Years
2019 2018
Hoe speelgoed regtig-egtig word
2018-09-22

Script by: Karen Combrinck
Directed by: Debeer Cloete
Venue:  Scaena Rehearsal Room Theatre, UFS-Main Campus
Language: Afrikaans
Genre: Children's Theatre

Date and times:
19 September @ 11:00
20 September @ 11:00
21 September @ 11:00
21 September @ 18:00
22 September @ 10:00
22 September @ 12:00

Price:  R 25.00 per person and/or R20.00 per person for groups of 10 or more.
Bookings:  Computicket (0861 915 8000)
Group bookings: Karen Combrinck ((051) 401 2160)

“There once was a Velveteen Rabbit, and in the beginning, he was really splendid. He was fat and bunchy, as a Rabbit should be; and for at least an hour the Boy loved him”.

Hoe speelgoed regtig-egtig word is a brand-new theatre script from the pen of Karen Combrinck based on Margery Williams’ beloved tale of the Velveteen Rabbit.  The production tells the tale of a shy toy rabbit who wants nothing more than becoming real.  One day the toy rabbit ends up on a heap of Christmas gifts.  Along with the other toys, old and new, the velveteen rabbit goes on a journey of discovery during which he realizes that it is not what you can do or what you look like that matters, but that being loved by someone else makes you real. 

DeBeer Cloete (Bunnicula, Lyle the Crocodile and A monster under the bed) directs this production that showcases the talents of the second-year drama and theatre arts students. 

The production opens on Wednesday 19 September at the Rehearsal Room at the Scaena Theatre Complex on the UFS campus. 

Tickets are available through Computicket and are priced between R20 and R25. 

Showtimes are as follow:  19 - 21 September 11:00, 21 September 18:00 and 22 September 10:00 and 12:00.   


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Paul Roux: Project Apology

PAUL ROUX

Project Apology

29 January – 28 February 2014

Johannes Stegmann Art Gallery, Sasol Library

Please join us for the exhibition event on:

Wednesday 5 February 2014 at 19:00

Guest speaker:

Dr André Rose

Senior Lecturer at the Department of Community Health, University of the Free State

Begun by Paul Roux in 2007, Project Apology is an ongoing video documentation of an undertaking to apologize, in person and as a member of humanity, to non-human species on the planet that are being adversely affected by human activity.

Obviously such a mandate includes every last living creature and, as such, presents a very tall order, the unmanageability of such an undertaking becoming a big part of its content as a piece of art.

The project’s intent is to use satire as a means to deliver a serious message in an unconventionally and ‘amusingly’ palatable, yet provocative manner – in attempting to come to terms with, morally and spiritually, the human implications of our current scientific reality (evidenced, for example, in the current rate of species extinction documented by the International Union for Conservation of Nature – IUCN).

Project Apology aims to engage viewers in the scientific reality of the contemporary moment in a novel way. Of course, the issue of our severe and escalating impact on the planet sometimes seems trivial in a world where hundreds of millions of people have nothing to eat and more than a billion do not have access to clean water. The spiritual and ethical implications of our impact on the planet aside, to Roux these are equally important challenges, because rapid population and industrial growth will continue to have an escalating affect our own sustainability in various ways – from food production, through to climate change and water quality. Just as there are currently more than enough resources on the earth for every person to have more than enough to eat and to live comfortably, so are there enough resources to ensure that all beings have access to their birth right of a pristine ecosystem in which to flourish.

The scientific reality is that we are in a period of mass extinction and that, as part of a single greater symbiotic ecosystem, we are ultimately endangering our own survival. And so, to Roux, the act of apology, though intended partly as a satire of contemporary humanity, is also an acknowledgement of our common humanity and of our true nature as part of the single global ecosystem. Project Apology is thus also an apology to ourselves, an acknowledgment of ourselves. 


 

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