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Handel the Great
2018-04-25

The Odeion Baroque Ensemble of the OSM presents

Handel the Great

Wednesday 25 April 2018

Odeion

19:30

The Odeion Baroque Ensemble presents this concert – Handel the Great. This concert consists of a variety of some of the most attractive and popular works by Georg Friedrich Handel (1685 - 1759). The famous Water Music, concerto’s and arias are on the programme. The artists who will perform, include members of the Henkins family – Tilla, Francois, Brahm, and Alba; the Kriges – Petrus and Maretha; Kimberley based oboist Kobus Malan; percussionist Heinrich Lategan and tenor Lance Phillip.

Petrus Krige arranged the works on the programme for an ensemble of violins, violas, cello, double bass, three recorders, two oboes, bassoon, harpsichord, organ, Baroque timpani and tenor.

The guaranteed highlight on the programme will be the Water Music and Music for the Royal Fireworks. Handel composed his Water Music with the arrival of the new King George I on the Thames river. This king was Handel’s employer before (in Hannover). Thirty five years later he composed the Music for the Royal Fireworks for 59 wind instruments. About 12 000 people attended the performance in Green Park.

Lance Phillip will open the programme with the popular Where’er you walk from Semele - a Shakespeare sonnet set to music. He will also perform a complete secular cantata and give a rendition of opera extracts from Rodelinda.

The rest of the programme will consist of concerto’s for violin and oboe. Handel himself was a violinist and oboist. His only Violin Concerto, with demanding technical abilities, will be performed by Francois Henkins. Handel is most likely the most prominent composers of organ concerto’s. Maretha Krige plays the first and second movement from a lesser known organ concerto.

Where’er you walk, an aria from Semele
Adagio, from Organ Concerto in D minor
Excerpts from the three Water Music suites
Look down, harmonious Saint
Oboe Concerto in G minor
Violin Concerto in B-flat major (Sonata à 5)
Fatto inferno and Pastorello, from opera Rodelinda
Excerpts from Music for the Royal Fireworks

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504 / pretoriusn@ufs.ac.za)


Back
Ek, Anna van Wyk (AFR)

Title of Production:  Ek, Anna van Wyk

Language:  Afrikaans

Genre:  Drama

Directed by:  Nico Luwes

Written by:  Pieter Fourie

Featuring:  Final year drama students

Venue:  Wynand Mouton Theatre

Dates & times:

28 May at 19:30

29 May at 19:30

30 May at 19:30

Prices:  R 40.00 for adults / R 30.00 for students or scholars / R 25.00 for pensioners or for groups of 10 or more

Bookings:   Computicket (0861 915 8000)

Press Release

The play, "Ek, Anna van Wyk", by Hertzog prize-winner in 2003, Pieter Fourie, is performed by a multicultural third year cast of the UFS Drama Department students under the direction of Prof Nico Luwes in the Wynand Mouton Theatre from 28 to 30 May 2014.

“Anna” is an Afrikaans play about the disintegration of a marriage and a woman caught up in the patriarchal and Apartheid systems. In this haunting exploration of the Afrikaner psyche, the older members of the Terre’Blanche family are stuck in poisonous political dogma and traditions. In contrast, Anna and her husband, represent the young Afrikaner who shed the Apartheid dogma and desperately try to better the lives of their farm workers. The play deals with the rebellious Anna who challenges their misuse of power and the corruption of Christianity for own gain. Senior, the family patriarch, opposes his daughter- in-law, Anna, after it becomes obvious that she is an epileptic. Not fit as ‘breeding stock’ for the Terre’Blanche family she is replaced by a younger woman. In this heart-rending play she must sacrifice that and those who are dearest to her – her husband, her child, her status and herself. Fresh from a mental institution and rehabilitation from alcohol addiction, Anna struggles through the pains of rediscovering her lost identity and believes in what is right and what is wrong. In the final scene Anna apparently murders Senior, but the Voice in the auditorium assures the audience that he died of a heart attack earlier. But is this true? Depicting Anna as Senior’s victim and as a victim of the values embedded in the society he represents, raises the audience’s sympathy for her and diminishes the patriarch’s stature.

The plight of the farm workers plays an important part in the play. Taking into account the recent uprising of farm workers in the De Doorns district, it becomes clear that very little has changed since 1986 when the play was first performed and the country was on the brink of a civil war. Fourie has written a play that can be seen as a dramatic historical document of the 1980’s, but it’s relevance for the present political climate in the country cannot be denied.

Definitely a play that must be seen.

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