Years
2019 2018
Stefan Velkov Guitar Recital
2018-04-19

19 April 2018

Odeion

19:30

Bulgarian-born Stefan Velkov was introduced to music since earliest childhood. His official training in music theory, piano and guitar started at the age of seven.

Stefan received his first music degree as a guitar and light music performer from the Bulgarian State Conservatoire (later renamed to Bulgarian Academy of Music). At this stage (the late seventies of the 20th century) the guitar in Bulgaria was still regarded mostly as a light-music instrument. That is why it was included as a study subject only within the Light Music Department of the Conservatoire. The interest and the knowledge of the classical guitar was still at its infancy, but its popularity was growing fast. This made it necessary for the Bulgarian Ministry of Culture to make a historic decision: for the first time in Bulgarian music history, a decision was made to send a young Bulgarian guitarist to Germany to receive a proper music degree in classical guitar and to return to Bulgaria and introduce classical guitar as a subject at the Bulgarian Academy of Music.

After competing with all the most talented guitarists of the country, Stefan won the competition which enabled him to receive a master's degree in classical guitar from the Berliner Hochschule fur Musik Hanns Eisler. He completed his studies in guitar, piano and composition with a special reward of the Hochshule as one of the five best students. During his studies he also won the competition for the best guitar composition.

During his studies abroad (1981 - 1988) Stefan met and had masterclasses with most of the best guitar professors and guitar maestros of our time: Maria-Livia Sao Marcos (Switzerland/ Brazil), Costas Cotsiolis (Greece), Dieter Kreidler (Germany) and Leo Brouwer (Cuba).

In 1986 he was appointed as the first classical guitar lecturer at the Bulgarian Academy of Music and chairperson of the guitar festivals and competitions. This was the time when his own active concert career began. Stefan's repertoire includes most of the great masterpieces ever written for this instrument, but he became more and more known for his own compositions for guitar which, according to critics, outshine the best known masterpieces created for classical guitar.

Stefan’s arrival in SA (1991), coincided with the search of the Free State Musicon for a qualified guitar lecturer in order to introduce the subject classical guitar as part of its music training programme. He was offered the position of senior guitar lecturer at the Musicon which he holds until present day. During this time he also taught at the University of the Free State (1992 - 1999).

Stefan has given concerts in Bulgaria, Poland, Germany, Czech Republic, England and South Africa.

PROGRAMME

  • Velkov: Summer Dream
    From the golden heritage of the classical guitar:
    • Villa-Lobos: Prelude
  • Two Magnificent Arpeggios
    • Giuliani
    • Brower
  • Two Romantic Pieces:
    • Velkov: Serenade
    • Velkov: Adagio (The Magic Of Love)
  • Velkov: Bulgarian Suite for Guitar
    • I Bulgarian folk dance
    • II Bulgarian folk-singing
    • III Bulgarian folk dance in 7/8
    • IV Bulgarian folk-song
    • V Bulgarian folk dance in 9/8
  • Velkov: Tango
  • Velkov: Two Modern Dances
  • Velkov: The Wild Horse

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Paul Roux: Project Apology

PAUL ROUX

Project Apology

29 January – 28 February 2014

Johannes Stegmann Art Gallery, Sasol Library

Please join us for the exhibition event on:

Wednesday 5 February 2014 at 19:00

Guest speaker:

Dr André Rose

Senior Lecturer at the Department of Community Health, University of the Free State

Begun by Paul Roux in 2007, Project Apology is an ongoing video documentation of an undertaking to apologize, in person and as a member of humanity, to non-human species on the planet that are being adversely affected by human activity.

Obviously such a mandate includes every last living creature and, as such, presents a very tall order, the unmanageability of such an undertaking becoming a big part of its content as a piece of art.

The project’s intent is to use satire as a means to deliver a serious message in an unconventionally and ‘amusingly’ palatable, yet provocative manner – in attempting to come to terms with, morally and spiritually, the human implications of our current scientific reality (evidenced, for example, in the current rate of species extinction documented by the International Union for Conservation of Nature – IUCN).

Project Apology aims to engage viewers in the scientific reality of the contemporary moment in a novel way. Of course, the issue of our severe and escalating impact on the planet sometimes seems trivial in a world where hundreds of millions of people have nothing to eat and more than a billion do not have access to clean water. The spiritual and ethical implications of our impact on the planet aside, to Roux these are equally important challenges, because rapid population and industrial growth will continue to have an escalating affect our own sustainability in various ways – from food production, through to climate change and water quality. Just as there are currently more than enough resources on the earth for every person to have more than enough to eat and to live comfortably, so are there enough resources to ensure that all beings have access to their birth right of a pristine ecosystem in which to flourish.

The scientific reality is that we are in a period of mass extinction and that, as part of a single greater symbiotic ecosystem, we are ultimately endangering our own survival. And so, to Roux, the act of apology, though intended partly as a satire of contemporary humanity, is also an acknowledgement of our common humanity and of our true nature as part of the single global ecosystem. Project Apology is thus also an apology to ourselves, an acknowledgment of ourselves. 


 

We use cookies to make interactions with our websites and services easy and meaningful, to better understand how they are used and to tailor advertising. You can read more and make your cookie choices here. By continuing to use this site you are giving us your consent to do this.

Accept