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OSM Wind Bands Gala Concert
2018-04-14

14 April 2018

Odeion

18:00

The Odeion School of Music (OSM) will present the OSM Wind Bands Gala Concert at the Odeion Auditorium on Saturday 14 April as a culmination of their Wind Bands Festival and Conductor’s Workshop. The Free State Youth Wind Ensemble, conducted by main workshop presenter Gerben Grooten, will première Noel Stockton’s Marche Amusant as the concert overture. Thereafter each conductor will have the opportunity to conduct their specific works. The conductors include Anton Esterhuyse, Hatting Davel, Itumeleng Pooe, Joseph Carlo, Joseph Moilwa, Joas Erasmus, Heinrich Lategan, Eslon Hindundu, Tuhafeni Michael and Renier de Bruin.

Some of the works that will be conducted include Majestia (James Swearingen), Ammerland (Jacob De Haan), Whirlwind (James Curnow), March from the Second Suite in F (Gustav Holst), Acclamations (Ed Huckeby), and Sinatra in Concert (Jerry Nowak). After interval, the Johannesburg Youth Wind Band, under the baton of Etienne Mecloen, will thrill audiences with The Light Eternal (Swearingen), Dam Busters March (Eric Coates), Florentiner March (Julius Fucik) and The Mask of Zorro (James Horner).

ADMISSION: R50

Tickets available at Computicket, at the doors or online at http://online.computicket.com/web/

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


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Lecture: “Mandela, You Are Finally Free: Music, Memory, and Madiba”

presented by Prof. Gregory Melchor-Barz (senior professor: Odeion School of Music)

28 February 2014

Odeion

12:10

Abstract:

Asimbonanga, asimbonang' uMandela thina [We have not seen him, we have not seen Mandela]

Laph’ekhona, Laph'ehleli khonal [In the place where he is, in the place where he is kept]

Johnny Clegg and Savuka

Over the years Nelson Mandela inspired musicians to write about his life and perform challenging musical responses to the struggle against apartheid in South Africa. In this brief presentation, we will engage a variety of performers who performed musical tributes and challenges to the life and career of Madiba. We will also focus on the problematic issue of music for and about Mandela that was consumed outside in the South African diaspora (whether due to prohibitions or bans within the country or otherwise) vs. music produced as an internal musical commodity. 

Gregory Melchor-Barz, PhD

Alexander Heard Distinguished Service Professor

Associate Professor of Musicology/Ethnomusicology (Blair School of Music)

Associate Professor Music and Religion (Divinity School)

Associate Professor of Anthropology (Anthropology)

Faculty Head of North House, The Ingram Commons

Admission: Free

Enquiries: Ninette Pretorius (051 401 2504 / pretoriusn@ufs.ac.za)

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