Years
2019 2018
Symphony Concert
2018-08-18

Presented by the FSSO in collaboration with the OSM

Conductor: Daniel Boico
Soloist: Alissa Margulis (violin)

Saturday, 18 August 2018
Odeion
19:30

The Free State Symphony Orchestra and the OSM invites you to the third symphony concert of the year featuring international guests Daniel Boico (conductor) and the graceful Alissa Margulis (violinist). The long-awaited symphony will take place August 18, 2018 at 19:30 in the Odeion. This concert is presented in collaboration with the Odeion School of Music.

Due to circumstances beyond control, the promised Violin Concerto in D minor by Beethoven was replaced by the gloriously lyrical Violin Concerto in G minor by Bruch. The powerful and dramatic Egmont Overture by Beethoven and Schubert’s Symphony No 6 in C, will round off the programme.

Daniel Boico was born in Israel to musician parents and raised in both Paris and the US, as his father Fima Boico, was concertmaster of Orchestra de Paris and the second violinist of the Fine Arts Quartet. Boico was initially trained as a singer before joining the class of legendary Russian conducting professor Ilya Musin at the Saint Petersburg Conservatory, Russia. He has extensive experience in music administration, planning and programming, having worked as Manager of Artistic Administration of the New York Philharmonic and as executive assistant to Daniel Barenboim at the Chicago Symphony and West-Eastern Divan Orchestra as well as for Chicago Symphony.

Alissa Margulis was born in Freiburg (Germany), into a family of Russian musicians. At the age of four, she started to learn the violin and the piano with Prof. Wolfgang Marschner. She made her first public appearance at the age of seven with the Budapest Soloists. At the age of ten, she won the first prize at the Spohr Youth Competition and at the German national competition Jugend Musiziert within the same year. She is a regular guest at international classical music festivals, and a privileged chamber music player who performs with a Guadagnini Violin dated 1754, a private loan from Jonathan Moulds.

Alissa is an accomplished musician with numerous awards like the Pro Europa Prize awarded by Daniel Barenboim (Berlin, 2002) and the Nouveau Laureat du Festival Juventus (Cambrai, 2004).


Tickets are available from Computicket outlets and online:

  • R150 Adults
  • R100 Pensioners, UFS staff and block bookings of 10 and more people
  • R50 Children 3 to 18 years

ENQUIRIES:

Contact Ninette Pretorius (051 401 2504) or Ella Kotze (051 401 2342).

www.fsso.org.za / www.facebook.com/OdeionSchoolofMusic


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Die Seemeeu

Produksie: Die Seemeeu
Dramaturg: Anton Tsjechow
Vertaler: Andre P Brink
Regisseur: Gerben Kamper
Venue: Wynand Moutonteater
Datum: 17-20 Maart 2009
Tyd: 19:30
Besprekings: Computicket (Mimosa Mall en Checkers)

 

“Laat alles op die verhoog net so ingewikkeld wees, en tegelyk net so eenvoudig as in die lewe. Mense is besig om te eet, bloot te eet, maar op daardie oomblik word hulle geluk gevorm, of hul lewens word verpletter” (Anton Tsjechow).

Die Universiteit van die Vrystaat se tweede jaars by die Drama departement bring ‘n besondere produksie op die planke onder leiding van Gerben Kamper. Die Seemeeu deur Anton Tsjechow word beskou as een van sy beste toneelstukke en word vanaf die 17de tot die 20ste Maart 2009 in die Wynand Mouton Teater opgevoer. Hierdie is een van die drie realisme toneelstukke wat deel vorm van die module produksies wat die departement terug gebring het.

Anton Tsjechow, 1860 – 1904, het, volgens André P. Brink wat die Afrikaanse vertaling van Die Seemeeu behartig het, vier van die teaterwêreld se grootste stukke geskryf: Die Seemeeu, Oom Wanja, Die drie susters en Die kersieboord. Tsjechow het met hierdie stukke die hoogtepunt in die Naturalistiese - en Impressionistieseteater bereik. Alhoewel Die Seemeeu met die openingsaand in Sint Petersburg in 1896 hopeloos misluk het, was dit wel ‘n reuse sukses twee jaar later toe die Moskouse Kunsteater dit op die planke gebring het. Die mislukking van die eerste opvoering van die stuk het ‘n knou toegedien aan Tsjechow se skrywersdrif en hy het maar min geskryf hierna.

In Die Seemeeu, ‘n komedie, is daar skrywers, aktrises, die dood en hope onbeantwoorde liefde. Om ‘n rowwe idee te gee: Nina, ‘n jong aspirerende aktrise, is verlief op Trigorin, ‘n bekende skrywer, terwyl Trepliow, die seun van die groot aktrise Madame Arkadina, verlief is op Nina. Trigorin, op sy beurt het ‘n verhouding met Arkadina. Tussendeur is daar dan ook Sorin, broer van Arkadina en ook die eienaar van die landgoed waar die handeling plaasvind. Sy voorman, Sjamrajew, se vrou, Polina, het ‘n buite-egtelike verhouding.

Een van die ander, sal ons sê temas, wat in die stuk voorkom is die vernuwing in teater. Waar Arkadina se generasie net gefokus het net op die voorkoms van die opvoering en die oor wat gesê word nie, wil Trepliow dit so verander dat daar gefokus word op die betekenis van dit wat oorgedra word. As gevolg hiervan kry Arkadina en Trepliow stry.

Die rolverdeling vir Die Seemeeu is as volg:

Irina Nikolajewna Arkadina - Edelweiss Bester
Konstantin Gawrilowitsj Treplew - Drikus Saayman
Pjotr Nikolajewitsj Sorin - Quintus Aslett
Nina Mikhailowna Zaretsjnaja - Sanli Jooste
Ilja Afanasjewitsj Sjamrajew - Brandon Hewetson
Paulina Andrejewna - Corma Steyn
Masja - Mieke du Plessis
Boris Alexejewitsj Trigorin - Caval Goodyear
Jewgeni Sergejewitsj Dorn - Frantz Birkholtz
Semjon Semjonowitsj Medwedenko - Frans Fourie
Jakow - Makara Makara
Kok - Kgomotso Lebakeng
Huisbediende - Lerato Chipfupa

Kaartjies vir Die Seemeeu is beskikbaar by Computicket en is R25 – R30.
 

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