include a recital tour of China and recital appearances in New York, Greece and Spain.  Highlights of the 2013 season include solo performances of the Schumann Cello Concerto with the Danbury Symphony & The Liora Chamber Orchestra and Shostakovich Cello Concerto No. 1 with the Orchestra Filarmonica de Jalisco.  At age 21, Capps was appointed principal cellist of Philharmonic Orchestra of the Americas.  An avid chamber musician, he has participated in the Bowdoin Schlern Int'l (Italy), Burgos Int'l (Spain) and Summit Summer Festivals, the Perlman Music Program, and the ChamberFest and FOCUS! Festivals in Lincoln Center. Ben Capps plays a William Forester cello built in 1782 in England.

 

Pieter Grobler worked with Joseph Stanford at the University of Pretoria obtaining BMus and BMusHons degrees in piano performance (cum laude).  Postgraduate studies were with Joseph Banowetz at the University of North Texas (USA), where he completed the MMus and DMA piano performance degrees.  His training was further enriched through masterclasses from Leonard Hokanson, Andrzej Jasinski, Pascal Rogé and Niel Immelman, to name but a few.  During the 2003 Unisa/Vodacom National Piano Competition he was awarded the Bill van Tonder Prize.  In August 2013 he was also heard on WFMT-Classical Radio in a live broadcast from the Preston Bradley Hall as part of the International Music Foundation's Dame Myra Hess Memorial Concert Series in Chicago (USA).  He is also regularly heard on ClassicFM radio in South Africa.  After completion of his studies he worked for three years in Ohio where he was on the piano faculty of Heidelberg College. Pieter is currently on the piano faculty at the University of Stellenboschwhere he is also the head of practical music studies and maintains an active concert schedule.

 

PROGRAMME

Britten: Cello Suite No. 1, Op. 72

Debussy: Sonata (1915)

Chopin: Introduction and Polonaise Brillante in C major, Op. 3 

Mendelssohn: Cello Sonata No. 2 in D major, Op. 58

 

ADMISSION

R130 (adults)

R90 (pensioners)

R70 (UFS staff)

R50 (students and learners)

R50 (group bookings of 10+)

Tickets available at Computicket.

 

ENQUIRIES

Ninette Pretorius (tel. 051 – 401 2504)

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