Years
2019 2018
Jollie Patrollie
2018-05-16

Jollie PatrollieNAME OF PRODUCTION: JOLLIE PATROLLIE

SCRIPT BY: NICO LUWES

DIRECTED BY: NICO LUWES

VENUE: WYNAND MOUTON THEATRE, UFS-MAIN CAMPUS

LANGUAGE: AFKRIAANS

GENRE: COMEDY

Photo by Esté Strydom.
Juani Smith
Janco Pieterse
Claudia Herbst
Barend Kriel
Esmarie Booysen

Date and times:

  • 16 May @ 19:30
  • 17 May @ 19:30
  • 18 May @ 19:30

TICKETS:

  • R 40.00 PER PERSON
  • R 30.00 FOR STUDENTS, SCHOLARS,
  • R 25.00 FOR PENSIONERS

BOOKINGS: COMPUTICKET (0861 915 8000)

Nico Luwes new Afrikaans farce, Jollie Patrollie, was specially written for the talented, young third year drama students in 2018. Farce provides exceptional intellectual and physical challenges and artistic skills for actors. A typical farce depends on surprises and unexpected twists in the plot so to tell too much about the story beforehand, might give the fun away. In this crazy farce, a nerdy young bank official tries to convince his grumpy boss, Bidou von Brakel, and his prim and proper wife, Barabarossa, that he is a happily married man and the ideal husband. If he can convince them of his high morals, he might be promoted at work. His only problem is that he is not married and hired a young girl to play his so-called wife named, Jollie, for the evening. Due to various comical misunderstandings, the situation turns into a chaotic nightmare for the goodhearted Stephanus. One wonders if the grumpy old boss, Bidou, is as morally innocent as he pretends. Bidou’s wife, Barbarossa sits squarely on her poor husband’s head and does not trust Stephanus and his wife, Jollie, at all. Might Stephanus be a very kinky man with strange habits or not? She finds his wife, Jollie, is even more bizarre. Does she just play dumb or are the little pigs in her head just totally running in circles?

As in all the well-known previous farces by Luwes the comedy lies in the complex plot filled with comical characters caught up strange situations. The plot move at break-neck speed from one crisis to the other and the poor Stephanus must desperately put out fires to get out of trouble. In his typical farce style, double meanings in dialogue is driven further in that one of the characters does not understand one word of Afrikaans! Or do the characters just not have a clue about the situation they are caught in? The actors and the audience must keep their wits together to figure out who knows what, what the real situation and intentions of the characters are. The final test for a farce text and the production on stage depends on whether the audience can be convinced that this could have happened in real life. So beware! Who knows? Maybe you might one day find yourself in a similar situation! This hilarious farce can be enjoyed by the whole family and promises a good old belly laugh for all.

Performances in the Wynand Mouton Theatre take place at 7:30 on 16, 17 and 18 May. Booking at Computicket.


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Lavrova Primakov piano duo

with Vassily Primakov & Natalia Lavrova (2 pianos)

7 November 2015

Odeion

19:30

 

“… Lavrova and Primakov take turns playing the piano I and piano II parts, but technically and tonally they are so well-matched, you wouldn’t know who was on first and who was on second unless you actually look at them. Like the talented and imaginative chefs they are, they work wonders with the ingredients they’ve been given… Strongly recommended then for a dazzling display of two-piano works by two phenomenal pianists.”~ Jerry Dubins, Fanfare

 

The Lavrova Primakov Piano Duo was established in August 2010. Since then, they performed extensively throughout the USA and garnered accolades from audiences and critics, stating that “Lavrova and Primakov play with brilliance and depth. They have excellent unity and do not hesitate to go with full power.” - Music Web International.

 

In November 2011, Natalia and Vassily established their own record label, LP Classics, an initiative committed to unearthing lost historical gems, presenting never-before released recordings, and enriching the discographies of emerging stars of new generation.

 

In recent years, Vassily has been hailed as a pianist of world class importance. Gramophone wrote that "Primakov's empathy with Chopin's spirit could hardly be more complete," and the American Record Guide stated: "Since Gilels, how many pianists have the right touch? In Chopin, no one currently playing sounds as good as this! This is a great Chopin pianist." Music Web-International called Primakov's Chopin concertos CD "one of the great Chopin recordings of recent times”.  In 1999, as a teen-aged prize winner of the Cleveland International Piano Competition, Primakov was praised by Donald Rosenberg of the Cleveland Plain Dealer: "How many pianists can make a line sing as the Moscow native did on this occasion? Every poignant phrase took ethereal wing. Elsewhere the music soared with all of the turbulence and poetic vibrancy it possesses. We will be hearing much from this remarkable musician."

 

Natalia Lavrova is a highly regarded performer of multi-faceted artistry, whose sincerity of interpretation and beguiling charm upon the stage has won the hearts of audiences around the world. She enjoys a diverse career upon the international platform, and additionally holds substantial positions in the worlds of arts administration and pedagogy.

 

Solo and orchestral performances have taken Natalia throughout Russia to Canada, France, Hungary, Italy, United Kingdom, South Africa and the United States, to include notable New York venues such as Alice Tully Hall and Avery Fisher Hall, Carnegie Hall and Steinway Hall.  She has captured top prizes at the New Orleans, Isabel Scionti, Frinna Auerbach, Heidi Hermanns, Music Academy of the West, Silver Lake, and Senigallia International Piano Competitions. Upon her debut at the Leeds International Piano Competition, Natalia was the youngest performer of 1996 admitted to the quarterfinal round.  In her repertoire, she has over 30 concertos and extensive solo recital programs, as well as substantial chamber music repertoire, including an ongoing partnership with her duo partner, Vassily Primakov. 

 

Natalia is the founder and president of a very successful private school – the Music School of New York City.

 

Programme

Alexander Scriabin: Fantasy for Two Pianos, Opus Posthumous

Johannes Brahms: Variations on a Theme by Joseph Haydn, Opus 56b

Franz Liszt: Concerto pathétique for Two Pianos (S.258/R.356)

Witold Lutoslawski: Variations on a Theme by Paganini

Anton Arensky: Suite No. 3 Op. 33 “Variations” (1894)    

Sergei Rachmaninoff: Suite No. 2 for Two Pianos, Op. 17

 

Admission

R130 (adults), R90 (pensioners), R70 (UFS staff), R50 (students and learners), R50 (group bookings of 10+)

Tickets available at Computicket.

 

Enquiries

Ninette Pretorius (tel. 051 401 2504)

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