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2019 2018
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Jollie Patrollie
2018-05-16

Jollie PatrollieNAME OF PRODUCTION: JOLLIE PATROLLIE

SCRIPT BY: NICO LUWES

DIRECTED BY: NICO LUWES

VENUE: WYNAND MOUTON THEATRE, UFS-MAIN CAMPUS

LANGUAGE: AFKRIAANS

GENRE: COMEDY

Photo by Esté Strydom.
Juani Smith
Janco Pieterse
Claudia Herbst
Barend Kriel
Esmarie Booysen

Date and times:

  • 16 May @ 19:30
  • 17 May @ 19:30
  • 18 May @ 19:30

TICKETS:

  • R 40.00 PER PERSON
  • R 30.00 FOR STUDENTS, SCHOLARS,
  • R 25.00 FOR PENSIONERS

BOOKINGS: COMPUTICKET (0861 915 8000)

Nico Luwes new Afrikaans farce, Jollie Patrollie, was specially written for the talented, young third year drama students in 2018. Farce provides exceptional intellectual and physical challenges and artistic skills for actors. A typical farce depends on surprises and unexpected twists in the plot so to tell too much about the story beforehand, might give the fun away. In this crazy farce, a nerdy young bank official tries to convince his grumpy boss, Bidou von Brakel, and his prim and proper wife, Barabarossa, that he is a happily married man and the ideal husband. If he can convince them of his high morals, he might be promoted at work. His only problem is that he is not married and hired a young girl to play his so-called wife named, Jollie, for the evening. Due to various comical misunderstandings, the situation turns into a chaotic nightmare for the goodhearted Stephanus. One wonders if the grumpy old boss, Bidou, is as morally innocent as he pretends. Bidou’s wife, Barbarossa sits squarely on her poor husband’s head and does not trust Stephanus and his wife, Jollie, at all. Might Stephanus be a very kinky man with strange habits or not? She finds his wife, Jollie, is even more bizarre. Does she just play dumb or are the little pigs in her head just totally running in circles?

As in all the well-known previous farces by Luwes the comedy lies in the complex plot filled with comical characters caught up strange situations. The plot move at break-neck speed from one crisis to the other and the poor Stephanus must desperately put out fires to get out of trouble. In his typical farce style, double meanings in dialogue is driven further in that one of the characters does not understand one word of Afrikaans! Or do the characters just not have a clue about the situation they are caught in? The actors and the audience must keep their wits together to figure out who knows what, what the real situation and intentions of the characters are. The final test for a farce text and the production on stage depends on whether the audience can be convinced that this could have happened in real life. So beware! Who knows? Maybe you might one day find yourself in a similar situation! This hilarious farce can be enjoyed by the whole family and promises a good old belly laugh for all.

Performances in the Wynand Mouton Theatre take place at 7:30 on 16, 17 and 18 May. Booking at Computicket.


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Cantate Domino

Description: Cantate Domino Tags: Cantate Dominowith      Alumni Voices (conducted by Leona Geldenhuys)

            Odeion Vocal Consort (conducted by Lance Phillip)

            OSM CAMERATA (under the baton of Xavier Cloete)

ODEION

28 Mei 2016

19:30

 

The OSM Camerata and two choirs, the Alumni Voices and the Odeion Vocal Consort (Lance Phillip) are joining forces to produce a concert entitled Cantate Domino (Sing to the Lord). 

 

The original idea was initiated by the conductor of Alumni Voices, Leona Geldenhuys, who wanted to curate a programme consisting mainly of early church music with instrumental accompaniment. Within that context the Odeion Vocal Concort was invited to join the project. Main items on the programme will include the Beatus Vir by Monteverdi and Lauda Jerusalem by Vivaldi with mezzo-sopranos Teresa de Wit and Matildie Thom Wium serving as the soloists. Organist Jan Beukes and pianist Cézarre Strydom will be responsible for the continuo parts to be performed respectively on the organ and harpsichord. The Odeion Vocal Consort will recite Herr wenn Ich nur Dich Hab by Dietrich Buxtehude.

 

Violist Elmarie van der Vyver who, in recent years, has focused exponentially on the fach of Historically Informed Practice (HIP) was contracted to serve as instructor to members the OSM Camerata. In addition Van der Vyver also had coaching sessions with the conductors of the three ensembles.

 

Apart from the component of old music two other contributions were added to the programme from the high Romantic period as well as a piece of music from our times. The Stabat Mater of Rheinberger will be recited by the Alumni Voices with organ accompaniment and the OSM Camerata will perform the Lux Aurumque by acclaimed contemporary composer, Eric Whitacre, arranged for string orchestra by South African composer Keith Moss.

 

ADMISSION:

R110 (adults), R70 (pensioners, students and learners), R60 (UFS staff), R40 (group bookings of 10+)

Tickets available at Computicket or at the door.

 

ENQUIRIES:   

Ninette Pretorius (tel. 051 401 2504)

 

 

 

 

 

 

 

 

 

 

 

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