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Handel the Great
2018-04-25

The Odeion Baroque Ensemble of the OSM presents

Handel the Great

Wednesday 25 April 2018

Odeion

19:30

The Odeion Baroque Ensemble presents this concert – Handel the Great. This concert consists of a variety of some of the most attractive and popular works by Georg Friedrich Handel (1685 - 1759). The famous Water Music, concerto’s and arias are on the programme. The artists who will perform, include members of the Henkins family – Tilla, Francois, Brahm, and Alba; the Kriges – Petrus and Maretha; Kimberley based oboist Kobus Malan; percussionist Heinrich Lategan and tenor Lance Phillip.

Petrus Krige arranged the works on the programme for an ensemble of violins, violas, cello, double bass, three recorders, two oboes, bassoon, harpsichord, organ, Baroque timpani and tenor.

The guaranteed highlight on the programme will be the Water Music and Music for the Royal Fireworks. Handel composed his Water Music with the arrival of the new King George I on the Thames river. This king was Handel’s employer before (in Hannover). Thirty five years later he composed the Music for the Royal Fireworks for 59 wind instruments. About 12 000 people attended the performance in Green Park.

Lance Phillip will open the programme with the popular Where’er you walk from Semele - a Shakespeare sonnet set to music. He will also perform a complete secular cantata and give a rendition of opera extracts from Rodelinda.

The rest of the programme will consist of concerto’s for violin and oboe. Handel himself was a violinist and oboist. His only Violin Concerto, with demanding technical abilities, will be performed by Francois Henkins. Handel is most likely the most prominent composers of organ concerto’s. Maretha Krige plays the first and second movement from a lesser known organ concerto.

Where’er you walk, an aria from Semele
Adagio, from Organ Concerto in D minor
Excerpts from the three Water Music suites
Look down, harmonious Saint
Oboe Concerto in G minor
Violin Concerto in B-flat major (Sonata à 5)
Fatto inferno and Pastorello, from opera Rodelinda
Excerpts from Music for the Royal Fireworks

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504 / pretoriusn@ufs.ac.za)


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Structures of Dominion and Democracy

By David Goldblatt

Image: David Goldblatt, Sculpted by Kagiso Pat Mautloa, a memorial to those who died while in the detention of the Security Police in this building formerly known as John Vorster Square, now Johannesburg Central Police Station. 27 February 2012, Silver gelatin print on fibre based paper, 98 x 120cm

Until 7 August

Johannes Stegmann Art Gallery, Sasol Library, UFS

Monday to Friday: 08:30 – 16:30

This exhibition is dedicated to the series “Structures”, one of the major bodies of works by renowned South African photographer David Goldblatt.  For over three decades Goldblatt has travelled South Africa photographing sites and structures weighted with historical narrative: monuments, private, religious and secular, that reveal something about the people who built them.  These sites allow us a glimpse into the everyday. Each place is a repository, a landscape containing an epic story that has involved whole communities: the experience sometimes told through the memorialising of remarkable individuals.

The exhibition Structures of Dominion and Democracy traverses two distinct eras in South Africa history. As Goldblatt explains "over the years I have photographed South African structures which I found eloquent of the dominion which Whites gradually came to exert over all of South Africa and its peoples.  That time of domination began in 1660 when Jan van Riebeeck ordered a cordon to be erected of blockhouses and barriers that would exclude the indigenous population from access to the first European settlement in South Africa and its herds, lands, water and grazing.  The time of domination ended on the 2nd of February 1990, when, on behalf of the government and the Whites of South Africa, President FW de Klerk effectively abdicated from power.  Beginning in 1999 and continuing to the present, I have photographed some structures that are eloquent of our still nascent democracy.  In the belief that in what we build we express much about what we value, I have looked at South African structures as declarations of our value systems, our ethos."

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