Years
2019 2018
Douglas Masek Saxophone Recital
2018-07-31

with Neal Stulberg (piano)

31 July 2018

Odeion

19:30

The Los Angeles-based duo, in the country for the SANNSS, is touring the major South African cities. Both Masek and Stulberg, leaders in their respective fields, are internationally acclaimed soloists. The duo performs rarely heard selections from the concert saxophone repertoire in major cities around the country. Their program includes music by well-known composers such as Astor Piazzolla, David Heath, and even the South African composer, Allan Stephenson.

Internationally renowned saxophonist DOUGLAS MASEK, whose performances emphasize his versatility in a wide range of musical styles, from classical and contemporary to jazz, has consistently garnered critical acclaim. : The Los Angeles Times writes, (Masek’s) “...playing is smooth, sinuous, stunning, stylish, dazzling, and glowing with the requisite rich color.” In South Africa, The Argus describes “Masek’s tone: beautiful and pure” and the Cape Times adds “dynamic and magical.” With extensive concert touring in the United States, Europe, Asia, South Africa, and South America, he has also performed as a soloist at numerous festivals. He has performed with notable conductors, including Esa-Pekka Salonen, Kent Nagano, Placido Domingo, John Mauceri, Andre Previn, Michael-Tilson Thomas, James Conlan, Gustavo Dudamel, Valery Gergiev, Giselle Ben-Dor, Rachael Worby, JoAnn Falletta, Arthur Rubinstein, Grant Gershon, Carlo Franci, Hubert Soudant, Paul Freeman, Allan Stephenson and Bernhard Gueller. He has also worked on motion picture sounds tracks for John Williams, Randy Newman, David Newman and others, for Sony, Warner, Paramount, Universal, Disney and 20th Century, along with television and radio broadcasts. Masek's discography includes seven solo CD collections; Distant Memories, Windwood, Recrudescence, Saxvoir Faire, Saxtronic Soundscape, Saxophone Alternative, and EclectSax. He has recorded for Centaur, Albany, Cambria, Atlantic, Navona, Koch International, Stereophile, Summit and Philips Classics recording companies. Masek completed his academic education with a D.M.A. from the University of Southern California. Currently Professor of Saxophone at UCLA, Douglas is also a Vandoren Elite Artist and Conn-Selmer Artist.

www.dougmasek.com

Although an acclaimed pianist in his own right, it is as an orchestral conductor that NEAL STULBERG has been heralded by the Los Angeles Times as "…a shining example of podium authority and musical enlightenment," Stulberg has garnered consistent international acclaim for performances of clarity, insight, and conviction. Since 2005, he has served as Director of Orchestral Studies at the UCLA Herb Alpert School of Music and currently serves as both Professor and Chair of the UCLA Department of Music. Stulberg has already led numerous North American orchestras, and international engagements have included the St. Petersburg Symphony Orchestra, Moscow Chamber Orchestra, Hong Kong Philharmonic, Taipei Symphony Orchestra, Seoul Philharmonic, Korea Philharmonic (KBS), Queensland, Adelaide and West Australian Symphonies, to name but a few. Behind the keyboard, Stulberg appears as recitalist, chamber musician and with major orchestras and at international festivals as pianist/conductor. His performances of Mozart concertos conducted from the keyboard are uniformly praised for their buoyant virtuosity and interpretive vigour. He has recorded for West German Radio, Donemus, Yarlung Records, Sono Luminus and the Composers Voice label. Stulberg is a graduate of Harvard College, the University of Michigan and the Juilliard School. He studied conducting with Franco Ferrara at the Accademia Nazionale di Santa Cecilia (Rome), piano with Leonard Shure, Theodore Lettvin, William Masselos and Mischa Kottler, and viola with Ara Zerounia.

PROGRAMME:

  • Melvin Solomon (b.1947): ‘a la Mozart’
  • Astor Piazzolla (1921-1992): Café 1930 (arr. Isoda/Sugawa)
  • Maria Grenfell (b.1969): Time Transfixed
  • Allan Stephenson (b.1949): Introduction and Allegro
  • Maria Newman (b.1962): Parens (Ancestors)
  • Bill Cunliffe (b.1956): Bechet
  • David Heath (b. 1956): Coltrane (solo saxophone)
  • Pedro Iturralde (b.1929): Suite Hellenique
  • John Boswell (b.1960): Waterfall
  • John Boswell: Kindred Spirits

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


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OSM Opening Concert 2013
 

 

Saturday, 23 February 2013 

Odeion

19:30

OSM Camerata (OSMC) honoured to perform under the baton of German conductor, Jan Moritz Onken

The conductor, Jan Moritz Onken, has been invited to conduct the OSM Camerata (flagship orchestra of the OSM) in the Odeion School of Music’s 2013 Opening Concert.  Top students of the OSM will also perform during this concert. 

Born in 1977 in Wuppertal (Germany), Jan Moritz Onken spent his formative years as a student in orchestral conducting at the Rimsky-Korsakov St. Petersburg State Conservatory under the tutelage of Prof Nikolai Alexeev.  Onken received high praise from notable masters such as Pierre Boulez, Valery Gergiev and Nelson Freire for his “exceptional talent” during internships at the Bayreuther Festspiele, the Mariinsky Theater and the Belcanto Festival in Dordrecht (Netherlands).

In 2003 he worked as assistant to acclaimed maestro Mariss Jansons, whilst gaining international experience by conducting orchestras worldwide.  A DAAD-grant has enabled him to lead the student symphony orchestras of the National Conservatoire of Almaty (Kazakhstan), St. Petersburg (Russia) and Tiblisi (Georgia).  His success with above mentioned ensembles gained him recognition in the New York Times, Verliner Tageszeitung, Spiegel, ZDF-Heute Journal, 3sat Kulturzeit, and Deutsche Welle.  Onken has also received an award at the 10th International Conducting Competition in Budapest (Hungary) in 2010.  Since 2010 Jan is residing in St. Petersburg where he is working as a musical coach and assistant for German repertoire at the Mariinsky Theater (Valery Gergiev).    In 2011 he was invited as a guest conductor at the Verbier Festival. Onken was elected adjudicator for the final round of the second National Len van Zyl Orchestral Conducting Competition to take place in Cape Town in February 2013.

AUDIO VISUAL MATERIAL:

Euromax Deutsche Welle (“50-4:30”)
Portrait: Der Dirigent Jan Moritz Onken
http://www.youtube.com/watch?v=UndJV11mSuY 
 
The Student Symphonic Orchestra of the Kurmangazy Kazakh National Conservatory  at the Konzerthaus Berlin
Brahms Concert for piano No.2, part 2.
http://www.youtube.com/watch?v=rRSuq-72HYk

PROGRAMME:

W.A. Mozart: Symphony No. 41 “Jupiter” (Allegro vivace)

F. Schubert: Lieder arrangements for chamber orchestra by Max Reger & Felix Weingartner

with OSM soloists Teresa de Wit (mezzo soprano) and Malefetsane Mofokeng (baritone) as soloists

H. Hofmeyr: Notturno Elegiaco (1996)  Arranged in 2012 for chamber orchestra by Hendrik Hofmeyr)

The arrangement for chamber orchestra has been commissioned by the OSM New Music Initiative.

ADMISSION:

R110 (adults), R70 (pensioners, students and learners)

Tickets available at Computicket or at the door.

ENQUIRIES:   

Ninette Pretorius (tel. 051 401 2504)

MASTER CLASSES:

Conducting master classes and mentor conversations will be presented by Jan Moritz Onken on 19 and 20 February (both days from 14:00 – 16:00) in the Haller Halle of the Odeion School of Music. It is recommended that students/persons planning to participate in or attend these master classes also attend the rehearsals of 18 February (18:00 – 20:00, Odeion) and 19 February (17:00 – 19:00, Haller Halle). Admission is R50 per master class.

OSM Camerata

In 2012 the OSM found it strategically fit to establish a new flagship chamber ensemble – the OSM Camerata (OSMC) – with the main objective to kindle and forge the talents of exceptionally gifted musicians and literally chasing after the highest artistic standards possible. Apart from competencies related to advanced musicianship, ensemble, mentorship, concert etiquette serious thought is given to the demands and roles of the professional orchestral player e.g. concert master, assistant concertmaster and principle player as well as professional procedures with regard to rehearsal procedures.  Another objective is to introduce students and audiences alike to exceptional repertoire hailing from diverse style periods not often heard on South African stages. In future it might also be wise to enlighten students on the practical aspects regarding the professional labour market like knowledge about contracts, taxation, as well as aspects with reference to human resources and labour law.

Special attention will be given to employ dynamic young conductors both internationally and locally. In context of the long term strategy of the OSM the idea is to erect an extended orchestral conducting chair. The OSMC and visiting conductors will be instrumental to facilitate the conducting modules and expose students to state of the art knowledge with regard to conducting technique, repertoire, rehearsal schedules programming and the application of progressive teaching methodologies.  The OSMC gave their first performance on 1 March 2012 as the Opening Concert of the OSM under the baton of Nicholas Nikolaidis. They performed works by Pergolesi, Rautavaara, Bartok, Hendrix and South African composer, Stefans Grové.  The OSMC is anticipated to serve as a feasible incubator to forge full rounded musicians thoroughly prepared for the demands of their trade as orchestral musicians and soloists. The aim for 2013 is to institutionalise the OSMC as a vehicle of excellence.

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