Years
2019 2018
Douglas Masek Saxophone Recital
2018-07-31

with Neal Stulberg (piano)

31 July 2018

Odeion

19:30

The Los Angeles-based duo, in the country for the SANNSS, is touring the major South African cities. Both Masek and Stulberg, leaders in their respective fields, are internationally acclaimed soloists. The duo performs rarely heard selections from the concert saxophone repertoire in major cities around the country. Their program includes music by well-known composers such as Astor Piazzolla, David Heath, and even the South African composer, Allan Stephenson.

Internationally renowned saxophonist DOUGLAS MASEK, whose performances emphasize his versatility in a wide range of musical styles, from classical and contemporary to jazz, has consistently garnered critical acclaim. : The Los Angeles Times writes, (Masek’s) “...playing is smooth, sinuous, stunning, stylish, dazzling, and glowing with the requisite rich color.” In South Africa, The Argus describes “Masek’s tone: beautiful and pure” and the Cape Times adds “dynamic and magical.” With extensive concert touring in the United States, Europe, Asia, South Africa, and South America, he has also performed as a soloist at numerous festivals. He has performed with notable conductors, including Esa-Pekka Salonen, Kent Nagano, Placido Domingo, John Mauceri, Andre Previn, Michael-Tilson Thomas, James Conlan, Gustavo Dudamel, Valery Gergiev, Giselle Ben-Dor, Rachael Worby, JoAnn Falletta, Arthur Rubinstein, Grant Gershon, Carlo Franci, Hubert Soudant, Paul Freeman, Allan Stephenson and Bernhard Gueller. He has also worked on motion picture sounds tracks for John Williams, Randy Newman, David Newman and others, for Sony, Warner, Paramount, Universal, Disney and 20th Century, along with television and radio broadcasts. Masek's discography includes seven solo CD collections; Distant Memories, Windwood, Recrudescence, Saxvoir Faire, Saxtronic Soundscape, Saxophone Alternative, and EclectSax. He has recorded for Centaur, Albany, Cambria, Atlantic, Navona, Koch International, Stereophile, Summit and Philips Classics recording companies. Masek completed his academic education with a D.M.A. from the University of Southern California. Currently Professor of Saxophone at UCLA, Douglas is also a Vandoren Elite Artist and Conn-Selmer Artist.

www.dougmasek.com

Although an acclaimed pianist in his own right, it is as an orchestral conductor that NEAL STULBERG has been heralded by the Los Angeles Times as "…a shining example of podium authority and musical enlightenment," Stulberg has garnered consistent international acclaim for performances of clarity, insight, and conviction. Since 2005, he has served as Director of Orchestral Studies at the UCLA Herb Alpert School of Music and currently serves as both Professor and Chair of the UCLA Department of Music. Stulberg has already led numerous North American orchestras, and international engagements have included the St. Petersburg Symphony Orchestra, Moscow Chamber Orchestra, Hong Kong Philharmonic, Taipei Symphony Orchestra, Seoul Philharmonic, Korea Philharmonic (KBS), Queensland, Adelaide and West Australian Symphonies, to name but a few. Behind the keyboard, Stulberg appears as recitalist, chamber musician and with major orchestras and at international festivals as pianist/conductor. His performances of Mozart concertos conducted from the keyboard are uniformly praised for their buoyant virtuosity and interpretive vigour. He has recorded for West German Radio, Donemus, Yarlung Records, Sono Luminus and the Composers Voice label. Stulberg is a graduate of Harvard College, the University of Michigan and the Juilliard School. He studied conducting with Franco Ferrara at the Accademia Nazionale di Santa Cecilia (Rome), piano with Leonard Shure, Theodore Lettvin, William Masselos and Mischa Kottler, and viola with Ara Zerounia.

PROGRAMME:

  • Melvin Solomon (b.1947): ‘a la Mozart’
  • Astor Piazzolla (1921-1992): Café 1930 (arr. Isoda/Sugawa)
  • Maria Grenfell (b.1969): Time Transfixed
  • Allan Stephenson (b.1949): Introduction and Allegro
  • Maria Newman (b.1962): Parens (Ancestors)
  • Bill Cunliffe (b.1956): Bechet
  • David Heath (b. 1956): Coltrane (solo saxophone)
  • Pedro Iturralde (b.1929): Suite Hellenique
  • John Boswell (b.1960): Waterfall
  • John Boswell: Kindred Spirits

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


Back
Harmonic Brass Munich

German brass quintet back in Bloemfontein by popular demand!

17 May 2014

Odeion

19:30

Fenominale koperkwintet meng virtuose spel met gemoedelikheid” - Elretha Britz (Volksblad, 8 March 2012)

After the five gentlemen of Harmonic Brass Munich’s visit to Bloemfontein in 2012, concert goers could not stop talking about the extraordinary and highly entertaining concert they were treated with.  The OSM could not let the chance go by to invite them to Bloemfontein with their next SA tour.  These unbelievable musicians will again baffle concert goers with works from Puccini’s well known “Nessun Dorma” to Ravel’s “Bolero” and the “Duet of the Flowers” from the opera Lakmè by Delibes.

Since 1991, the Harmonic Brass Munich has been renowned for its big, elegant brass sound.  Carnegie Hall (New York), Arts Center (Seoul), Leipzig Gewandhaus: the five gentlemen are welcomed and feel at home everywhere in the world. Harmonic Brass travels around the globe playing around 120 concerts a year with changing programmes.  An ensemble that spreads good humor: meticulous filing at their performance combined with baroque joie de vivre, serious musical work alternating with giggling boyishness. Five individuals, who couldn't be more unequal, melt to a unity on stage that is hardly ever to be met.  Harmonic Brass is supported by an incredibly large number of fans.  For the Goethe Institute Harmonic Brass has since 2000 been a cultural ambassador all over the world and the musicians from Munich also hold numerous international workshops.  Whoever has been to a Harmonic Brass concert knows what the “Süddeutsche Zeitung” means when writing about an ensemble that "… with its glamorous-virtuous way of performing is one of the best of its kind worldwide."

Hans Zellner (trumpet) studied with Prof Lachenmaier, Rolf Quinque and Wolfgang Guggenberger at the Richard Strauss Conservatory in Munich as well as the Hochschule für Musik und Theater also in Munich.

Gergely Lukács (trumpet) studied with Prof Károly Neumayer, Prof István Palotai and Prof Zoltán Szücs at the Franz-List Music Academy in Budapest as well as with Prof Reinhold Friedrich at the Musikhochschule Karlsruhe

Andreas Binder (French horn) studied with Prof Siegfried Hammer and Prof Wolfgang Gaag at the Hochschule für Musik und Theater

Thomas Lux (trombone) studied with Prof. Paul Schreckenberger at the Staatl. Hochschule für Musik und Darstellende Kunst in Mannheim. 

Manfred Häberlein (tuba) studied at the Meistersinger-Conservatory in Nürnberg and with Tom Walsh at the Richard Strauss Conservatory in Munich.

Programme:

Georg Friedrich Händel: Ouverture from Music for the Royal Fireworks 

Johann Sebastian Bach: Fugue in G minor 

Léo Delibes: Duet of the Flowers from the opera Lakmè   

Maurice Ravel: Bolero 

Giacomo Puccini: Nessun Dorma from the opera Turandot 

Georges Bizet: Carmen 

Karl Jenkins: Palladio 

Leonard Bernstein: West Side Story 

Bastian Pusch: Tarantella

Astor Piazzolla: Libertango 

Zequinha de Abreu: Tico Tico 

(arrangements by Hans Zellner)

Admission:

R130 (adults)

R90 (pensioners, students and learners)

R70 (UFS staff)

R50 (group bookings of 10+)

Tickets available at Computicket.

Enquiries:       

Ninette Pretorius (tel. 051 – 401 2504)

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