Years
2019 2018
Clarinet & Piano: OPUS
2018-08-30

with the Nöthling Strydom Duo - Danrè Strydom (clarinet) & Grethe Nöthling (piano) and David Griessel (visual artist David Griessel displaying the sketching process inspired by each composition performed)

30 August 2018
Odeion
19:30

Award-winning South African musicians, clarinetist Danrè Strydom and pianist Grethe Nöthling, started an exciting collaboration in 2016. Since recently returning to South Africa after several years abroad, these two musicians aim to provide global audiences with exhilarating performances of not only well-known and loved repertoire, but also of more unknown and interesting repertoire. The Duo performed at 2017 South African festivals and various national concert series. Both musicians (as part of Trio Intolerance) won the Free State Artists of the Year award at the Free State Arts Festival (2017). During 2018 the Duo was invited to perform at the International Clarinet Festival in Belgium. While in Europe, they recorded the first part of their CD of newly composed as well as underplayed South African compositions for clarinet and piano.

In this concert, titled Clarinet & Piano: Opus ZA, the Duo will be performing some of the lovely but demanding South African compositions which will appear on the CD. The selection includes works by well-established composers such as Clare Loveday, Noel Stockton, Hendrik Hofmeyr and Peter Klatzow, to mention a few. All the works are relatively short compositions, so the programme will include nine works in total. To emphasise the character of each of these compositions, South African visual artist, David Griessel, will do nine sketches that will be displayed on a screen behind the musicians. These videos made by Bloemfontein videographer, Zita, will include the complete drawing process, and the audience can follow each line and brush stroke during the performance of the music. After the concert, these original sketches, titled the same as the compositions, will be sold to interested audience members. These will be unique sketches, and the audience can look forward to this extraordinary collaboration of two musicians with a visual artist.

David Griessel graduated with a bachelor in Fine Arts from the University of the Free State. Earlier in 2018, he did an art residency, book launch and exhibition in Caylus and Saint Antonin (France). He currently works as an artist/writer/illustrator in Cape Town and is the art editor of the literary journal, New Contrast. He is part of the artist’s collective, Studio Clowder.

PROGRAMME:

  • Hendrik Hofmeyr: Notturno
  • Clare Loveday: Heatwave
  • Noel Stockton: Three Pieces
  • Peter Klatzow: Moments of Night
  • StephansGrove: Spieeltjie aan die wand
  • Isak Roux: Kleine Chronik
  • Surendran Reddy: Game I for Lîla
  • Alexander Johnson: Jazz Sonatine

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
The Mesh

By Keith Armstrong

Johannes Stegmann Art Gallery, Sasol Library

Exhibition closes:  Friday 11 August 2017

Gallery hours: Monday to Friday 08:30 – 16:30.

The Mesh is an interactive, experiential solo exhibition by Australian artist Keith Armstrong. The five artworks on exhibition each investigate how the ‘mesh' of environmental, social and cultural ecologies form our worlds, asking how might we re-imagine our place and actions within those networks as ‘refuturing’ (i.e. concerted actions that help increase time left in the future). 

Retrospective works are shown together with international premieres. These include a sculptural text-based work O Tswellang, arising from collaborations with 'change agents' in the informal townships around Bloemfontein. Another of the five works, the international premiere of Eremocene (Era of Loneliness), allows the viewer to interact with faintly glowing fibre optic forms that travel ethereally through a darkened tank accompanied by dynamic sounds, suggesting an naturalised/artificially intelligent form, ambiguously isolated at the edges of fluid consciousness. The exhibition also sees the re-development of innovative video installations such as Shifting Dusts, originally commissioned for the Institute for Contemporary Arts (ICA) London in 2006 and Seasonal

Audiences navigate these works non-linearly, encountering kinetic light works, telescopic tunnels of ethereal imagery and sound and gently pulsing, ambiguous surfaces. Overall The Mesh seeks to shine a light upon the silent, shadowy barriers of cultural misunderstanding that prevent us from re-inventing ourselves as a future-sustaining species.

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