Years
2019 2018
Douglas Masek Saxophone Recital
2018-07-31

with Neal Stulberg (piano)

31 July 2018

Odeion

19:30

The Los Angeles-based duo, in the country for the SANNSS, is touring the major South African cities. Both Masek and Stulberg, leaders in their respective fields, are internationally acclaimed soloists. The duo performs rarely heard selections from the concert saxophone repertoire in major cities around the country. Their program includes music by well-known composers such as Astor Piazzolla, David Heath, and even the South African composer, Allan Stephenson.

Internationally renowned saxophonist DOUGLAS MASEK, whose performances emphasize his versatility in a wide range of musical styles, from classical and contemporary to jazz, has consistently garnered critical acclaim. : The Los Angeles Times writes, (Masek’s) “...playing is smooth, sinuous, stunning, stylish, dazzling, and glowing with the requisite rich color.” In South Africa, The Argus describes “Masek’s tone: beautiful and pure” and the Cape Times adds “dynamic and magical.” With extensive concert touring in the United States, Europe, Asia, South Africa, and South America, he has also performed as a soloist at numerous festivals. He has performed with notable conductors, including Esa-Pekka Salonen, Kent Nagano, Placido Domingo, John Mauceri, Andre Previn, Michael-Tilson Thomas, James Conlan, Gustavo Dudamel, Valery Gergiev, Giselle Ben-Dor, Rachael Worby, JoAnn Falletta, Arthur Rubinstein, Grant Gershon, Carlo Franci, Hubert Soudant, Paul Freeman, Allan Stephenson and Bernhard Gueller. He has also worked on motion picture sounds tracks for John Williams, Randy Newman, David Newman and others, for Sony, Warner, Paramount, Universal, Disney and 20th Century, along with television and radio broadcasts. Masek's discography includes seven solo CD collections; Distant Memories, Windwood, Recrudescence, Saxvoir Faire, Saxtronic Soundscape, Saxophone Alternative, and EclectSax. He has recorded for Centaur, Albany, Cambria, Atlantic, Navona, Koch International, Stereophile, Summit and Philips Classics recording companies. Masek completed his academic education with a D.M.A. from the University of Southern California. Currently Professor of Saxophone at UCLA, Douglas is also a Vandoren Elite Artist and Conn-Selmer Artist.

www.dougmasek.com

Although an acclaimed pianist in his own right, it is as an orchestral conductor that NEAL STULBERG has been heralded by the Los Angeles Times as "…a shining example of podium authority and musical enlightenment," Stulberg has garnered consistent international acclaim for performances of clarity, insight, and conviction. Since 2005, he has served as Director of Orchestral Studies at the UCLA Herb Alpert School of Music and currently serves as both Professor and Chair of the UCLA Department of Music. Stulberg has already led numerous North American orchestras, and international engagements have included the St. Petersburg Symphony Orchestra, Moscow Chamber Orchestra, Hong Kong Philharmonic, Taipei Symphony Orchestra, Seoul Philharmonic, Korea Philharmonic (KBS), Queensland, Adelaide and West Australian Symphonies, to name but a few. Behind the keyboard, Stulberg appears as recitalist, chamber musician and with major orchestras and at international festivals as pianist/conductor. His performances of Mozart concertos conducted from the keyboard are uniformly praised for their buoyant virtuosity and interpretive vigour. He has recorded for West German Radio, Donemus, Yarlung Records, Sono Luminus and the Composers Voice label. Stulberg is a graduate of Harvard College, the University of Michigan and the Juilliard School. He studied conducting with Franco Ferrara at the Accademia Nazionale di Santa Cecilia (Rome), piano with Leonard Shure, Theodore Lettvin, William Masselos and Mischa Kottler, and viola with Ara Zerounia.

PROGRAMME:

  • Melvin Solomon (b.1947): ‘a la Mozart’
  • Astor Piazzolla (1921-1992): Café 1930 (arr. Isoda/Sugawa)
  • Maria Grenfell (b.1969): Time Transfixed
  • Allan Stephenson (b.1949): Introduction and Allegro
  • Maria Newman (b.1962): Parens (Ancestors)
  • Bill Cunliffe (b.1956): Bechet
  • David Heath (b. 1956): Coltrane (solo saxophone)
  • Pedro Iturralde (b.1929): Suite Hellenique
  • John Boswell (b.1960): Waterfall
  • John Boswell: Kindred Spirits

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


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Nettie Immelman Memorial Concert

with Jeanne-Minette Cilliers (piano)
Wednesday, 8 August 2012
Odeion
19:30

Legendary piano teacher, Nettie Immelman, passed away in 2011. The Odeion School of Music decided to arrange an annual concert in her memory and Jeanne-Minette Cilliers was the obvious choice of a celebrated pianist to invite to perform in this first concert.
Jeanne-Minette Cilliers received lessons in her native country (South Africa) from amongst others, Nettie Immelman and Japie Human. Among the most versatile musicians of her generation she has been called “a pianistic poet”, garnering rave reviews for her color-rich and imaginative performances.

She made her orchestra debut at the age of 12 in South Africa playing Joaquín Turina's Rapsodia sinfónica. From a young age she won top prizes in national competitions including the coveted UNISA Overseas Music Scholarship and two special prizes at the UNISA International Piano Competition in 2000. International highlights include top prizes at the Indianapolis Matinee Musicale, the Kalamazoo Young Artists Bach Competition and the Nena Wideman Concerto Competition.

Increasingly in demand as a collaborator, Jeanne-Minette has performed in Austria, Germany, Italy, Portugal, Israel, Japan, Sweden, South Africa, Barbados, and across North America - including festivals and venues such as the Irving S. Gilmore Keyboard Festival, the Ravinia Festival, Lincoln Center and Carnegie Hall in New York City. She has collaborated with artists such as Frans Helmerson, Janos Starker, Roger Vignoles, Martina Arroyo, Håkan Hagegård, David Daniels, Joyce Castle, Lise Lindstrom, Lester Lynch, actor Zoe Caldwell, and director Peter Sellars.

Currently she is on the faculty at the Manhattan School of Music, while also a music director for the Martina Arroyo Opera Foundation in New York City. Jeanne-Minette has recorded regularly for the SABC, and has featured on various SABC television and radio programmes.

She holds two performance licentiates in chamber music and vocal accompanying (equal to an arts diploma), both cum laude, from UNISA - received at the early age of eighteen. She earned her B.Mus. and M.Mus. degrees (with distinction) from the University of Michigan. As a student of Menahem Pressler, she earned an Artist Diploma from Indiana University. Jeanne-Minette is based in New York City.

Programme:
Prokofiev – Sonata, Nr. 4
Debussy - Estampes
Berg – Sonata, Op. 1
Schubert - Drei Klavierstücke, D 946

Admission:
R120 (adults), R80 (pensioners, students and learners)
R50 (group bookings of 10+)
Tickets available at Computicket.

Admission to the seminar and pre-concert talks are free.

Enquiries:
Ninette Pretorius (tel. 051 401 2504)
 

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