Years
2019 2018
Douglas Masek Saxophone Recital
2018-07-31

with Neal Stulberg (piano)

31 July 2018

Odeion

19:30

The Los Angeles-based duo, in the country for the SANNSS, is touring the major South African cities. Both Masek and Stulberg, leaders in their respective fields, are internationally acclaimed soloists. The duo performs rarely heard selections from the concert saxophone repertoire in major cities around the country. Their program includes music by well-known composers such as Astor Piazzolla, David Heath, and even the South African composer, Allan Stephenson.

Internationally renowned saxophonist DOUGLAS MASEK, whose performances emphasize his versatility in a wide range of musical styles, from classical and contemporary to jazz, has consistently garnered critical acclaim. : The Los Angeles Times writes, (Masek’s) “...playing is smooth, sinuous, stunning, stylish, dazzling, and glowing with the requisite rich color.” In South Africa, The Argus describes “Masek’s tone: beautiful and pure” and the Cape Times adds “dynamic and magical.” With extensive concert touring in the United States, Europe, Asia, South Africa, and South America, he has also performed as a soloist at numerous festivals. He has performed with notable conductors, including Esa-Pekka Salonen, Kent Nagano, Placido Domingo, John Mauceri, Andre Previn, Michael-Tilson Thomas, James Conlan, Gustavo Dudamel, Valery Gergiev, Giselle Ben-Dor, Rachael Worby, JoAnn Falletta, Arthur Rubinstein, Grant Gershon, Carlo Franci, Hubert Soudant, Paul Freeman, Allan Stephenson and Bernhard Gueller. He has also worked on motion picture sounds tracks for John Williams, Randy Newman, David Newman and others, for Sony, Warner, Paramount, Universal, Disney and 20th Century, along with television and radio broadcasts. Masek's discography includes seven solo CD collections; Distant Memories, Windwood, Recrudescence, Saxvoir Faire, Saxtronic Soundscape, Saxophone Alternative, and EclectSax. He has recorded for Centaur, Albany, Cambria, Atlantic, Navona, Koch International, Stereophile, Summit and Philips Classics recording companies. Masek completed his academic education with a D.M.A. from the University of Southern California. Currently Professor of Saxophone at UCLA, Douglas is also a Vandoren Elite Artist and Conn-Selmer Artist.

www.dougmasek.com

Although an acclaimed pianist in his own right, it is as an orchestral conductor that NEAL STULBERG has been heralded by the Los Angeles Times as "…a shining example of podium authority and musical enlightenment," Stulberg has garnered consistent international acclaim for performances of clarity, insight, and conviction. Since 2005, he has served as Director of Orchestral Studies at the UCLA Herb Alpert School of Music and currently serves as both Professor and Chair of the UCLA Department of Music. Stulberg has already led numerous North American orchestras, and international engagements have included the St. Petersburg Symphony Orchestra, Moscow Chamber Orchestra, Hong Kong Philharmonic, Taipei Symphony Orchestra, Seoul Philharmonic, Korea Philharmonic (KBS), Queensland, Adelaide and West Australian Symphonies, to name but a few. Behind the keyboard, Stulberg appears as recitalist, chamber musician and with major orchestras and at international festivals as pianist/conductor. His performances of Mozart concertos conducted from the keyboard are uniformly praised for their buoyant virtuosity and interpretive vigour. He has recorded for West German Radio, Donemus, Yarlung Records, Sono Luminus and the Composers Voice label. Stulberg is a graduate of Harvard College, the University of Michigan and the Juilliard School. He studied conducting with Franco Ferrara at the Accademia Nazionale di Santa Cecilia (Rome), piano with Leonard Shure, Theodore Lettvin, William Masselos and Mischa Kottler, and viola with Ara Zerounia.

PROGRAMME:

  • Melvin Solomon (b.1947): ‘a la Mozart’
  • Astor Piazzolla (1921-1992): Café 1930 (arr. Isoda/Sugawa)
  • Maria Grenfell (b.1969): Time Transfixed
  • Allan Stephenson (b.1949): Introduction and Allegro
  • Maria Newman (b.1962): Parens (Ancestors)
  • Bill Cunliffe (b.1956): Bechet
  • David Heath (b. 1956): Coltrane (solo saxophone)
  • Pedro Iturralde (b.1929): Suite Hellenique
  • John Boswell (b.1960): Waterfall
  • John Boswell: Kindred Spirits

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


Back
For colored girls who have considered suicide when the rainbow is enuf

Venue:  Scaena Theatre, UFS-Main Campus

Language: English 

Genre: Choreopoem / Drama

 

Date and times:

12 September @ 19:30

13 September @ 19:30

14 Septermber@ 19:30

 

Tickets:         

R 40.00 per person

R 30.00 for students, scholars,

R 25.00 for pensioners

 

Bookings Computicket (0861 915 8000)

 A beautiful fusion between dance, poetry, drama and music is what you can expect in For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf, the next play brought to the stage by the University of the Free State Drama Department. Issues women all over the world are struggling with, like abuse, identity crises, the coming of age and self-love, empowerment and depression, are themes this choreopoem explores. Written in 1975 by American author Ntozake Shange, it is today just as relevant as then.

 For Colored Girls uses nineteen poems by seven women who experience different individual problems. Each of these characters go through a journey of their own but come to realise that they are not alone. While they are all confronted with similar issues, they are not as different from each other after all.

“she’s half-notes scattered

without rhythm/ no tune

sing her sighs

sing the song of her possibilities

sing a righteous gospel

let her be born”- Lady in Brown

The characters’ names reflect the colours of the rainbow: Lady in Red, Lady in Blue, Lady in Brown, Orange, Yellow, Purple and Green.

American playwright, poet and feminist activist fighting for the rights of black women, Ntozake Shange, was born in Trenton New Jersey, as Paulette Williams. When she separated from her first husband, she often attempted to commit suicide. However, focusing her anger and hurt on the limitations that black women have she was able to regain her inner strength. She then took her African name, from South African friends at the time – Ntozake Shange – which means “she who comes with her own things “and “she who walks like a lion”.

Being an educator, performer/director, writer and committed solo spoken word artist, she said “the poems find[ing] their way through me to the audience”, but that she was so nervous in the beginning of putting these poems into a performance, because “I was a performance poet, not a theatre artist.”

For Colored Girls will be performed by second year drama students from the UFS, from 12 – 14 September 2018, at 9:30 in the Scaena Theatre, UFS.

Please note the age restriction of 16 years, as some content is too mature for younger viewers. Tickets are available at Computicket. For more information go to https://www.facebook.com/ufsdrama/

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