Years
2019 2018
Hoe speelgoed regtig-egtig word
2018-09-22

Script by: Karen Combrinck
Directed by: Debeer Cloete
Venue:  Scaena Rehearsal Room Theatre, UFS-Main Campus
Language: Afrikaans
Genre: Children's Theatre

Date and times:
19 September @ 11:00
20 September @ 11:00
21 September @ 11:00
21 September @ 18:00
22 September @ 10:00
22 September @ 12:00

Price:  R 25.00 per person and/or R20.00 per person for groups of 10 or more.
Bookings:  Computicket (0861 915 8000)
Group bookings: Karen Combrinck ((051) 401 2160)

“There once was a Velveteen Rabbit, and in the beginning, he was really splendid. He was fat and bunchy, as a Rabbit should be; and for at least an hour the Boy loved him”.

Hoe speelgoed regtig-egtig word is a brand-new theatre script from the pen of Karen Combrinck based on Margery Williams’ beloved tale of the Velveteen Rabbit.  The production tells the tale of a shy toy rabbit who wants nothing more than becoming real.  One day the toy rabbit ends up on a heap of Christmas gifts.  Along with the other toys, old and new, the velveteen rabbit goes on a journey of discovery during which he realizes that it is not what you can do or what you look like that matters, but that being loved by someone else makes you real. 

DeBeer Cloete (Bunnicula, Lyle the Crocodile and A monster under the bed) directs this production that showcases the talents of the second-year drama and theatre arts students. 

The production opens on Wednesday 19 September at the Rehearsal Room at the Scaena Theatre Complex on the UFS campus. 

Tickets are available through Computicket and are priced between R20 and R25. 

Showtimes are as follow:  19 - 21 September 11:00, 21 September 18:00 and 22 September 10:00 and 12:00.   


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Jacki McInnes exhibition

DE MAGNETE

at the Johannes Stegmann Art Gallery from 23 August - 14 September.

Gallery hours: Mon - Fri 08:30 - 16:30.

The Earth's magnetic field strength was measured by Carl Friedrich Gauss in 1835 and has been repeatedly measured since then, showing a relative decay of about 10% over the last 150 years.

It is a supreme irony that we live in a contemporary scenario in which global culture, predicated on the notion of progress, is in fact, entirely based on the relentless destruction of nature. McInnes’ solo exhibition de Magnete interrogates the contradictions inherent in present-day human thought and behaviour, especially with respect to the disconnect between our material aspirations and their inevitable effect on our planet and ultimate future.

Key areas of interest relate to the forces of attraction and repulsion and, secondarily, to the speed at which we hurtle resolutely on our chosen trajectory into an uncertain future. McInnes explores the concept of ‘anomie’ – a term referring to the loss of personal or societal norms of behaviour. The word was popularised by French sociologist Emile Durkheim in his influential book Suicide (1897). Durkheim was of the opinion that anomie arises as a result of a mismatch between personal or group standards and wider social standards, or from a lack of a social ethic, which acts to produce moral deregulation and an absence of legitimate aspirations.

A leit motif of the effect exerted by the magnetic field runs through the work speaking to the concepts of the loss of our societal moral compass and to the binary opposing forces to which we are subjected: nature on nature; man on nature; man on man, and inevitably, nature on man.

 

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