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Handel the Great
2018-04-25

The Odeion Baroque Ensemble of the OSM presents

Handel the Great

Wednesday 25 April 2018

Odeion

19:30

The Odeion Baroque Ensemble presents this concert – Handel the Great. This concert consists of a variety of some of the most attractive and popular works by Georg Friedrich Handel (1685 - 1759). The famous Water Music, concerto’s and arias are on the programme. The artists who will perform, include members of the Henkins family – Tilla, Francois, Brahm, and Alba; the Kriges – Petrus and Maretha; Kimberley based oboist Kobus Malan; percussionist Heinrich Lategan and tenor Lance Phillip.

Petrus Krige arranged the works on the programme for an ensemble of violins, violas, cello, double bass, three recorders, two oboes, bassoon, harpsichord, organ, Baroque timpani and tenor.

The guaranteed highlight on the programme will be the Water Music and Music for the Royal Fireworks. Handel composed his Water Music with the arrival of the new King George I on the Thames river. This king was Handel’s employer before (in Hannover). Thirty five years later he composed the Music for the Royal Fireworks for 59 wind instruments. About 12 000 people attended the performance in Green Park.

Lance Phillip will open the programme with the popular Where’er you walk from Semele - a Shakespeare sonnet set to music. He will also perform a complete secular cantata and give a rendition of opera extracts from Rodelinda.

The rest of the programme will consist of concerto’s for violin and oboe. Handel himself was a violinist and oboist. His only Violin Concerto, with demanding technical abilities, will be performed by Francois Henkins. Handel is most likely the most prominent composers of organ concerto’s. Maretha Krige plays the first and second movement from a lesser known organ concerto.

Where’er you walk, an aria from Semele
Adagio, from Organ Concerto in D minor
Excerpts from the three Water Music suites
Look down, harmonious Saint
Oboe Concerto in G minor
Violin Concerto in B-flat major (Sonata à 5)
Fatto inferno and Pastorello, from opera Rodelinda
Excerpts from Music for the Royal Fireworks

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504 / pretoriusn@ufs.ac.za)


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Quartet For The End Of Time

Quartet For The End Of Time

By Olivier Messiaen (1908 – 1992)

25 October 2018

Odeion

19:30

“THE IDEA OF THE END OF TIME AS THE END OF PAST AND FUTURE AND THE BEGINNING OF ETERNITY”

Anmari van der Westhuizen and Samson Diamond (members of the renowned Odeion String Quartet), will join with the award-winning soloists Grethe Nöthling and Danrè Strydom to perform one of the 20th century’s most compelling chamber music works, Olivier Messiaen’s Quartet for the End of Time. These musicians need no introduction to Bloemfontein audiences.

Composed while he was a prisoner of war, Messiaen's Quartet has continually wowed audiences since its creation. The oppressive conditions within which the work was conceived - set against the backdrop of wartime conditions in Nazi Germany - contribute to the work’s inner narrative. In this unsettling time of global political and social uncertainty, we aim to reframe this work from the past in order to contemplate the present. Music woven together with other art forms elicit and explain a range of emotions where words often fail.

A selection of striking WWII photos will be projected behind the musicians - reflecting the theme and history of the composition.

About the composition
Olivier Messiaen (1908 - 92)
Quatour pour le fin du temps (1940 - 41)

Olivier Messiaen’s Quartet for the End of Time was written in perhaps the most incongruous spot any great score has been composed in: an unheated barrack in Stalag VIII-A, a German prisoner-of-war camp, during the second winter of World War 2. Messiaen wrote this mystical quartet for the instruments available in the camp (clarinet, violin, cello, and piano) in a setting that is arguably among the least conducive for creative work.

The quartet is Messiaen's musical depiction of and rumination on Revelation 10:1-7, which the composer included as a heading to the score:

“I saw a mighty angel descending from heaven, clad in mist, having around his head a rainbow. His face was like the sun, his feet like pillars of fire. He placed his right foot on the sea, his left on the earth, and standing thus on the sea and the earth, he lifted his hand toward heaven and swore by Him who liveth forever and ever, saying: "There shall be time no longer, but at the day of the trumpet of the seventh angel the mystery of God shall be consummated."

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)

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