Years
2019 2018
Symphony Concert
2018-08-18

Presented by the FSSO in collaboration with the OSM

Conductor: Daniel Boico
Soloist: Alissa Margulis (violin)

Saturday, 18 August 2018
Odeion
19:30

The Free State Symphony Orchestra and the OSM invites you to the third symphony concert of the year featuring international guests Daniel Boico (conductor) and the graceful Alissa Margulis (violinist). The long-awaited symphony will take place August 18, 2018 at 19:30 in the Odeion. This concert is presented in collaboration with the Odeion School of Music.

Due to circumstances beyond control, the promised Violin Concerto in D minor by Beethoven was replaced by the gloriously lyrical Violin Concerto in G minor by Bruch. The powerful and dramatic Egmont Overture by Beethoven and Schubert’s Symphony No 6 in C, will round off the programme.

Daniel Boico was born in Israel to musician parents and raised in both Paris and the US, as his father Fima Boico, was concertmaster of Orchestra de Paris and the second violinist of the Fine Arts Quartet. Boico was initially trained as a singer before joining the class of legendary Russian conducting professor Ilya Musin at the Saint Petersburg Conservatory, Russia. He has extensive experience in music administration, planning and programming, having worked as Manager of Artistic Administration of the New York Philharmonic and as executive assistant to Daniel Barenboim at the Chicago Symphony and West-Eastern Divan Orchestra as well as for Chicago Symphony.

Alissa Margulis was born in Freiburg (Germany), into a family of Russian musicians. At the age of four, she started to learn the violin and the piano with Prof. Wolfgang Marschner. She made her first public appearance at the age of seven with the Budapest Soloists. At the age of ten, she won the first prize at the Spohr Youth Competition and at the German national competition Jugend Musiziert within the same year. She is a regular guest at international classical music festivals, and a privileged chamber music player who performs with a Guadagnini Violin dated 1754, a private loan from Jonathan Moulds.

Alissa is an accomplished musician with numerous awards like the Pro Europa Prize awarded by Daniel Barenboim (Berlin, 2002) and the Nouveau Laureat du Festival Juventus (Cambrai, 2004).


Tickets are available from Computicket outlets and online:

  • R150 Adults
  • R100 Pensioners, UFS staff and block bookings of 10 and more people
  • R50 Children 3 to 18 years

ENQUIRIES:

Contact Ninette Pretorius (051 401 2504) or Ella Kotze (051 401 2342).

www.fsso.org.za / www.facebook.com/OdeionSchoolofMusic


Back
CHOPIN IN AFRICA – Warsaw to Bloemfontein

Lunch Hour Concert

15 November

13:00

Odeion


Ensemble from POLAND:

Maria Pomianowska ~Katarzyna Gacek-Duda ~ Gwidon Modest Cybulski

Karolina Matuszkiewicz ~ Wojciech Lubertowicz

together with

Nicol Viljoen (piano) & Chris van Zyl (cello)

Entrance Free

We can promise you this: you haven’t heard anything like it. Unless, that is, you’ve written an ethnomusicology dissertation on Polish folk music or have access to a functioning time machine.

Alexander Varty: Vancouver's News & Entertainment Weekly

Maria Pomianowska (Professor of Folk Music at the prestigious Kraków Academy of Music in Poland) and her a quintet of fellow musicians will present a lunch hour concert at the Odeion School of Music on 15 November at the Odeion. This concert is entitled Chopin On 5 Continents – Africa. Pomianowska and her ensemble will join forces with Prof Nicol Viljoen (pianist) and cellist Chris van Zyl (BMus Performance) studying under the tutelage of Prof Anmari van der Westhuizen.

Pomianowska and her ensemble will mainly play on string folk music instruments known as sukas. Aesthetically and proportionally a suka closely resembles an ancient violin, but is played vertically like a cello and positioned on the lap.

Pomianowska literally revived the suka from obsolescence with only a dusty painting as the as a point of reference. She was curious to research the connection between her Polish heritage with the South and Central Asian instruments she was studying as part of her own ethnomusicological research.

Pomianowska remarked: “I reconstructed the instrument and rediscovered the performance technique in collaboration with the musicologist Ewa Dahlig-Turek and the late luthier Andrzej Kuczkowski. “We reconstructed the instrument, which had not existed for 100 years in our culture. The last generation of suka musicians became extinct during the beginning of the 20th century, and the only information we had available was from ethnographical sources.”

The suka is played with a bow, and by stopping the strings with the nails - not the fleshy pads - of the left hand fingers. It is a seemingly awkward technique, but one that Pomianowska says produces a uniquely vocal timbre.

It is not enough to play Chopin’s music as written, Pomianowska contends, noting that her famous countryman was also renowned as an improviser. “We want to share with him that creation moment,” she says, “to connect on these different levels of emotion and imagination.”

So what does this have to do with Frédéric Chopin? The Warsaw-born, Paris-trained, composer was a keen student of folk music, and almost certainly heard the suka during summer vacations in his native land. Unlike later musicologist-composers Béla Bartok and Leoš Janácek, Chopin didn’t transcribe folk melodies note for note, but fragments of rural tunes appear in many of his best-loved compositions, and the mazurka was one of his compositional staples. He wrote at least 59 works for piano based on its lively barn dance beat.

She is also preparing to take Chopin far beyond his ethnic origins she has transcribed several of Chopin’s mazurkas for her touring quintet, which will be amplified by local artists, pianist Nicol Viljoen and cellist Chris van Zyl, and encapsulate the concert with a distinct South African flavour. Viljoen has a remarkable favour for the Chopin Mazurkas and gave a memorable recital in Krakow in 2015.

Pomianowska and her ensemble’s concert tour to South Africa is taking place in celebration of Poland’s membership of the UN’s security. The concert at the Odeion School of Music is positioned with the incentive to serve as a catalyst of the planned bi-lateral agreement between the Academy of Music in Kraków and the OSM, which is currently in process.

This event is fully sponsored by the Embassy of Poland in South Africa and the OSM and the University of the Free State would like to extend their gratitude to the Embassy of Poland for this initiative.

Inquiries:

Ninette Pretorius
Officer: Professional Services & Concert coordinator
Odeion School of Music
pretoriusn@ufs.ac.za

or

Marius Coetzee
Innovation & Development Manager Odeion School of Music
coetzee@ufs.ac.za

Grazyna Koornhof
Political & Economic Section
Embassy of the Republic of Poland Pretoria South Africa
grazyna.koornhof@msz.gov.pl

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