Years
2019 2018
Stefan Velkov Guitar Recital
2018-04-19

19 April 2018

Odeion

19:30

Bulgarian-born Stefan Velkov was introduced to music since earliest childhood. His official training in music theory, piano and guitar started at the age of seven.

Stefan received his first music degree as a guitar and light music performer from the Bulgarian State Conservatoire (later renamed to Bulgarian Academy of Music). At this stage (the late seventies of the 20th century) the guitar in Bulgaria was still regarded mostly as a light-music instrument. That is why it was included as a study subject only within the Light Music Department of the Conservatoire. The interest and the knowledge of the classical guitar was still at its infancy, but its popularity was growing fast. This made it necessary for the Bulgarian Ministry of Culture to make a historic decision: for the first time in Bulgarian music history, a decision was made to send a young Bulgarian guitarist to Germany to receive a proper music degree in classical guitar and to return to Bulgaria and introduce classical guitar as a subject at the Bulgarian Academy of Music.

After competing with all the most talented guitarists of the country, Stefan won the competition which enabled him to receive a master's degree in classical guitar from the Berliner Hochschule fur Musik Hanns Eisler. He completed his studies in guitar, piano and composition with a special reward of the Hochshule as one of the five best students. During his studies he also won the competition for the best guitar composition.

During his studies abroad (1981 - 1988) Stefan met and had masterclasses with most of the best guitar professors and guitar maestros of our time: Maria-Livia Sao Marcos (Switzerland/ Brazil), Costas Cotsiolis (Greece), Dieter Kreidler (Germany) and Leo Brouwer (Cuba).

In 1986 he was appointed as the first classical guitar lecturer at the Bulgarian Academy of Music and chairperson of the guitar festivals and competitions. This was the time when his own active concert career began. Stefan's repertoire includes most of the great masterpieces ever written for this instrument, but he became more and more known for his own compositions for guitar which, according to critics, outshine the best known masterpieces created for classical guitar.

Stefan’s arrival in SA (1991), coincided with the search of the Free State Musicon for a qualified guitar lecturer in order to introduce the subject classical guitar as part of its music training programme. He was offered the position of senior guitar lecturer at the Musicon which he holds until present day. During this time he also taught at the University of the Free State (1992 - 1999).

Stefan has given concerts in Bulgaria, Poland, Germany, Czech Republic, England and South Africa.

PROGRAMME

  • Velkov: Summer Dream
    From the golden heritage of the classical guitar:
    • Villa-Lobos: Prelude
  • Two Magnificent Arpeggios
    • Giuliani
    • Brower
  • Two Romantic Pieces:
    • Velkov: Serenade
    • Velkov: Adagio (The Magic Of Love)
  • Velkov: Bulgarian Suite for Guitar
    • I Bulgarian folk dance
    • II Bulgarian folk-singing
    • III Bulgarian folk dance in 7/8
    • IV Bulgarian folk-song
    • V Bulgarian folk dance in 9/8
  • Velkov: Tango
  • Velkov: Two Modern Dances
  • Velkov: The Wild Horse

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Pillars of Society

Production: Pillars of Society
Text: Henrik Ibsen
Director: Thys Heydenrych

Venue:
Scaena theatre

Dates and times:
17 March 2010 19h30
18 March 2010 19h30
19 March 2010 19h30

Bookings:
Computicket (Mimosa Mall and Checkers)

Bookings for block bookings of 10 or more people can be done with Thys Heydenrych (072 235 3191)


Pillars of Society is seen as one of Henrik Ibsen’s inferior plays, but it does show his concern for social and moral problems. It is Ibsen’s first social drama and the plot of the play follows earlier conventions of play writing of the time. In Pillars of Society Ibsen devotes more attention to making the piece logically consistent than to rendering it psychologically true.

Karsten Bernick is at the height of his career with interests in shipping and shipbuilding in a long-established family firm. The richest, most powerful and respected citizen of the community, he is held up as the model of an ideal husband and devoted father. In short, a worthy pillar of society. He is now backing a railway line which is his most ambitious project yet. The railway line will connect the town to the main line and open a fertile valley which he has been secretly buying up. But he began his career with a terrible lie.

As his new project is in the planning stage his past explodes on him. Johan Tønnesen, his wife"s younger brother comes back from America with his half-sister Lona, who once loved and was loved by Bernick. Johan left town 15 years ago to take the blame for Bernick, who was having an affair and was nearly caught with an actress. It was also rumoured that Johan stole money from the Bernicks, but there was no money to take since at the time the Bernick firm had been almost bankrupt.

It was for just this reason that Bernick rejected Lona, and married her sister Betty for money, so that he could rebuild the family business. In the years since Johan left, the town built ever greater rumours of his wickedness, helped by Bernick"s diligent refusal to give any indication of the truth.

This mixture only needs a spark to explode and it gets one when Johan Tønnesen falls in love with Dina Dorf, the young girl who is the daughter of the actress involved in the scandal of 15 years ago and who now lives as a charity case in the Bernick household.

The final line of the play embodies Ibsen’s main theme: The “Pillars of Society” are Truth and Freedom, not any one individual.

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