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Jeanne-Louise & Grethe In Concert
2018-02-15

JEANNE-LOUISE & GRETHE IN CONCERT

15 February 2018

Odeion

19:30

Violist Jeanne-Louise Moolman and pianist Grethe Nöthling presents this exciting, diverse and challenging programme of works by Brahms, Hofmeyr and Clarke.

Jeanne-Louise was appointed as violist of the Odeion String Quartet and senior lecturer at the OSM in 2008. She studied at the University of Pretoria under Prof Alan Solomon, where she obtained the BMus and BMusHons degrees with distinction. She subsequently also studied in Salzburg under Thomas Riebl. She won, among others, the ATKV Forté and Oude Meester competitions and in 1985 she was the first winner of the University of Natal 75th Anniversary Prize. She is an experienced musician who regularly performs with some of our country’s foremost musicians in various chamber music combinations. Other musicians with whom she has performed, include the violists Gérard Korsten, Philippe Graffin, the pianists Leslie Howard and Albie van Schalkwyk, and the clarinettist Robert Pickup. Jeanne-Louise has given numerous solo performances in South Africa and in Zimbabwe. As soloist, she has performed with various orchestras in the country, among them the KZNPO (Durban), the Chamber Orchestra of South Africa (Pretoria), NAPOP (Pretoria) and the Free State Symphony Orchestra (Bloemfontein). Jeanne-Louise has had more than twenty years of experience as principal violist of several professional orchestras in Gauteng and the Free State.

Grethe made her musical debut performing as soloist with the Johannesburg Symphony Orchestra. She won several national music competitions, awards and bursaries including the Sanlam Music Competition (1994), ABSA National Music Competition (Piano Category, 1998), ATKV Prelude Competition (2000), Hennie Joubert National Piano Competition (2000), Lionel Bowman Beethoven Competition (2001) and UNISA Overseas Scholarship for Teachers (2003). She has been a soloist with major orchestras in the country between 1989 and 2005 including the Cape Town Philharmonic, KZNPO and the Chamber Orchestra of South Africa. Grethe is an avid chamber musician and has performed with guest artists and faculty members of the University of Iowa, including Nicole Esposito, Anthony Arnone, Melissa Kraut, Larry Stomberg and Sarah Frisof. She completed a BMus degree (cum laude) at the University of Pretoria under Ella Fourie and Joseph Stanford. In 2006 she continued her studies abroad and completed her MMus at the Cleveland Institute of Music (2008) and DMus (2014) at the University of Iowa (US). Her teachers included Daniel Shapiro (CIM), Paul Schenly (CIM) and Uriel Tsachor (UIowa). During her studies at the University of Iowa she was appointed as teaching assistant for three years. In 2015 she returned to South Africa and in 2016 she was appointed as principal piano lecturer at the OSM.

PROGRAMME:

  • Brahms: Sonata in F major, Op. 120 No. 2
  • Hendrik Hofmeyr: Viola Sonata
  • Rebecca Clarke: Sonata for viola and piano

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


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Die Huis van Maria Malan (A)

Playwright: Nico Luwes
Director: Nico Luwes
Venue: Wynand Mouton Theatre

Dates and times:

21 March 2012 19h30
22 March 2012 19h30
23 March 2012 19h30

R30 for adults
R25 for pensioners
R20 for scholars and students
R15 for Theatre Club Members

Bookings: Computicket (Mimosa Mall and Checkers)
Bookings for block bookings of 10 or more people can be done with Thys Heydenrych (072 235 3191)

Die Huis van Maria Malan is an Afrikaans adaptation of House of Bernarda Alba, Federico Garcia Lorca's and is his last play, written the year he was killed at the outbreak of the Spanish Civil War. The play, along with Blood Wedding and Yerma, forms a trilogy expressing what Lorca saw as the tragic life of Spanish women. These late works Dennis Klein in Blood Wedding, Yerma, and The House of Bernardo Alba called "the most accomplished and mature efforts of the finest Spanish playwright of the twentieth century." If Blood Wedding is a nuptial tragedy and Yerma the tragedy of barren women, The House of Bemarda Alba might be seen as the tragedy of virginity, of rural Spanish women who will never have the opportunity to choose a husband. It is also a play expressing the costs of repressing the freedom of others.

The House of Bemarda Alba finally had its stage premiere nearly a decade after Lorca's death. The play was produced in Buenos Aries in 1945, and was published the same year, in Argentina. Given the repression of artistic expression in Spain during Franco's regime, it was not until 1964 that Lorca's last play was finally produced in his native country, at Madrid's Goya Theatre. Its setting is specific to the values and customs of a rural Spanish people, but the play's appeal is universal rather than national.

In this adaptation the play is set in a conservative South African context during 1910-1915. The play is perfect for 3rd year students as all the characters roles are played by women in a complicated plot with interesting interpersonal relationships. The contrast in values between the workers and the daughters of the strict matriarch, Maria Malan, creates new impetus to and meaning in the play within the South African context.

All the daughters are in love with Hermanus van Wyk, the smartest and most attractive young man of the region. He will probably marry the oldest and ugliest daughter for the money she inherited from her late father. According to tradition, the young girls are forced to mourn the loss of their father for a long time and may not leave the house. At night we can hear the stud of Hermanus galloping around the house. What is he up to? Does he perhaps visit someone at her window? Soon the suffocating house of Maria Malan become bees nest of suppressed emotions, conspiracies and mistrust. The matriarch soon stands helpless against the laws of nature and the tragedy that looms on the horizon.

Nico Luwes is responsible for the adaptation and direction. 12 third year students play the main roles and the rest of the class take up the roles of women of the town. The play is performed from 21 to 23 March in die Wynand Mouton Theatre at 19:30.

Book at Computicket.
 

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