Years
2019 2018
Symphony Concert
2018-08-18

Presented by the FSSO in collaboration with the OSM

Conductor: Daniel Boico
Soloist: Alissa Margulis (violin)

Saturday, 18 August 2018
Odeion
19:30

The Free State Symphony Orchestra and the OSM invites you to the third symphony concert of the year featuring international guests Daniel Boico (conductor) and the graceful Alissa Margulis (violinist). The long-awaited symphony will take place August 18, 2018 at 19:30 in the Odeion. This concert is presented in collaboration with the Odeion School of Music.

Due to circumstances beyond control, the promised Violin Concerto in D minor by Beethoven was replaced by the gloriously lyrical Violin Concerto in G minor by Bruch. The powerful and dramatic Egmont Overture by Beethoven and Schubert’s Symphony No 6 in C, will round off the programme.

Daniel Boico was born in Israel to musician parents and raised in both Paris and the US, as his father Fima Boico, was concertmaster of Orchestra de Paris and the second violinist of the Fine Arts Quartet. Boico was initially trained as a singer before joining the class of legendary Russian conducting professor Ilya Musin at the Saint Petersburg Conservatory, Russia. He has extensive experience in music administration, planning and programming, having worked as Manager of Artistic Administration of the New York Philharmonic and as executive assistant to Daniel Barenboim at the Chicago Symphony and West-Eastern Divan Orchestra as well as for Chicago Symphony.

Alissa Margulis was born in Freiburg (Germany), into a family of Russian musicians. At the age of four, she started to learn the violin and the piano with Prof. Wolfgang Marschner. She made her first public appearance at the age of seven with the Budapest Soloists. At the age of ten, she won the first prize at the Spohr Youth Competition and at the German national competition Jugend Musiziert within the same year. She is a regular guest at international classical music festivals, and a privileged chamber music player who performs with a Guadagnini Violin dated 1754, a private loan from Jonathan Moulds.

Alissa is an accomplished musician with numerous awards like the Pro Europa Prize awarded by Daniel Barenboim (Berlin, 2002) and the Nouveau Laureat du Festival Juventus (Cambrai, 2004).


Tickets are available from Computicket outlets and online:

  • R150 Adults
  • R100 Pensioners, UFS staff and block bookings of 10 and more people
  • R50 Children 3 to 18 years

ENQUIRIES:

Contact Ninette Pretorius (051 401 2504) or Ella Kotze (051 401 2342).

www.fsso.org.za / www.facebook.com/OdeionSchoolofMusic


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Moordenaar (Afr)

Text: Anthony Shaffer

Translated and adapted by:  Carel Nel en Nico Luwes
Director: Nico Luwes
Venue: Wynand Mouton Theatre

Language: English

Age restriction:  16 (Violence)

 

Dates and times:

25 September 2014         19h30

26 September 2014         18h00

27 September 2014         19h30

 

Prices:  R 40.00 for adults / R 30.00 for students or scholars / R 25.00 for pensioners or for groups of 10 or more

 

Bookings:   Computicket (0861 915 8000)

 

The British playwright, Anthony Shaffer, made his name on the international stage with Sleuth and Murderer,  his best murder thrillers. Murderer became a hit horror film as well. The play, Moordenaar, is a reworked translation into Afrikaans by Carel Nel en Nico Luwes for Drama and Theatre honours students’ practical examination. Luwes also directed the play in 1986 for PACOFS with Blaize Koch and Gerben Kamper portraying the murderer and the sergeant.  This bloody, physiological thriller is meant for audiences with hair on their teeth and a preference for horror stories. The play opens with probably the most blood chilling and macabre murder scenes in theatre history. The dramatist twits reality and illusion masterly and leaves the audience not only thrilled, but also confused. With the 1986 PACOFS production, audiences streamed to the show and a few faint hearted members ran out of the theatre after a few minutes of watching the blood and gore! Shaffer explores the true nature of murder and the strange fascination the deed holds for the murderer. The often strange connection between the murder and the victim is investigated in this fascinating drama where reality and illusion are brilliantly manipulated. The sergeant’s warning is clear. Avoid experimentation with macabre murder and sexual games. Fantasy can easily become reality. So be warned - Moordenaar is not for the faint hearted! 

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