Years
2019 2018
OSM Wind Bands Gala Concert
2018-04-14

14 April 2018

Odeion

18:00

The Odeion School of Music (OSM) will present the OSM Wind Bands Gala Concert at the Odeion Auditorium on Saturday 14 April as a culmination of their Wind Bands Festival and Conductor’s Workshop. The Free State Youth Wind Ensemble, conducted by main workshop presenter Gerben Grooten, will première Noel Stockton’s Marche Amusant as the concert overture. Thereafter each conductor will have the opportunity to conduct their specific works. The conductors include Anton Esterhuyse, Hatting Davel, Itumeleng Pooe, Joseph Carlo, Joseph Moilwa, Joas Erasmus, Heinrich Lategan, Eslon Hindundu, Tuhafeni Michael and Renier de Bruin.

Some of the works that will be conducted include Majestia (James Swearingen), Ammerland (Jacob De Haan), Whirlwind (James Curnow), March from the Second Suite in F (Gustav Holst), Acclamations (Ed Huckeby), and Sinatra in Concert (Jerry Nowak). After interval, the Johannesburg Youth Wind Band, under the baton of Etienne Mecloen, will thrill audiences with The Light Eternal (Swearingen), Dam Busters March (Eric Coates), Florentiner March (Julius Fucik) and The Mask of Zorro (James Horner).

ADMISSION: R50

Tickets available at Computicket, at the doors or online at http://online.computicket.com/web/

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


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The Mesh

By Keith Armstrong

Johannes Stegmann Art Gallery, Sasol Library

Exhibition closes:  Friday 11 August 2017

Gallery hours: Monday to Friday 08:30 – 16:30.

The Mesh is an interactive, experiential solo exhibition by Australian artist Keith Armstrong. The five artworks on exhibition each investigate how the ‘mesh' of environmental, social and cultural ecologies form our worlds, asking how might we re-imagine our place and actions within those networks as ‘refuturing’ (i.e. concerted actions that help increase time left in the future). 

Retrospective works are shown together with international premieres. These include a sculptural text-based work O Tswellang, arising from collaborations with 'change agents' in the informal townships around Bloemfontein. Another of the five works, the international premiere of Eremocene (Era of Loneliness), allows the viewer to interact with faintly glowing fibre optic forms that travel ethereally through a darkened tank accompanied by dynamic sounds, suggesting an naturalised/artificially intelligent form, ambiguously isolated at the edges of fluid consciousness. The exhibition also sees the re-development of innovative video installations such as Shifting Dusts, originally commissioned for the Institute for Contemporary Arts (ICA) London in 2006 and Seasonal

Audiences navigate these works non-linearly, encountering kinetic light works, telescopic tunnels of ethereal imagery and sound and gently pulsing, ambiguous surfaces. Overall The Mesh seeks to shine a light upon the silent, shadowy barriers of cultural misunderstanding that prevent us from re-inventing ourselves as a future-sustaining species.

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