Years
2019 2018
Hoe speelgoed regtig-egtig word
2018-09-22

Script by: Karen Combrinck
Directed by: Debeer Cloete
Venue:  Scaena Rehearsal Room Theatre, UFS-Main Campus
Language: Afrikaans
Genre: Children's Theatre

Date and times:
19 September @ 11:00
20 September @ 11:00
21 September @ 11:00
21 September @ 18:00
22 September @ 10:00
22 September @ 12:00

Price:  R 25.00 per person and/or R20.00 per person for groups of 10 or more.
Bookings:  Computicket (0861 915 8000)
Group bookings: Karen Combrinck ((051) 401 2160)

“There once was a Velveteen Rabbit, and in the beginning, he was really splendid. He was fat and bunchy, as a Rabbit should be; and for at least an hour the Boy loved him”.

Hoe speelgoed regtig-egtig word is a brand-new theatre script from the pen of Karen Combrinck based on Margery Williams’ beloved tale of the Velveteen Rabbit.  The production tells the tale of a shy toy rabbit who wants nothing more than becoming real.  One day the toy rabbit ends up on a heap of Christmas gifts.  Along with the other toys, old and new, the velveteen rabbit goes on a journey of discovery during which he realizes that it is not what you can do or what you look like that matters, but that being loved by someone else makes you real. 

DeBeer Cloete (Bunnicula, Lyle the Crocodile and A monster under the bed) directs this production that showcases the talents of the second-year drama and theatre arts students. 

The production opens on Wednesday 19 September at the Rehearsal Room at the Scaena Theatre Complex on the UFS campus. 

Tickets are available through Computicket and are priced between R20 and R25. 

Showtimes are as follow:  19 - 21 September 11:00, 21 September 18:00 and 22 September 10:00 and 12:00.   


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In Whom Can I Still Trust?

The Institute of Reconciliation and Social Justice in partnership with the Johannes Stegmann Art Gallery and Student Affairs invite all staff and students to "In Whom Can I Still Trust?"  An exhibition on the history of homosexuals during the Nazi era, which also explores the failure to protect sexual minorities in South Africa.

6 - 14 June

Thakaneng Student Centre

Opening:  6 June at 17:00

Walkabout:  7 June at 10:00

Guest Speaker:  Richard Freedman, Director South African Holocaust & Genocide Foundation

Responding to an untold history of persecution

The South African Holocaust and Genocide Foundation is bringing to South Africa the exhibition, ‘In Whom Can I Still Trust’, which explores the Nazi persecution of homosexuals.

The exhibition, redesigned and developed for South Africa by the South African Holocaust and Genocide Foundation , makes use of archive photographs, personal testimonies and video clips and relates the historical narrative to the prejudices still facing homosexuals today.  Developed by Dr Klaus Mueller, Berlin, on behalf of IHLIA (Homosexual and Lesbian Archive, Amsterdam), the exhibition highlights the largely untold history of the persecution of homosexuals in Nazi Germany. 

Through additional panels, the exhibition aims to highlight the progress made in ensuring the protection of sexual minorities in South Africa. (ADDENDUM A)

The relevance to South Africa

Despite South Africa’s Constitution and Bill of Rights, which safeguards the rights of all to be protected against any form of discrimination, homophobia and prejudice towards members of the lesbian and gay community is still widespread in South African society. Attacks on lesbian women and gay men are frequent and school learners, whose sexual orientation is other than heterosexual, encounter terrible prejudice.

‘IT GETS BETTER SOUTH AFRICA’

Videos from the ‘IT GETS BETTER SOUTH AFRICA’ project will form an important part of the ‘In Whom Can I Still Trust’ exhibition.

A diverse group of high profile individuals have teamed up with students from the University of Cape Town and University of Pretoria to create a collection of videos that discourages homophobic bullying. The interviewees range from struggle hero Ahmed Kathrada and Nobel Peace laureate Archbishop Emeritas Desmond Tutu  to TV personality Joanne Strauss.

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