Years
2019 2018
Stefan Velkov Guitar Recital
2018-04-19

19 April 2018

Odeion

19:30

Bulgarian-born Stefan Velkov was introduced to music since earliest childhood. His official training in music theory, piano and guitar started at the age of seven.

Stefan received his first music degree as a guitar and light music performer from the Bulgarian State Conservatoire (later renamed to Bulgarian Academy of Music). At this stage (the late seventies of the 20th century) the guitar in Bulgaria was still regarded mostly as a light-music instrument. That is why it was included as a study subject only within the Light Music Department of the Conservatoire. The interest and the knowledge of the classical guitar was still at its infancy, but its popularity was growing fast. This made it necessary for the Bulgarian Ministry of Culture to make a historic decision: for the first time in Bulgarian music history, a decision was made to send a young Bulgarian guitarist to Germany to receive a proper music degree in classical guitar and to return to Bulgaria and introduce classical guitar as a subject at the Bulgarian Academy of Music.

After competing with all the most talented guitarists of the country, Stefan won the competition which enabled him to receive a master's degree in classical guitar from the Berliner Hochschule fur Musik Hanns Eisler. He completed his studies in guitar, piano and composition with a special reward of the Hochshule as one of the five best students. During his studies he also won the competition for the best guitar composition.

During his studies abroad (1981 - 1988) Stefan met and had masterclasses with most of the best guitar professors and guitar maestros of our time: Maria-Livia Sao Marcos (Switzerland/ Brazil), Costas Cotsiolis (Greece), Dieter Kreidler (Germany) and Leo Brouwer (Cuba).

In 1986 he was appointed as the first classical guitar lecturer at the Bulgarian Academy of Music and chairperson of the guitar festivals and competitions. This was the time when his own active concert career began. Stefan's repertoire includes most of the great masterpieces ever written for this instrument, but he became more and more known for his own compositions for guitar which, according to critics, outshine the best known masterpieces created for classical guitar.

Stefan’s arrival in SA (1991), coincided with the search of the Free State Musicon for a qualified guitar lecturer in order to introduce the subject classical guitar as part of its music training programme. He was offered the position of senior guitar lecturer at the Musicon which he holds until present day. During this time he also taught at the University of the Free State (1992 - 1999).

Stefan has given concerts in Bulgaria, Poland, Germany, Czech Republic, England and South Africa.

PROGRAMME

  • Velkov: Summer Dream
    From the golden heritage of the classical guitar:
    • Villa-Lobos: Prelude
  • Two Magnificent Arpeggios
    • Giuliani
    • Brower
  • Two Romantic Pieces:
    • Velkov: Serenade
    • Velkov: Adagio (The Magic Of Love)
  • Velkov: Bulgarian Suite for Guitar
    • I Bulgarian folk dance
    • II Bulgarian folk-singing
    • III Bulgarian folk dance in 7/8
    • IV Bulgarian folk-song
    • V Bulgarian folk dance in 9/8
  • Velkov: Tango
  • Velkov: Two Modern Dances
  • Velkov: The Wild Horse

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Blowing in the Wind

Curated by Carol Brown

Until 31 July

Centenary Art Gallery, 1st floor Centenary Complex, UFS

Monday to Friday: 10:00 – 15:00

This year has been marked with a series of international tragedies that remind us that intolerance, fanaticism and violence still pervade our world. Not enough has changed from the 1960s when the possibility of a more peaceful and tolerant society took hold of the world. The lyrics of “Blowin’ in the Wind” by Bob Dylan say it all. The curatorial intention of this exhibition is to revisit these lyrics in the light of a half century since.

Several of the works on exhibition deal with environmental and human exploitation issues including those surrounding the cornerstone of our country’s material wealth – the mining industry. The discourse about power and its abuse is evident in the works which relate to the Marikana killings. Violence and our society’s obsession with crime is a pervasive theme in the exhibition for example in the work by Lerato Shadi, where reminders of the Steenkamp/Pistorius case are juxtaposed with a video expressing the pain and entrapment to which many women are subjected. The fragile banner installation by Vulindlela Nyoni depicting a murmuration of swallows is an ambiguous reminder of both the power of solidarity, where a critical mass can alter the course of history. It is also the affirmation of the importance of the individual in the crowd.

The exhibition shows works by established and emerging artists in diverse media: William Kentridge, Jeannette Unite, Mary Wafer, Wonder Mbambo, Mthobisi Maphumulo, Andrea Walters.

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