Years
2019 2018
Symphony Concert
2018-08-18

Presented by the FSSO in collaboration with the OSM

Conductor: Daniel Boico
Soloist: Alissa Margulis (violin)

Saturday, 18 August 2018
Odeion
19:30

The Free State Symphony Orchestra and the OSM invites you to the third symphony concert of the year featuring international guests Daniel Boico (conductor) and the graceful Alissa Margulis (violinist). The long-awaited symphony will take place August 18, 2018 at 19:30 in the Odeion. This concert is presented in collaboration with the Odeion School of Music.

Due to circumstances beyond control, the promised Violin Concerto in D minor by Beethoven was replaced by the gloriously lyrical Violin Concerto in G minor by Bruch. The powerful and dramatic Egmont Overture by Beethoven and Schubert’s Symphony No 6 in C, will round off the programme.

Daniel Boico was born in Israel to musician parents and raised in both Paris and the US, as his father Fima Boico, was concertmaster of Orchestra de Paris and the second violinist of the Fine Arts Quartet. Boico was initially trained as a singer before joining the class of legendary Russian conducting professor Ilya Musin at the Saint Petersburg Conservatory, Russia. He has extensive experience in music administration, planning and programming, having worked as Manager of Artistic Administration of the New York Philharmonic and as executive assistant to Daniel Barenboim at the Chicago Symphony and West-Eastern Divan Orchestra as well as for Chicago Symphony.

Alissa Margulis was born in Freiburg (Germany), into a family of Russian musicians. At the age of four, she started to learn the violin and the piano with Prof. Wolfgang Marschner. She made her first public appearance at the age of seven with the Budapest Soloists. At the age of ten, she won the first prize at the Spohr Youth Competition and at the German national competition Jugend Musiziert within the same year. She is a regular guest at international classical music festivals, and a privileged chamber music player who performs with a Guadagnini Violin dated 1754, a private loan from Jonathan Moulds.

Alissa is an accomplished musician with numerous awards like the Pro Europa Prize awarded by Daniel Barenboim (Berlin, 2002) and the Nouveau Laureat du Festival Juventus (Cambrai, 2004).


Tickets are available from Computicket outlets and online:

  • R150 Adults
  • R100 Pensioners, UFS staff and block bookings of 10 and more people
  • R50 Children 3 to 18 years

ENQUIRIES:

Contact Ninette Pretorius (051 401 2504) or Ella Kotze (051 401 2342).

www.fsso.org.za / www.facebook.com/OdeionSchoolofMusic


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Caesar

Original Script By Shakespeare (Julius Caesar)

Adapted By: Thys Heydenrych

Directed By: Thys Heydenrych

Venue:  Wynand Mouton Theatre, UFS-Main Campus

Language: English & Afrikaans

Genre: Drama

 

Caesar adapted and directed by Thys Heydenrych, is a modern re-telling of Shakespeare’s Julius Caesar. The production is in Afrikaans and English, with the title character portrayed by a woman.

 

Shakespeare’s Julius Caesar is unique due to the lack of both villains and heroes. This adapted political thriller tells the story of the conspiracy against Caesar, her assassination and the defeat of her conspirators. The adaptation explores the ideas of women and leadership, political turmoil, fear and betrayal.

 

In the Roman Republic, political decisions were made through public debates and persuasive arguments, and in theory, the ideas that would be best for Rome would prevail rather than the will of one ruler; very similar to most countries’ political systems. Imagine a Trump, Malema, Zuma, Putin or Mugabe becoming king?

 

However, what happens when a nation purges their leader and replace him/her with a new leader? Does it not create new problems? Look at our current political environment. In Caesar, the assassination for the sake of democracy, as Brutus blindly believes, leads to civil war, mass slaughter, multiple executions and the installation of an emperor.

 

Brutus struggles with these issues; should he murder Caesar before she even does anything wrong? In his mind, it's better to sacrifice an innocent ruler than risk her becoming a dictator.

 

Upon Caesar’s triumphant return to Rome from the war against Pompeii, the Roman republic prepares to crown her king, which causes concern and dismay among some senators who fear that she will have too much power. Caius Cassius plots a conspiracy to murder Caesar, enlisting the support of Brutus, who is also concerned about Caesar becoming king. At Caesar's funeral, Brutus addresses the people and successfully explains the conspirators' motives. However, Antony speaks next and turns the mob against the conspirators, who are forced to flee from Rome. Antony with Caesar's niece, Octavia, take command of Rome and lead an army against the conspirators. At Philippi, Brutus and Cassius are defeated, and they kill themselves rather than to be captured.

 

Caesar, performed by 2nd-year drama students of the University of the Free State, is playing in the Wynand Mouton theatre, 21 – 23 November at 19h30. Tickets available at Computicket.

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