Years
2019 2018
Clarinet & Piano: OPUS
2018-08-30

with the Nöthling Strydom Duo - Danrè Strydom (clarinet) & Grethe Nöthling (piano) and David Griessel (visual artist David Griessel displaying the sketching process inspired by each composition performed)

30 August 2018
Odeion
19:30

Award-winning South African musicians, clarinetist Danrè Strydom and pianist Grethe Nöthling, started an exciting collaboration in 2016. Since recently returning to South Africa after several years abroad, these two musicians aim to provide global audiences with exhilarating performances of not only well-known and loved repertoire, but also of more unknown and interesting repertoire. The Duo performed at 2017 South African festivals and various national concert series. Both musicians (as part of Trio Intolerance) won the Free State Artists of the Year award at the Free State Arts Festival (2017). During 2018 the Duo was invited to perform at the International Clarinet Festival in Belgium. While in Europe, they recorded the first part of their CD of newly composed as well as underplayed South African compositions for clarinet and piano.

In this concert, titled Clarinet & Piano: Opus ZA, the Duo will be performing some of the lovely but demanding South African compositions which will appear on the CD. The selection includes works by well-established composers such as Clare Loveday, Noel Stockton, Hendrik Hofmeyr and Peter Klatzow, to mention a few. All the works are relatively short compositions, so the programme will include nine works in total. To emphasise the character of each of these compositions, South African visual artist, David Griessel, will do nine sketches that will be displayed on a screen behind the musicians. These videos made by Bloemfontein videographer, Zita, will include the complete drawing process, and the audience can follow each line and brush stroke during the performance of the music. After the concert, these original sketches, titled the same as the compositions, will be sold to interested audience members. These will be unique sketches, and the audience can look forward to this extraordinary collaboration of two musicians with a visual artist.

David Griessel graduated with a bachelor in Fine Arts from the University of the Free State. Earlier in 2018, he did an art residency, book launch and exhibition in Caylus and Saint Antonin (France). He currently works as an artist/writer/illustrator in Cape Town and is the art editor of the literary journal, New Contrast. He is part of the artist’s collective, Studio Clowder.

PROGRAMME:

  • Hendrik Hofmeyr: Notturno
  • Clare Loveday: Heatwave
  • Noel Stockton: Three Pieces
  • Peter Klatzow: Moments of Night
  • StephansGrove: Spieeltjie aan die wand
  • Isak Roux: Kleine Chronik
  • Surendran Reddy: Game I for Lîla
  • Alexander Johnson: Jazz Sonatine

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Paul Roux: Project Apology

PAUL ROUX

Project Apology

29 January – 28 February 2014

Johannes Stegmann Art Gallery, Sasol Library

Please join us for the exhibition event on:

Wednesday 5 February 2014 at 19:00

Guest speaker:

Dr André Rose

Senior Lecturer at the Department of Community Health, University of the Free State

Begun by Paul Roux in 2007, Project Apology is an ongoing video documentation of an undertaking to apologize, in person and as a member of humanity, to non-human species on the planet that are being adversely affected by human activity.

Obviously such a mandate includes every last living creature and, as such, presents a very tall order, the unmanageability of such an undertaking becoming a big part of its content as a piece of art.

The project’s intent is to use satire as a means to deliver a serious message in an unconventionally and ‘amusingly’ palatable, yet provocative manner – in attempting to come to terms with, morally and spiritually, the human implications of our current scientific reality (evidenced, for example, in the current rate of species extinction documented by the International Union for Conservation of Nature – IUCN).

Project Apology aims to engage viewers in the scientific reality of the contemporary moment in a novel way. Of course, the issue of our severe and escalating impact on the planet sometimes seems trivial in a world where hundreds of millions of people have nothing to eat and more than a billion do not have access to clean water. The spiritual and ethical implications of our impact on the planet aside, to Roux these are equally important challenges, because rapid population and industrial growth will continue to have an escalating affect our own sustainability in various ways – from food production, through to climate change and water quality. Just as there are currently more than enough resources on the earth for every person to have more than enough to eat and to live comfortably, so are there enough resources to ensure that all beings have access to their birth right of a pristine ecosystem in which to flourish.

The scientific reality is that we are in a period of mass extinction and that, as part of a single greater symbiotic ecosystem, we are ultimately endangering our own survival. And so, to Roux, the act of apology, though intended partly as a satire of contemporary humanity, is also an acknowledgement of our common humanity and of our true nature as part of the single global ecosystem. Project Apology is thus also an apology to ourselves, an acknowledgment of ourselves. 


 

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