Years
2019 2018
Jeanne-Louise & Grethe In Concert
2018-02-15

JEANNE-LOUISE & GRETHE IN CONCERT

15 February 2018

Odeion

19:30

Violist Jeanne-Louise Moolman and pianist Grethe Nöthling presents this exciting, diverse and challenging programme of works by Brahms, Hofmeyr and Clarke.

Jeanne-Louise was appointed as violist of the Odeion String Quartet and senior lecturer at the OSM in 2008. She studied at the University of Pretoria under Prof Alan Solomon, where she obtained the BMus and BMusHons degrees with distinction. She subsequently also studied in Salzburg under Thomas Riebl. She won, among others, the ATKV Forté and Oude Meester competitions and in 1985 she was the first winner of the University of Natal 75th Anniversary Prize. She is an experienced musician who regularly performs with some of our country’s foremost musicians in various chamber music combinations. Other musicians with whom she has performed, include the violists Gérard Korsten, Philippe Graffin, the pianists Leslie Howard and Albie van Schalkwyk, and the clarinettist Robert Pickup. Jeanne-Louise has given numerous solo performances in South Africa and in Zimbabwe. As soloist, she has performed with various orchestras in the country, among them the KZNPO (Durban), the Chamber Orchestra of South Africa (Pretoria), NAPOP (Pretoria) and the Free State Symphony Orchestra (Bloemfontein). Jeanne-Louise has had more than twenty years of experience as principal violist of several professional orchestras in Gauteng and the Free State.

Grethe made her musical debut performing as soloist with the Johannesburg Symphony Orchestra. She won several national music competitions, awards and bursaries including the Sanlam Music Competition (1994), ABSA National Music Competition (Piano Category, 1998), ATKV Prelude Competition (2000), Hennie Joubert National Piano Competition (2000), Lionel Bowman Beethoven Competition (2001) and UNISA Overseas Scholarship for Teachers (2003). She has been a soloist with major orchestras in the country between 1989 and 2005 including the Cape Town Philharmonic, KZNPO and the Chamber Orchestra of South Africa. Grethe is an avid chamber musician and has performed with guest artists and faculty members of the University of Iowa, including Nicole Esposito, Anthony Arnone, Melissa Kraut, Larry Stomberg and Sarah Frisof. She completed a BMus degree (cum laude) at the University of Pretoria under Ella Fourie and Joseph Stanford. In 2006 she continued her studies abroad and completed her MMus at the Cleveland Institute of Music (2008) and DMus (2014) at the University of Iowa (US). Her teachers included Daniel Shapiro (CIM), Paul Schenly (CIM) and Uriel Tsachor (UIowa). During her studies at the University of Iowa she was appointed as teaching assistant for three years. In 2015 she returned to South Africa and in 2016 she was appointed as principal piano lecturer at the OSM.

PROGRAMME:

  • Brahms: Sonata in F major, Op. 120 No. 2
  • Hendrik Hofmeyr: Viola Sonata
  • Rebecca Clarke: Sonata for viola and piano

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


Back
Born in the RSA (Eng)

PLAYWRIGHT: BARNEY SIMON

DIRECTOR: KARABELO LEKALAKE

VENUE: SCAENA THEATRE

LANGUAGE: ENGLISH

 

Dates and times:

29 October 2014              19h30

30 October 2014              19h30

31 October 2014              19h30

 

Prices:  R 40.00 for adults / R 30.00 for students or scholars / R 25.00 for pensioners or for groups of 10 or more

 

Bookings:   Computicket (0861 915 8000)

 

Born in the RSA was improvised from life. The play looks at the atrocities of the apartheid regime. This docu-drama is based on real-life characters that were caught up in the 1985 state of emergency. The play focuses on political events that challenged the perception that, in our society the victims are only those who are oppressed. The audience gets to encounter and listen to personal testimonies of people who were caught in the cross fire. The interwoven stories of the seven characters vividly paint a bleak picture of the apartheid regime and the South African Police’s tactics: the guilt by association, sudden arrest, slow interrogation and forced confessions through torture.

 

Glen Donahue (Magnus Mc Phail) is a Wits University graduate and betrayal is the name of his game. Glen is highly paid by the police to spy on “trouble makers”.  He does not mind compromising people close to him as long as he can be compensated appropriately.  This is evident when he has a steamy affair with Susan Lang (Marle Visagie) simply because he is spying on her. Susan, an art teacher is totally taken by Glen’s charm. Her remarkable characteristic of being loyal to the liberation movement is apparent in the play. However, she seems to be unaffected by the notion of being Glen’s mistress. Nicky Donahue (Imke Reinecke) married to Glen, is kind to blacks, but prefers not to listen to stories of how black people suffer because of apartheid.

 

Sindiswa Ngube (Keketso Tsiane and Petunia Kgotlhe), a black schoolteacher, is guilty of no crime except being the sister of the trade-union leader, Thenjiwe (Dieketseng Dlamini), with whom Susan is affiliated. Sindiswa's punishment in the play is the arrest of her 10-year-old son on trumped-up charges. An Afrikaner activist lawyer Mia Steinman’s (Rona Van Blerk) career is influenced by renewed political activist such as Braam Fischer, Nelson Mandela and Oliver Tambo. Since childhood Mia was exposed to various people visiting her parents’ house and all she wants is equal rights for everyone.

 

The sweet musician Zack Melani (Che Keet) is so disturbed by the cruel treatment of his friend's incarcerated child that, to his horror, he finds himself inexorably driven into becoming ''the black King Kong'' whites fear him to be. As he fantasizes about cracking the skulls of white schoolgirls, the audience sees the begetting of violence by violence.

 

The three day performance of Born in the RSA is at Scaena Theatre from 28 till 31 October at 19:30. Tickets are available at Computicket.

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