Years
2019 2018
Months
April May June September November December
Jollie Patrollie
2018-05-16

Jollie PatrollieNAME OF PRODUCTION: JOLLIE PATROLLIE

SCRIPT BY: NICO LUWES

DIRECTED BY: NICO LUWES

VENUE: WYNAND MOUTON THEATRE, UFS-MAIN CAMPUS

LANGUAGE: AFKRIAANS

GENRE: COMEDY

Photo by Esté Strydom.
Juani Smith
Janco Pieterse
Claudia Herbst
Barend Kriel
Esmarie Booysen

Date and times:

  • 16 May @ 19:30
  • 17 May @ 19:30
  • 18 May @ 19:30

TICKETS:

  • R 40.00 PER PERSON
  • R 30.00 FOR STUDENTS, SCHOLARS,
  • R 25.00 FOR PENSIONERS

BOOKINGS: COMPUTICKET (0861 915 8000)

Nico Luwes new Afrikaans farce, Jollie Patrollie, was specially written for the talented, young third year drama students in 2018. Farce provides exceptional intellectual and physical challenges and artistic skills for actors. A typical farce depends on surprises and unexpected twists in the plot so to tell too much about the story beforehand, might give the fun away. In this crazy farce, a nerdy young bank official tries to convince his grumpy boss, Bidou von Brakel, and his prim and proper wife, Barabarossa, that he is a happily married man and the ideal husband. If he can convince them of his high morals, he might be promoted at work. His only problem is that he is not married and hired a young girl to play his so-called wife named, Jollie, for the evening. Due to various comical misunderstandings, the situation turns into a chaotic nightmare for the goodhearted Stephanus. One wonders if the grumpy old boss, Bidou, is as morally innocent as he pretends. Bidou’s wife, Barbarossa sits squarely on her poor husband’s head and does not trust Stephanus and his wife, Jollie, at all. Might Stephanus be a very kinky man with strange habits or not? She finds his wife, Jollie, is even more bizarre. Does she just play dumb or are the little pigs in her head just totally running in circles?

As in all the well-known previous farces by Luwes the comedy lies in the complex plot filled with comical characters caught up strange situations. The plot move at break-neck speed from one crisis to the other and the poor Stephanus must desperately put out fires to get out of trouble. In his typical farce style, double meanings in dialogue is driven further in that one of the characters does not understand one word of Afrikaans! Or do the characters just not have a clue about the situation they are caught in? The actors and the audience must keep their wits together to figure out who knows what, what the real situation and intentions of the characters are. The final test for a farce text and the production on stage depends on whether the audience can be convinced that this could have happened in real life. So beware! Who knows? Maybe you might one day find yourself in a similar situation! This hilarious farce can be enjoyed by the whole family and promises a good old belly laugh for all.

Performances in the Wynand Mouton Theatre take place at 7:30 on 16, 17 and 18 May. Booking at Computicket.


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Master Class and Individual Lessons - Prof. Niel Immelman

Master Class and Individual Lessons
Prof. Niel Immelman

The UFS Department of Music is hosting a piano master class by Prof. Niel Immelman of the Royal College of Music (London). The class takes place on Monday, 30 August, on the stage of the Odeion Auditorium from 14:00 - 17:00.

Two additional teaching sessions will be held at the Department in Room 10:
Wednesday, 1 September, 14:00 - 17:00
Thursday, 2 September, 14:00 - 17:00

Those who wish to participate in teaching sessions on Wednesday and Thursday must submit copies of their pieces by Monday 17:00, from which Prof. Immelman will make selections.

Participants at the master class on Monday, are:
Mauritz Heine
William Earl
Richard Rheeder
Caryn Reed
Stephanie Janecke

Admission to the master class and lessons are free.
For enquiries, contact Ninette Pretorius (051 – 401 2504) or Dana Cilliers (051 – 401 3239)


Niel Immelman FRCM

South African-born Niel Immelman studied with Cyril Smith, Ilona Kabos and Maria Curcio. He was still a student at the Royal College of Music when Bernard Haitink invited him to play Rachmaninoff’s Paganini Rhapsody with the London Philharmonic Orchestra. His highly successful début was followed by further appearances with the London Philharmonic, the Royal Philharmonic and other leading orchestras at the Royal Festival Hall, the Albert Hall and the Amsterdam Concertgebouw, and it marked a concert career that has taken Niel to every continent. His commercial recordings for the Etcetera and Meridian labels have received outstanding critical acclaim and he is the first pianist in history to have recorded the complete piano works of Josef Suk.

His teaching career is equally distinguished. He is Professor of Piano at the Royal College of Music in London, has given master classes at many of the world’s leading conservatoires, including the Chopin Academy (Warsaw), the Hong Kong Academy for Performing Arts, the Moscow Conservatoire, the Royal College of Music (Oslo), the Sibelius Academy (Helsinki), the Toronto Royal Conservatory, the Universities of Berlin and Vienna and the Victorian College of the Arts in Melbourne. He regularly serves on juries of international competitions.
 

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