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Handel the Great
2018-04-25

The Odeion Baroque Ensemble of the OSM presents

Handel the Great

Wednesday 25 April 2018

Odeion

19:30

The Odeion Baroque Ensemble presents this concert – Handel the Great. This concert consists of a variety of some of the most attractive and popular works by Georg Friedrich Handel (1685 - 1759). The famous Water Music, concerto’s and arias are on the programme. The artists who will perform, include members of the Henkins family – Tilla, Francois, Brahm, and Alba; the Kriges – Petrus and Maretha; Kimberley based oboist Kobus Malan; percussionist Heinrich Lategan and tenor Lance Phillip.

Petrus Krige arranged the works on the programme for an ensemble of violins, violas, cello, double bass, three recorders, two oboes, bassoon, harpsichord, organ, Baroque timpani and tenor.

The guaranteed highlight on the programme will be the Water Music and Music for the Royal Fireworks. Handel composed his Water Music with the arrival of the new King George I on the Thames river. This king was Handel’s employer before (in Hannover). Thirty five years later he composed the Music for the Royal Fireworks for 59 wind instruments. About 12 000 people attended the performance in Green Park.

Lance Phillip will open the programme with the popular Where’er you walk from Semele - a Shakespeare sonnet set to music. He will also perform a complete secular cantata and give a rendition of opera extracts from Rodelinda.

The rest of the programme will consist of concerto’s for violin and oboe. Handel himself was a violinist and oboist. His only Violin Concerto, with demanding technical abilities, will be performed by Francois Henkins. Handel is most likely the most prominent composers of organ concerto’s. Maretha Krige plays the first and second movement from a lesser known organ concerto.

Where’er you walk, an aria from Semele
Adagio, from Organ Concerto in D minor
Excerpts from the three Water Music suites
Look down, harmonious Saint
Oboe Concerto in G minor
Violin Concerto in B-flat major (Sonata à 5)
Fatto inferno and Pastorello, from opera Rodelinda
Excerpts from Music for the Royal Fireworks

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504 / pretoriusn@ufs.ac.za)


Back
Don’t shoot the messenger

Production: Don’t shoot the messenger
Text: Prof. Nico Luwes
Director: Prof. Nico Luwes
Venue: Wynand Mouton Theatre

Dates & times:
Morning performances
21 May 2009 - 10h30 (Free attendance for public)
22 May 2009 - 10h30 (Free attendance for public)
23 May 2009 - 10h30 ((Free attendance for public)


Evening production
23 May 2009 - 19h00

Tickets:
R 30.00 Adults
R 25.00 Pensioners, scholars & students
R 25.00 Block bookings 10+
R 15.00 Club Theatron members

Tickets available at Computicket (Mimosa Mall & any Checkers) or at the door.

This new allegorical play by Prof Nico Luwes, “Don’t shoot the messenger!” had its premiere on 26 and 26 March in the Wynand Mouton Theatre on the UFS campus. Thus, back by popular demand.

As part of the 200 year commemoration of Charles Darwin’s birth and the 150th year commemoration of his publication “The Origin of Species”, Darwin is confronted with ancient Greek knowledge in the form of the character, Ancienti Academicus. Were Darwin’s theories indeed original? Reli-Gious, representing Western religion comes into serious conflict with Darwin, the agnostic. In the fun play, Incense, appears from the blue and throws a spanner in the wheel with Eastern believes in Reincarnation and theories on the origin of life and the creation of Earth. The oldest, isolated nation is called in to bring some light on the matter and Original Aboriginal comes in to didgeridoo everything up further with her creation theories and Dreamtime. Off course Africa Nus is not impressed and tells the Africa tale on the origin of life on earth and how humans came to wander this earth. All the characters are manipulated by the Jester of the King about the core question: Can a religious person except and believe Darwin’s scientific theories? Or visa versa! Can a scientist except and believe the creation theory as it is written in the Bible? In this funny allegory, some-one will have to make the final decision, and you, the audience will be the Judge! The play was written with the support of the National Arts Council of South Africa and Nico Luwes directs the play. See you at The Wynand Mouton Theatre. Sparks will fly!
 

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