Years
2019 2018
Handel the Great
2018-04-25

The Odeion Baroque Ensemble of the OSM presents

Handel the Great

Wednesday 25 April 2018

Odeion

19:30

The Odeion Baroque Ensemble presents this concert – Handel the Great. This concert consists of a variety of some of the most attractive and popular works by Georg Friedrich Handel (1685 - 1759). The famous Water Music, concerto’s and arias are on the programme. The artists who will perform, include members of the Henkins family – Tilla, Francois, Brahm, and Alba; the Kriges – Petrus and Maretha; Kimberley based oboist Kobus Malan; percussionist Heinrich Lategan and tenor Lance Phillip.

Petrus Krige arranged the works on the programme for an ensemble of violins, violas, cello, double bass, three recorders, two oboes, bassoon, harpsichord, organ, Baroque timpani and tenor.

The guaranteed highlight on the programme will be the Water Music and Music for the Royal Fireworks. Handel composed his Water Music with the arrival of the new King George I on the Thames river. This king was Handel’s employer before (in Hannover). Thirty five years later he composed the Music for the Royal Fireworks for 59 wind instruments. About 12 000 people attended the performance in Green Park.

Lance Phillip will open the programme with the popular Where’er you walk from Semele - a Shakespeare sonnet set to music. He will also perform a complete secular cantata and give a rendition of opera extracts from Rodelinda.

The rest of the programme will consist of concerto’s for violin and oboe. Handel himself was a violinist and oboist. His only Violin Concerto, with demanding technical abilities, will be performed by Francois Henkins. Handel is most likely the most prominent composers of organ concerto’s. Maretha Krige plays the first and second movement from a lesser known organ concerto.

Where’er you walk, an aria from Semele
Adagio, from Organ Concerto in D minor
Excerpts from the three Water Music suites
Look down, harmonious Saint
Oboe Concerto in G minor
Violin Concerto in B-flat major (Sonata à 5)
Fatto inferno and Pastorello, from opera Rodelinda
Excerpts from Music for the Royal Fireworks

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504 / pretoriusn@ufs.ac.za)


Back
The Mesh

By Keith Armstrong

Johannes Stegmann Art Gallery, Sasol Library

Exhibition closes:  Friday 11 August 2017

Gallery hours: Monday to Friday 08:30 – 16:30.

The Mesh is an interactive, experiential solo exhibition by Australian artist Keith Armstrong. The five artworks on exhibition each investigate how the ‘mesh' of environmental, social and cultural ecologies form our worlds, asking how might we re-imagine our place and actions within those networks as ‘refuturing’ (i.e. concerted actions that help increase time left in the future). 

Retrospective works are shown together with international premieres. These include a sculptural text-based work O Tswellang, arising from collaborations with 'change agents' in the informal townships around Bloemfontein. Another of the five works, the international premiere of Eremocene (Era of Loneliness), allows the viewer to interact with faintly glowing fibre optic forms that travel ethereally through a darkened tank accompanied by dynamic sounds, suggesting an naturalised/artificially intelligent form, ambiguously isolated at the edges of fluid consciousness. The exhibition also sees the re-development of innovative video installations such as Shifting Dusts, originally commissioned for the Institute for Contemporary Arts (ICA) London in 2006 and Seasonal

Audiences navigate these works non-linearly, encountering kinetic light works, telescopic tunnels of ethereal imagery and sound and gently pulsing, ambiguous surfaces. Overall The Mesh seeks to shine a light upon the silent, shadowy barriers of cultural misunderstanding that prevent us from re-inventing ourselves as a future-sustaining species.

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