Years
2019 2018
Handel the Great
2018-04-25

The Odeion Baroque Ensemble of the OSM presents

Handel the Great

Wednesday 25 April 2018

Odeion

19:30

The Odeion Baroque Ensemble presents this concert – Handel the Great. This concert consists of a variety of some of the most attractive and popular works by Georg Friedrich Handel (1685 - 1759). The famous Water Music, concerto’s and arias are on the programme. The artists who will perform, include members of the Henkins family – Tilla, Francois, Brahm, and Alba; the Kriges – Petrus and Maretha; Kimberley based oboist Kobus Malan; percussionist Heinrich Lategan and tenor Lance Phillip.

Petrus Krige arranged the works on the programme for an ensemble of violins, violas, cello, double bass, three recorders, two oboes, bassoon, harpsichord, organ, Baroque timpani and tenor.

The guaranteed highlight on the programme will be the Water Music and Music for the Royal Fireworks. Handel composed his Water Music with the arrival of the new King George I on the Thames river. This king was Handel’s employer before (in Hannover). Thirty five years later he composed the Music for the Royal Fireworks for 59 wind instruments. About 12 000 people attended the performance in Green Park.

Lance Phillip will open the programme with the popular Where’er you walk from Semele - a Shakespeare sonnet set to music. He will also perform a complete secular cantata and give a rendition of opera extracts from Rodelinda.

The rest of the programme will consist of concerto’s for violin and oboe. Handel himself was a violinist and oboist. His only Violin Concerto, with demanding technical abilities, will be performed by Francois Henkins. Handel is most likely the most prominent composers of organ concerto’s. Maretha Krige plays the first and second movement from a lesser known organ concerto.

Where’er you walk, an aria from Semele
Adagio, from Organ Concerto in D minor
Excerpts from the three Water Music suites
Look down, harmonious Saint
Oboe Concerto in G minor
Violin Concerto in B-flat major (Sonata à 5)
Fatto inferno and Pastorello, from opera Rodelinda
Excerpts from Music for the Royal Fireworks

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504 / pretoriusn@ufs.ac.za)


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Caesar

Original Script By Shakespeare (Julius Caesar)

Adapted By: Thys Heydenrych

Directed By: Thys Heydenrych

Venue:  Wynand Mouton Theatre, UFS-Main Campus

Language: English & Afrikaans

Genre: Drama

 

Caesar adapted and directed by Thys Heydenrych, is a modern re-telling of Shakespeare’s Julius Caesar. The production is in Afrikaans and English, with the title character portrayed by a woman.

 

Shakespeare’s Julius Caesar is unique due to the lack of both villains and heroes. This adapted political thriller tells the story of the conspiracy against Caesar, her assassination and the defeat of her conspirators. The adaptation explores the ideas of women and leadership, political turmoil, fear and betrayal.

 

In the Roman Republic, political decisions were made through public debates and persuasive arguments, and in theory, the ideas that would be best for Rome would prevail rather than the will of one ruler; very similar to most countries’ political systems. Imagine a Trump, Malema, Zuma, Putin or Mugabe becoming king?

 

However, what happens when a nation purges their leader and replace him/her with a new leader? Does it not create new problems? Look at our current political environment. In Caesar, the assassination for the sake of democracy, as Brutus blindly believes, leads to civil war, mass slaughter, multiple executions and the installation of an emperor.

 

Brutus struggles with these issues; should he murder Caesar before she even does anything wrong? In his mind, it's better to sacrifice an innocent ruler than risk her becoming a dictator.

 

Upon Caesar’s triumphant return to Rome from the war against Pompeii, the Roman republic prepares to crown her king, which causes concern and dismay among some senators who fear that she will have too much power. Caius Cassius plots a conspiracy to murder Caesar, enlisting the support of Brutus, who is also concerned about Caesar becoming king. At Caesar's funeral, Brutus addresses the people and successfully explains the conspirators' motives. However, Antony speaks next and turns the mob against the conspirators, who are forced to flee from Rome. Antony with Caesar's niece, Octavia, take command of Rome and lead an army against the conspirators. At Philippi, Brutus and Cassius are defeated, and they kill themselves rather than to be captured.

 

Caesar, performed by 2nd-year drama students of the University of the Free State, is playing in the Wynand Mouton theatre, 21 – 23 November at 19h30. Tickets available at Computicket.

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