Years
2019 2018
Noises Off
2018-09-29

Script by: Michael Frayn

Directed by: Thys Heydenrych

Vanue:  Wynand Mouton Theatre, UFS-Main Campus

Language: English

Genre: Comedy

 

Date and times:

26 September @ 19h30

27 September @ 19h30

28 September @ 19h30

29 September @ 19h30

 

Tickets: 

R 40.00 per person

R30.00 for students, scholars,

R25.00 for oensioners

Bookings:  Computicket (0861 915 8000) 

The British play Noises Off is bound to have you in stitches. Written by Michael Frayn, Noises Off can be considered a farce within a comedy and gives an inside look at all the antics of the theatre: the ups, downs, backstabbing, and relationships that form while a play is being produced and performed.

Noises Off follow a group of actors preparing for a cringe-worthy production called “Nothing-On.” What follows is on-stage misdirection, misunderstandings, doors that will not work, and props that aren’t there. Theatregoers are promised a glimpse of what happens backstage as the stage will literally turn. The actor’s best and worst sides are displayed, revealing their mysteries of trying to keep track of their newspapers, plants, lovers, missing cast members and a few plates of Sardines.

Noises Off will be featuring third-year students of the Department of Drama and Theatre Arts of the University of the Free State. Directed by Thys Heydenrych. It will be performed from 26 to 29 September 2018 at the Wynand Mouton Theatre, UFS campus, at 19:30. Tickets are available at Computicket.

This production is appreciated by an audience of age 15 and over because of a more … grown-up storyline.

The production is made possible with the support from Creative Kilowatt and Iewers Nice.


Back
Lecture: “Mandela, You Are Finally Free: Music, Memory, and Madiba”

presented by Prof. Gregory Melchor-Barz (senior professor: Odeion School of Music)

28 February 2014

Odeion

12:10

Abstract:

Asimbonanga, asimbonang' uMandela thina [We have not seen him, we have not seen Mandela]

Laph’ekhona, Laph'ehleli khonal [In the place where he is, in the place where he is kept]

Johnny Clegg and Savuka

Over the years Nelson Mandela inspired musicians to write about his life and perform challenging musical responses to the struggle against apartheid in South Africa. In this brief presentation, we will engage a variety of performers who performed musical tributes and challenges to the life and career of Madiba. We will also focus on the problematic issue of music for and about Mandela that was consumed outside in the South African diaspora (whether due to prohibitions or bans within the country or otherwise) vs. music produced as an internal musical commodity. 

Gregory Melchor-Barz, PhD

Alexander Heard Distinguished Service Professor

Associate Professor of Musicology/Ethnomusicology (Blair School of Music)

Associate Professor Music and Religion (Divinity School)

Associate Professor of Anthropology (Anthropology)

Faculty Head of North House, The Ingram Commons

Admission: Free

Enquiries: Ninette Pretorius (051 401 2504 / pretoriusn@ufs.ac.za)

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