Years
2019 2018
Douglas Masek Saxophone Recital
2018-07-31

with Neal Stulberg (piano)

31 July 2018

Odeion

19:30

The Los Angeles-based duo, in the country for the SANNSS, is touring the major South African cities. Both Masek and Stulberg, leaders in their respective fields, are internationally acclaimed soloists. The duo performs rarely heard selections from the concert saxophone repertoire in major cities around the country. Their program includes music by well-known composers such as Astor Piazzolla, David Heath, and even the South African composer, Allan Stephenson.

Internationally renowned saxophonist DOUGLAS MASEK, whose performances emphasize his versatility in a wide range of musical styles, from classical and contemporary to jazz, has consistently garnered critical acclaim. : The Los Angeles Times writes, (Masek’s) “...playing is smooth, sinuous, stunning, stylish, dazzling, and glowing with the requisite rich color.” In South Africa, The Argus describes “Masek’s tone: beautiful and pure” and the Cape Times adds “dynamic and magical.” With extensive concert touring in the United States, Europe, Asia, South Africa, and South America, he has also performed as a soloist at numerous festivals. He has performed with notable conductors, including Esa-Pekka Salonen, Kent Nagano, Placido Domingo, John Mauceri, Andre Previn, Michael-Tilson Thomas, James Conlan, Gustavo Dudamel, Valery Gergiev, Giselle Ben-Dor, Rachael Worby, JoAnn Falletta, Arthur Rubinstein, Grant Gershon, Carlo Franci, Hubert Soudant, Paul Freeman, Allan Stephenson and Bernhard Gueller. He has also worked on motion picture sounds tracks for John Williams, Randy Newman, David Newman and others, for Sony, Warner, Paramount, Universal, Disney and 20th Century, along with television and radio broadcasts. Masek's discography includes seven solo CD collections; Distant Memories, Windwood, Recrudescence, Saxvoir Faire, Saxtronic Soundscape, Saxophone Alternative, and EclectSax. He has recorded for Centaur, Albany, Cambria, Atlantic, Navona, Koch International, Stereophile, Summit and Philips Classics recording companies. Masek completed his academic education with a D.M.A. from the University of Southern California. Currently Professor of Saxophone at UCLA, Douglas is also a Vandoren Elite Artist and Conn-Selmer Artist.

www.dougmasek.com

Although an acclaimed pianist in his own right, it is as an orchestral conductor that NEAL STULBERG has been heralded by the Los Angeles Times as "…a shining example of podium authority and musical enlightenment," Stulberg has garnered consistent international acclaim for performances of clarity, insight, and conviction. Since 2005, he has served as Director of Orchestral Studies at the UCLA Herb Alpert School of Music and currently serves as both Professor and Chair of the UCLA Department of Music. Stulberg has already led numerous North American orchestras, and international engagements have included the St. Petersburg Symphony Orchestra, Moscow Chamber Orchestra, Hong Kong Philharmonic, Taipei Symphony Orchestra, Seoul Philharmonic, Korea Philharmonic (KBS), Queensland, Adelaide and West Australian Symphonies, to name but a few. Behind the keyboard, Stulberg appears as recitalist, chamber musician and with major orchestras and at international festivals as pianist/conductor. His performances of Mozart concertos conducted from the keyboard are uniformly praised for their buoyant virtuosity and interpretive vigour. He has recorded for West German Radio, Donemus, Yarlung Records, Sono Luminus and the Composers Voice label. Stulberg is a graduate of Harvard College, the University of Michigan and the Juilliard School. He studied conducting with Franco Ferrara at the Accademia Nazionale di Santa Cecilia (Rome), piano with Leonard Shure, Theodore Lettvin, William Masselos and Mischa Kottler, and viola with Ara Zerounia.

PROGRAMME:

  • Melvin Solomon (b.1947): ‘a la Mozart’
  • Astor Piazzolla (1921-1992): Café 1930 (arr. Isoda/Sugawa)
  • Maria Grenfell (b.1969): Time Transfixed
  • Allan Stephenson (b.1949): Introduction and Allegro
  • Maria Newman (b.1962): Parens (Ancestors)
  • Bill Cunliffe (b.1956): Bechet
  • David Heath (b. 1956): Coltrane (solo saxophone)
  • Pedro Iturralde (b.1929): Suite Hellenique
  • John Boswell (b.1960): Waterfall
  • John Boswell: Kindred Spirits

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


Back
Curl up and dye

Playwright: SUE PAM-GRANT

Director: KARABELO LEKALAKE

Venue: Scaena Theatre

Language: English

 

Dates and times:

24 September 2014         19h30

25 September 2014         18h00

26 September 2014         19h30

 

Prices:  R 40.00 for adults / R 30.00 for students or scholars / R 25.00 for pensioners or for groups of 10 or more

 

Bookings:   Computicket (0861 915 8000)

 

The play is set against the background of Joubert Park, the infamous grey area in Johannesburg. The year is 1989 and South Africa is nearing the end of the apartheid regime. While some are fighting to keep what they have, others are fighting for existence.  Sue Pam Grant’s thought-provoking Curl Up & Dye highlights some of the challenges facing the community during apartheid. The  play focuses on the lives of the five seemingly different woman, whom the ruthless course of South African society in the eighties has thrown uncomfortably together. It all comes tumbling down as they battle and bump into their own truths unwillingly, yet still clinging to the old masks. But as it all unravels, Roline (Yoliswa Jacobs) reverts to her true self and the demons that she can never escape. Living in a society where everything she wants to hide is skin deep and easily exposed, it heightens the fear and the powerlessness that dominates her life. The character of Mrs Dubois (Marnel  Bester ) who often finds comfort in the discomfort of others, escapes her dark reality by reminiscing about the good old days. Miriam (Mosili Makuta) is the unsung hero in the play. Although she is the same age as Mrs Duboise, race, class and the system doesn’t allow her to get equal treatment as her counterpart. Charmaine’s (Jana Coetzer) destructive world is made up of drugs, alcohol and prostitution. She engages in these activities because that is the only way she manages to numb her pain. Then there is Dudu Dlamini( Setheo Thamae),  she is a highly qualified nurse who makes her unlikely way into the scenario. Dudu brings hope into the hopeless situation.

With this play, Grant mirrors all shades of grey that infect our society. Although some might be uncomfortable watching this play, the play explores with tenderness, compassion and wonderful humour the fears, conflicts and hopes of these women living on the edge. As we celebrate 20 years of democracy our country, the play exams the then volatile, segregated country and it captures the success and journey of the new South Africa.

Curl Up & Dye will be presented by honors students from the University of the Free State at the Scaena Theatre. Catch this exciting, hilarious and intriguing    play on the 24th September 2014(19:30), 25th September (18:00) and 26th September (19:30).

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