Years
2019 2018
The Bald Diva
2018-05-24

The Bald DivaName of Production: The Bald Diva

Script By: Eugene Ionesco

Directed By: Dion van Niekerk

Venue: Scaena Theatre, UFS-Main Campus

Language: English

Genre: Comedy

Date and times:

  • 24 May @ 19:30
  • 25 May @ 19:30
  • 26 May @ 19:30

Tickets

  • R 40.00 PER PERSON
  • R 30.00 FOR STUDENTS, SCHOLARS,
  • R 25.00 FOR PENSIONERS

Bookings: Computicket (0861 915 8000)

Photo by Luhard Potgieter.

  • Nathan De La Rey
  • René Lombard
  • Kabelo Sekhoto
  • Vuyiswa Mxasa
  • Sikhuthali Bonga
  • Kairon de Beer

The Bald Diva

A typical English family: a typical English husband; a typical English wife, and a typical English home – except for the grandfather clock that strikes any number of times whenever it feels like it! How odd! And why are all the family friends named Bobby Watson?

Not much makes sense in Eugene Ionesco’s acclaimed play, The Bald Diva, but that’s half the fun. A French maid, a fireman and two very confused dinner guests all turn a “typical” English evening into an experience that no-one is likely to forget soon.

The Bald Diva is an hour-long romp through the absurdity of language, English tradition and strained marital relationships. Directed by Dion van Niekerk, and starring a bunch of highly talented students, this classic masterpiece is not to be missed!

The Bald Diva will be playing at the University of the Free State’s Scaena theatre from the 24th to the 26th May at 19:30pm. Tickets are available at Computicket.


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Caesar

Original Script By Shakespeare (Julius Caesar)

Adapted By: Thys Heydenrych

Directed By: Thys Heydenrych

Venue:  Wynand Mouton Theatre, UFS-Main Campus

Language: English & Afrikaans

Genre: Drama

 

Caesar adapted and directed by Thys Heydenrych, is a modern re-telling of Shakespeare’s Julius Caesar. The production is in Afrikaans and English, with the title character portrayed by a woman.

 

Shakespeare’s Julius Caesar is unique due to the lack of both villains and heroes. This adapted political thriller tells the story of the conspiracy against Caesar, her assassination and the defeat of her conspirators. The adaptation explores the ideas of women and leadership, political turmoil, fear and betrayal.

 

In the Roman Republic, political decisions were made through public debates and persuasive arguments, and in theory, the ideas that would be best for Rome would prevail rather than the will of one ruler; very similar to most countries’ political systems. Imagine a Trump, Malema, Zuma, Putin or Mugabe becoming king?

 

However, what happens when a nation purges their leader and replace him/her with a new leader? Does it not create new problems? Look at our current political environment. In Caesar, the assassination for the sake of democracy, as Brutus blindly believes, leads to civil war, mass slaughter, multiple executions and the installation of an emperor.

 

Brutus struggles with these issues; should he murder Caesar before she even does anything wrong? In his mind, it's better to sacrifice an innocent ruler than risk her becoming a dictator.

 

Upon Caesar’s triumphant return to Rome from the war against Pompeii, the Roman republic prepares to crown her king, which causes concern and dismay among some senators who fear that she will have too much power. Caius Cassius plots a conspiracy to murder Caesar, enlisting the support of Brutus, who is also concerned about Caesar becoming king. At Caesar's funeral, Brutus addresses the people and successfully explains the conspirators' motives. However, Antony speaks next and turns the mob against the conspirators, who are forced to flee from Rome. Antony with Caesar's niece, Octavia, take command of Rome and lead an army against the conspirators. At Philippi, Brutus and Cassius are defeated, and they kill themselves rather than to be captured.

 

Caesar, performed by 2nd-year drama students of the University of the Free State, is playing in the Wynand Mouton theatre, 21 – 23 November at 19h30. Tickets available at Computicket.

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