Years
2019 2018
Noises Off
2018-09-29

Script by: Michael Frayn

Directed by: Thys Heydenrych

Vanue:  Wynand Mouton Theatre, UFS-Main Campus

Language: English

Genre: Comedy

 

Date and times:

26 September @ 19h30

27 September @ 19h30

28 September @ 19h30

29 September @ 19h30

 

Tickets: 

R 40.00 per person

R30.00 for students, scholars,

R25.00 for oensioners

Bookings:  Computicket (0861 915 8000) 

The British play Noises Off is bound to have you in stitches. Written by Michael Frayn, Noises Off can be considered a farce within a comedy and gives an inside look at all the antics of the theatre: the ups, downs, backstabbing, and relationships that form while a play is being produced and performed.

Noises Off follow a group of actors preparing for a cringe-worthy production called “Nothing-On.” What follows is on-stage misdirection, misunderstandings, doors that will not work, and props that aren’t there. Theatregoers are promised a glimpse of what happens backstage as the stage will literally turn. The actor’s best and worst sides are displayed, revealing their mysteries of trying to keep track of their newspapers, plants, lovers, missing cast members and a few plates of Sardines.

Noises Off will be featuring third-year students of the Department of Drama and Theatre Arts of the University of the Free State. Directed by Thys Heydenrych. It will be performed from 26 to 29 September 2018 at the Wynand Mouton Theatre, UFS campus, at 19:30. Tickets are available at Computicket.

This production is appreciated by an audience of age 15 and over because of a more … grown-up storyline.

The production is made possible with the support from Creative Kilowatt and Iewers Nice.


Back
Jacki McInnes exhibition

DE MAGNETE

at the Johannes Stegmann Art Gallery from 23 August - 14 September.

Gallery hours: Mon - Fri 08:30 - 16:30.

The Earth's magnetic field strength was measured by Carl Friedrich Gauss in 1835 and has been repeatedly measured since then, showing a relative decay of about 10% over the last 150 years.

It is a supreme irony that we live in a contemporary scenario in which global culture, predicated on the notion of progress, is in fact, entirely based on the relentless destruction of nature. McInnes’ solo exhibition de Magnete interrogates the contradictions inherent in present-day human thought and behaviour, especially with respect to the disconnect between our material aspirations and their inevitable effect on our planet and ultimate future.

Key areas of interest relate to the forces of attraction and repulsion and, secondarily, to the speed at which we hurtle resolutely on our chosen trajectory into an uncertain future. McInnes explores the concept of ‘anomie’ – a term referring to the loss of personal or societal norms of behaviour. The word was popularised by French sociologist Emile Durkheim in his influential book Suicide (1897). Durkheim was of the opinion that anomie arises as a result of a mismatch between personal or group standards and wider social standards, or from a lack of a social ethic, which acts to produce moral deregulation and an absence of legitimate aspirations.

A leit motif of the effect exerted by the magnetic field runs through the work speaking to the concepts of the loss of our societal moral compass and to the binary opposing forces to which we are subjected: nature on nature; man on nature; man on man, and inevitably, nature on man.

 

We use cookies to make interactions with our websites and services easy and meaningful, to better understand how they are used and to tailor advertising. You can read more and make your cookie choices here. By continuing to use this site you are giving us your consent to do this.

Accept