Years
2019 2018
Douglas Masek Saxophone Recital
2018-07-31

with Neal Stulberg (piano)

31 July 2018

Odeion

19:30

The Los Angeles-based duo, in the country for the SANNSS, is touring the major South African cities. Both Masek and Stulberg, leaders in their respective fields, are internationally acclaimed soloists. The duo performs rarely heard selections from the concert saxophone repertoire in major cities around the country. Their program includes music by well-known composers such as Astor Piazzolla, David Heath, and even the South African composer, Allan Stephenson.

Internationally renowned saxophonist DOUGLAS MASEK, whose performances emphasize his versatility in a wide range of musical styles, from classical and contemporary to jazz, has consistently garnered critical acclaim. : The Los Angeles Times writes, (Masek’s) “...playing is smooth, sinuous, stunning, stylish, dazzling, and glowing with the requisite rich color.” In South Africa, The Argus describes “Masek’s tone: beautiful and pure” and the Cape Times adds “dynamic and magical.” With extensive concert touring in the United States, Europe, Asia, South Africa, and South America, he has also performed as a soloist at numerous festivals. He has performed with notable conductors, including Esa-Pekka Salonen, Kent Nagano, Placido Domingo, John Mauceri, Andre Previn, Michael-Tilson Thomas, James Conlan, Gustavo Dudamel, Valery Gergiev, Giselle Ben-Dor, Rachael Worby, JoAnn Falletta, Arthur Rubinstein, Grant Gershon, Carlo Franci, Hubert Soudant, Paul Freeman, Allan Stephenson and Bernhard Gueller. He has also worked on motion picture sounds tracks for John Williams, Randy Newman, David Newman and others, for Sony, Warner, Paramount, Universal, Disney and 20th Century, along with television and radio broadcasts. Masek's discography includes seven solo CD collections; Distant Memories, Windwood, Recrudescence, Saxvoir Faire, Saxtronic Soundscape, Saxophone Alternative, and EclectSax. He has recorded for Centaur, Albany, Cambria, Atlantic, Navona, Koch International, Stereophile, Summit and Philips Classics recording companies. Masek completed his academic education with a D.M.A. from the University of Southern California. Currently Professor of Saxophone at UCLA, Douglas is also a Vandoren Elite Artist and Conn-Selmer Artist.

www.dougmasek.com

Although an acclaimed pianist in his own right, it is as an orchestral conductor that NEAL STULBERG has been heralded by the Los Angeles Times as "…a shining example of podium authority and musical enlightenment," Stulberg has garnered consistent international acclaim for performances of clarity, insight, and conviction. Since 2005, he has served as Director of Orchestral Studies at the UCLA Herb Alpert School of Music and currently serves as both Professor and Chair of the UCLA Department of Music. Stulberg has already led numerous North American orchestras, and international engagements have included the St. Petersburg Symphony Orchestra, Moscow Chamber Orchestra, Hong Kong Philharmonic, Taipei Symphony Orchestra, Seoul Philharmonic, Korea Philharmonic (KBS), Queensland, Adelaide and West Australian Symphonies, to name but a few. Behind the keyboard, Stulberg appears as recitalist, chamber musician and with major orchestras and at international festivals as pianist/conductor. His performances of Mozart concertos conducted from the keyboard are uniformly praised for their buoyant virtuosity and interpretive vigour. He has recorded for West German Radio, Donemus, Yarlung Records, Sono Luminus and the Composers Voice label. Stulberg is a graduate of Harvard College, the University of Michigan and the Juilliard School. He studied conducting with Franco Ferrara at the Accademia Nazionale di Santa Cecilia (Rome), piano with Leonard Shure, Theodore Lettvin, William Masselos and Mischa Kottler, and viola with Ara Zerounia.

PROGRAMME:

  • Melvin Solomon (b.1947): ‘a la Mozart’
  • Astor Piazzolla (1921-1992): Café 1930 (arr. Isoda/Sugawa)
  • Maria Grenfell (b.1969): Time Transfixed
  • Allan Stephenson (b.1949): Introduction and Allegro
  • Maria Newman (b.1962): Parens (Ancestors)
  • Bill Cunliffe (b.1956): Bechet
  • David Heath (b. 1956): Coltrane (solo saxophone)
  • Pedro Iturralde (b.1929): Suite Hellenique
  • John Boswell (b.1960): Waterfall
  • John Boswell: Kindred Spirits

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


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Recital by Australian organist, Martin Rein

Thursday, 25 April 2013
Odeion
19:30

Martin Rein began his career with extensive studies in Choral Conducting and Sacred Music at the Berlin School of Music with Prof. Martin Behrmann.  He completed his B.Mus. in 1996.

He then undertook further postgraduate studies at the Music Academy in Detmold and graduated in December 2000 with First Class Honours in Organ Performance, and in June 2001 with an M.Mus. degree, majoring in Choral and Orchestral Conducting.  In his graduation recital in December 2000, he performed amongst other works, the Chromatic Fantasy and Fugue Op. 57 (Inferno) by Max Reger - one of the most challenging compositions within the organ repertoire. 

In Europe he studied organ and piano performance with Prof. Gerhard Weinberger (Munich-Wurzburg) and Dr Ewald Kooimann (Amsterdam) as well as organ improvisation with Prof. Renate Zimmermann (Berlin-Frankfurt-Heidelberg).  He also studied with Dame Gillian Weir in England.  Since then he held several positions at e.g. the Stiftskirche St John's (Germany), at St. Mary's Monastery (Lehnin, Germany) the Alte Kirche (Essen, Germany), conducted the Australian Chamber Singers, was Director of Music at St. John the Evangelist Notting Hill, resident College Organist and Educator at Bearwood College and the Royal Merchant Navy School (Berkshire), and in 2010 Martin accepted the post of Head of Performing Arts and Master of the Choristers at The King's School Sydney (Australia).

As an organist, Martin has performed in Australia, the USA and many European countries in venues such as Westminster Abbey and Westminster Cathedral, both Cathedrals of Berlin (Germany), the Great Hall at Sydney University (Australia), King's College Boston, St Mark's Baltimore, Gloria Dei (Philadelphia) and Carthage College (USA). His recital at Sydney University was broadcasted by 2MBS-FM 'Colours of the King' in July 2005.  Recently he has given concerts in St Martin-in-the-Fields in London, the Cathedral of St John-the-Evangelist in Hong Kong, St. Andrew's Cathedral (Sydney) and the Cathedrals of Auckland and Dunedin (New Zealand).  His special interest in historic organs - many of which he has performed on - is compiled in his book on Baroque organ builders in Germany.

Programme:

  • J.S. Bach - Prelude and Fugue in G, BWV550
  • J.S. Bach - Chorales from the Third Part of the Clavierubung (1739)
  • M. Duruflé - Scherzo, Op. 2
  • M. Reger - Introduction, Passacaglia and Fugue in E minor, Op. 127
  • M. Rein - Improvisation

Admission:

R130 (adults), R90 (pensioners), R50 (students and learners)
Tickets available at Computicket.

Enquiries:

Ninette Pretorius (tel. 051 401 2504)

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