Years
2019 2018
Douglas Masek Saxophone Recital
2018-07-31

with Neal Stulberg (piano)

31 July 2018

Odeion

19:30

The Los Angeles-based duo, in the country for the SANNSS, is touring the major South African cities. Both Masek and Stulberg, leaders in their respective fields, are internationally acclaimed soloists. The duo performs rarely heard selections from the concert saxophone repertoire in major cities around the country. Their program includes music by well-known composers such as Astor Piazzolla, David Heath, and even the South African composer, Allan Stephenson.

Internationally renowned saxophonist DOUGLAS MASEK, whose performances emphasize his versatility in a wide range of musical styles, from classical and contemporary to jazz, has consistently garnered critical acclaim. : The Los Angeles Times writes, (Masek’s) “...playing is smooth, sinuous, stunning, stylish, dazzling, and glowing with the requisite rich color.” In South Africa, The Argus describes “Masek’s tone: beautiful and pure” and the Cape Times adds “dynamic and magical.” With extensive concert touring in the United States, Europe, Asia, South Africa, and South America, he has also performed as a soloist at numerous festivals. He has performed with notable conductors, including Esa-Pekka Salonen, Kent Nagano, Placido Domingo, John Mauceri, Andre Previn, Michael-Tilson Thomas, James Conlan, Gustavo Dudamel, Valery Gergiev, Giselle Ben-Dor, Rachael Worby, JoAnn Falletta, Arthur Rubinstein, Grant Gershon, Carlo Franci, Hubert Soudant, Paul Freeman, Allan Stephenson and Bernhard Gueller. He has also worked on motion picture sounds tracks for John Williams, Randy Newman, David Newman and others, for Sony, Warner, Paramount, Universal, Disney and 20th Century, along with television and radio broadcasts. Masek's discography includes seven solo CD collections; Distant Memories, Windwood, Recrudescence, Saxvoir Faire, Saxtronic Soundscape, Saxophone Alternative, and EclectSax. He has recorded for Centaur, Albany, Cambria, Atlantic, Navona, Koch International, Stereophile, Summit and Philips Classics recording companies. Masek completed his academic education with a D.M.A. from the University of Southern California. Currently Professor of Saxophone at UCLA, Douglas is also a Vandoren Elite Artist and Conn-Selmer Artist.

www.dougmasek.com

Although an acclaimed pianist in his own right, it is as an orchestral conductor that NEAL STULBERG has been heralded by the Los Angeles Times as "…a shining example of podium authority and musical enlightenment," Stulberg has garnered consistent international acclaim for performances of clarity, insight, and conviction. Since 2005, he has served as Director of Orchestral Studies at the UCLA Herb Alpert School of Music and currently serves as both Professor and Chair of the UCLA Department of Music. Stulberg has already led numerous North American orchestras, and international engagements have included the St. Petersburg Symphony Orchestra, Moscow Chamber Orchestra, Hong Kong Philharmonic, Taipei Symphony Orchestra, Seoul Philharmonic, Korea Philharmonic (KBS), Queensland, Adelaide and West Australian Symphonies, to name but a few. Behind the keyboard, Stulberg appears as recitalist, chamber musician and with major orchestras and at international festivals as pianist/conductor. His performances of Mozart concertos conducted from the keyboard are uniformly praised for their buoyant virtuosity and interpretive vigour. He has recorded for West German Radio, Donemus, Yarlung Records, Sono Luminus and the Composers Voice label. Stulberg is a graduate of Harvard College, the University of Michigan and the Juilliard School. He studied conducting with Franco Ferrara at the Accademia Nazionale di Santa Cecilia (Rome), piano with Leonard Shure, Theodore Lettvin, William Masselos and Mischa Kottler, and viola with Ara Zerounia.

PROGRAMME:

  • Melvin Solomon (b.1947): ‘a la Mozart’
  • Astor Piazzolla (1921-1992): Café 1930 (arr. Isoda/Sugawa)
  • Maria Grenfell (b.1969): Time Transfixed
  • Allan Stephenson (b.1949): Introduction and Allegro
  • Maria Newman (b.1962): Parens (Ancestors)
  • Bill Cunliffe (b.1956): Bechet
  • David Heath (b. 1956): Coltrane (solo saxophone)
  • Pedro Iturralde (b.1929): Suite Hellenique
  • John Boswell (b.1960): Waterfall
  • John Boswell: Kindred Spirits

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


Back
An Evening with Kobie Kloppers

5 October 2013
Odeion
19:30

Staff and students of the OSM will present a special concert in honour of Kobie Kloppers.

Jacobus (Kobie) Kloppers (born in 1937 in Krugersdorp) has taught musicology and organ in South Africa and Canada and given organ recitals, including broadcast work for the SABC and CBC.  He has served as a church organist, examiner, composer and organ advisor. He served on the Organ Advisory Committee of the Winspear Centre (1994 - 2002), Edmonton and oversaw the final voicing of the new Davis Concert Hall Organ in the Centre.  He is a member of the Canadian League of Composers, voting member of the Canadian Music Centre, The Edmonton Composers Concert Society and an Honorary Fellow of the Royal Canadian College of Organists. His musical compositions have been performed and broadcast in Europe, the Americas, Hong Kong, and South Africa.

Kobie Kloppers served professor in organ and musicology as well as chairperson of the music department at the King’s University College in Edmonton (Alberta; Canada) from 1979 - 2008.  After his retirement in 2008, he continued as full-time lecturer in organ and musicology at King’s and adjunct professor in keyboard at the University of Alberta until 2013. After completing his undergraduate studies and organ licentiate in South Africa, he continued his studies in Frankfurt am Main: organ with Helmut Walcha at the Musikhochschule (1961 - 1965), and musicology at the Johann Wolfgang Goethe University (1961 - 1966). 

His compositions (around 70) include works sponsored by the Canada Council, CBC, the Royal Canadian College of Organists, the Marjorie Young Bell Fine Arts and Music Fund at Mount Allison University (Sackville, New Brunswick), the South African Foundation for the Creative Arts and various private sponsors. 

Organists Jan Beukes, Eljee du Plooy, Luzanne Eigelaar and pianist Cèzarre Strydom, will perform during the concert.

PROGRAMME:

Chorale Prelude on Valet will ich dir geben
Chorale Prelude on Wie gross ist des allmächtigen Güte
Pastorale on Ps 23
Choral Prelude on Ps 25
Introduction and Toccata on Lass uns Erfreuen
Partita on In Dulci Jubilo
Partita on The Old Hundredth
Dance Suite for organ duet
Dialektiese Fantasie
Reflections: Prologue, Variations and Epilogue

ADMISSION:

R130 (adults), R90 (pensioners), R50 (students and learners), R50 (group booking of 10+)

Tickets available at Computicket.

ENQUIRIES:    

Ninette Pretorius (tel. 051 401 2504)

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