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2019 2018
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Jollie Patrollie
2018-05-16

Jollie PatrollieNAME OF PRODUCTION: JOLLIE PATROLLIE

SCRIPT BY: NICO LUWES

DIRECTED BY: NICO LUWES

VENUE: WYNAND MOUTON THEATRE, UFS-MAIN CAMPUS

LANGUAGE: AFKRIAANS

GENRE: COMEDY

Photo by Esté Strydom.
Juani Smith
Janco Pieterse
Claudia Herbst
Barend Kriel
Esmarie Booysen

Date and times:

  • 16 May @ 19:30
  • 17 May @ 19:30
  • 18 May @ 19:30

TICKETS:

  • R 40.00 PER PERSON
  • R 30.00 FOR STUDENTS, SCHOLARS,
  • R 25.00 FOR PENSIONERS

BOOKINGS: COMPUTICKET (0861 915 8000)

Nico Luwes new Afrikaans farce, Jollie Patrollie, was specially written for the talented, young third year drama students in 2018. Farce provides exceptional intellectual and physical challenges and artistic skills for actors. A typical farce depends on surprises and unexpected twists in the plot so to tell too much about the story beforehand, might give the fun away. In this crazy farce, a nerdy young bank official tries to convince his grumpy boss, Bidou von Brakel, and his prim and proper wife, Barabarossa, that he is a happily married man and the ideal husband. If he can convince them of his high morals, he might be promoted at work. His only problem is that he is not married and hired a young girl to play his so-called wife named, Jollie, for the evening. Due to various comical misunderstandings, the situation turns into a chaotic nightmare for the goodhearted Stephanus. One wonders if the grumpy old boss, Bidou, is as morally innocent as he pretends. Bidou’s wife, Barbarossa sits squarely on her poor husband’s head and does not trust Stephanus and his wife, Jollie, at all. Might Stephanus be a very kinky man with strange habits or not? She finds his wife, Jollie, is even more bizarre. Does she just play dumb or are the little pigs in her head just totally running in circles?

As in all the well-known previous farces by Luwes the comedy lies in the complex plot filled with comical characters caught up strange situations. The plot move at break-neck speed from one crisis to the other and the poor Stephanus must desperately put out fires to get out of trouble. In his typical farce style, double meanings in dialogue is driven further in that one of the characters does not understand one word of Afrikaans! Or do the characters just not have a clue about the situation they are caught in? The actors and the audience must keep their wits together to figure out who knows what, what the real situation and intentions of the characters are. The final test for a farce text and the production on stage depends on whether the audience can be convinced that this could have happened in real life. So beware! Who knows? Maybe you might one day find yourself in a similar situation! This hilarious farce can be enjoyed by the whole family and promises a good old belly laugh for all.

Performances in the Wynand Mouton Theatre take place at 7:30 on 16, 17 and 18 May. Booking at Computicket.


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Vlieë (Afrikaans)

Vlieë (Afrikaans)
Venue: Wynand Mouton Theatre
Dates: 27 & 28 October 2009
Time: 19h30

Text: Jean-Paul Sartre
Director: Stephanie Brink

Tickets:
R 30.00 for adults,
R 25.00 for group bookings 10+,
R 20.00 for students
R 25.00 for scholars/pensioners


Tickets available at Computicket (Mimosa Mall & any Checkers) or at the door.

Die Vlieë, is a modern theatre text by Jean-Paul Sartre and is based on the classic mythology of Orestes and his sister Elektra’s quest for revenge on the murderers of their father, King Agamemnon. The Afrikaans translation was done by Ilne Fourie, - winner of the Sanlam theatre competition as dramatist and as actor as well as Passi’s short story competition in 2007. The production is a third year module production under the direction of Dr. Stephanie Brink. The drama is presented in a postmodernist style, with interaction between the various theatre mediums like projections, sound and lighting. This interaction forms a challenging and multilayered visual experience.

The story is a simple but rational and gripping dialogue between the different characters. After his wonderings, Orestes and his mentor arrive in Argos and find the city of his birth in ruins. Like all of us, he is like a clean sheet of paper, on which we define our souls through our actions. The ruin of the city is given as an example of the state of the natural order of things by the citizens and also by Zeus. Through his unspoiled demeanour and open mind as well as his intellectual background, he sees the corruption and deterioration in his city for what it is. Thus he is compelled to choose between his reason and conforming to the status quo of Argos.

This production is a dramatic, yet simple human tale and promises a titillating and gripping theatre experience for the audiences.
 

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