Years
2019 2018
Douglas Masek Saxophone Recital
2018-07-31

with Neal Stulberg (piano)

31 July 2018

Odeion

19:30

The Los Angeles-based duo, in the country for the SANNSS, is touring the major South African cities. Both Masek and Stulberg, leaders in their respective fields, are internationally acclaimed soloists. The duo performs rarely heard selections from the concert saxophone repertoire in major cities around the country. Their program includes music by well-known composers such as Astor Piazzolla, David Heath, and even the South African composer, Allan Stephenson.

Internationally renowned saxophonist DOUGLAS MASEK, whose performances emphasize his versatility in a wide range of musical styles, from classical and contemporary to jazz, has consistently garnered critical acclaim. : The Los Angeles Times writes, (Masek’s) “...playing is smooth, sinuous, stunning, stylish, dazzling, and glowing with the requisite rich color.” In South Africa, The Argus describes “Masek’s tone: beautiful and pure” and the Cape Times adds “dynamic and magical.” With extensive concert touring in the United States, Europe, Asia, South Africa, and South America, he has also performed as a soloist at numerous festivals. He has performed with notable conductors, including Esa-Pekka Salonen, Kent Nagano, Placido Domingo, John Mauceri, Andre Previn, Michael-Tilson Thomas, James Conlan, Gustavo Dudamel, Valery Gergiev, Giselle Ben-Dor, Rachael Worby, JoAnn Falletta, Arthur Rubinstein, Grant Gershon, Carlo Franci, Hubert Soudant, Paul Freeman, Allan Stephenson and Bernhard Gueller. He has also worked on motion picture sounds tracks for John Williams, Randy Newman, David Newman and others, for Sony, Warner, Paramount, Universal, Disney and 20th Century, along with television and radio broadcasts. Masek's discography includes seven solo CD collections; Distant Memories, Windwood, Recrudescence, Saxvoir Faire, Saxtronic Soundscape, Saxophone Alternative, and EclectSax. He has recorded for Centaur, Albany, Cambria, Atlantic, Navona, Koch International, Stereophile, Summit and Philips Classics recording companies. Masek completed his academic education with a D.M.A. from the University of Southern California. Currently Professor of Saxophone at UCLA, Douglas is also a Vandoren Elite Artist and Conn-Selmer Artist.

www.dougmasek.com

Although an acclaimed pianist in his own right, it is as an orchestral conductor that NEAL STULBERG has been heralded by the Los Angeles Times as "…a shining example of podium authority and musical enlightenment," Stulberg has garnered consistent international acclaim for performances of clarity, insight, and conviction. Since 2005, he has served as Director of Orchestral Studies at the UCLA Herb Alpert School of Music and currently serves as both Professor and Chair of the UCLA Department of Music. Stulberg has already led numerous North American orchestras, and international engagements have included the St. Petersburg Symphony Orchestra, Moscow Chamber Orchestra, Hong Kong Philharmonic, Taipei Symphony Orchestra, Seoul Philharmonic, Korea Philharmonic (KBS), Queensland, Adelaide and West Australian Symphonies, to name but a few. Behind the keyboard, Stulberg appears as recitalist, chamber musician and with major orchestras and at international festivals as pianist/conductor. His performances of Mozart concertos conducted from the keyboard are uniformly praised for their buoyant virtuosity and interpretive vigour. He has recorded for West German Radio, Donemus, Yarlung Records, Sono Luminus and the Composers Voice label. Stulberg is a graduate of Harvard College, the University of Michigan and the Juilliard School. He studied conducting with Franco Ferrara at the Accademia Nazionale di Santa Cecilia (Rome), piano with Leonard Shure, Theodore Lettvin, William Masselos and Mischa Kottler, and viola with Ara Zerounia.

PROGRAMME:

  • Melvin Solomon (b.1947): ‘a la Mozart’
  • Astor Piazzolla (1921-1992): Café 1930 (arr. Isoda/Sugawa)
  • Maria Grenfell (b.1969): Time Transfixed
  • Allan Stephenson (b.1949): Introduction and Allegro
  • Maria Newman (b.1962): Parens (Ancestors)
  • Bill Cunliffe (b.1956): Bechet
  • David Heath (b. 1956): Coltrane (solo saxophone)
  • Pedro Iturralde (b.1929): Suite Hellenique
  • John Boswell (b.1960): Waterfall
  • John Boswell: Kindred Spirits

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


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Tribute to Kloppers

PROF JACOBUS KLOPPERS RESIDENT AT THE OSM

22 August - 5 September 2017

(with concert “Tribute to Kloppers” on 31 August, 19:30, Dutch Reformed Church Universitas)

Jacobus (Kobie) Kloppers (born 1937 in Krugersdorp) is a Canadian composer, musicologist and organist. He has composed many notable pieces, especially for organ, and has been the subject of substantial scholarship.

This includes a Masters dissertation by Eljee du Plooy, titled “Jacobus Kloppers: A Life of Service in Music” (2013).

Born in South Africa, Kloppers completed his Doctorate in Frankfur (Germany). In 1966, Kloppers returned to South Africa to teach, compose and perform. He immigrated to Canada with his family in the mid-1970s in protest to the Apartheid policy. 

Kloppers settled in Edmonton (Canada), and worked as a private instructor and church musician. In 1978, he was interviewed for a part-time position at a small Christian college, the King's University College (Edmonton), that was to open the next year. The college hired him full-time to develop a music program. He taught organ, music history, and musicology and was chair of the music program until his retirement in 2008. Kloppers is also an Adjunct Professor of Organ at the University of Alberta, an Honorary Fellow of the RCCO, the Canadian Music Centre and a member of the Canadian League of Composers.

Kloppers was important in Edmonton's Winspear Centre acquiring the Davis Concert Organ, a world-renowned instrument. In 2009, Kloppers was inducted into Edmonton's Cultural Hall of Fame. In 2011, the University of the Free State began a project to collect and house a complete collection of Kloppers' work.

Prof Kloppers will be resident in the Odeion School of Music for the period 22 August - 5 September 2017. The main purpose of his visit is for him to be available for a number of in-depth conversations concerning a book publication on his life and work, which will be edited by Prof Martina Viljoen. Both local and international scholars have been invited to contribute to the planned publication. The preliminary lay-out includes a number of chapters on topics that will illuminate both Prof Kloppers’s life history, as well as important aspects of his professional contribution, and his creative output: Introductory chapter – Profs Marnie Giesbrecht-Segger and Joachim Segger (University of Alberta and King’s University, Edmonton, respectively).

Biographical background – Eljee du Plooy and Prof Martina Viljoen (University of the Free State) A stylistic comparison between Kloppers and Stefans Grové – Prof Izak Grove (Stellenbosch University)

Stylistic influences in Kloppers’s organ oeuvre – Prof Nicol Viljoen, Dr Jan Beukes, Prof Martina Viljoen (University of the Free State)

An analytical study of the Dialectic Fantasy – Luzanne Eigelaar and Dr Matildie Thom Wium (University of the Free State)

Triptych for alto saxophone and organ – Dr Charles Stolte (King’s University, Edmonton)

Reflections: Prologue, Variations and Epilogue on an Afrikaans Folk Song – Profs Nicol and Martina Viljoen (University of the Free State)

Perspectives on Kloppers’s teaching of musicology at the King’s University – Dr Charles Stolte (King’s University, Edmonton)

“TRIBUTE TO KLOPPERS”

The OSM will present a concert entitled “Tribute to Kloppers” of compositions by Jacobus Kloppers on the 31st of August at 19:30 in the Dutch Reformed Church Universitas.

The following works will be performed:

PROGRAMME:

Chorale Preludes on Ps 23

Ps 128

Jesu meine zuversicht

Ek weet aan wie ek my toevertrou het

Partita on In Dulci Jubilo

Three Plainsong Settings
Hosanna (for chorus)
How lovely are your dwellings (for choir, organ and flute)
Give thanks to God, the Father (for choir and trumpet)
Verdwyn is nou die Daglig (Art song for lyrical tenor and organ) based on the Lutheran chorale, Der Mond ist aufgegangen.

ADMISSION: Free

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