Years
2019 2018
Douglas Masek Saxophone Recital
2018-07-31

with Neal Stulberg (piano)

31 July 2018

Odeion

19:30

The Los Angeles-based duo, in the country for the SANNSS, is touring the major South African cities. Both Masek and Stulberg, leaders in their respective fields, are internationally acclaimed soloists. The duo performs rarely heard selections from the concert saxophone repertoire in major cities around the country. Their program includes music by well-known composers such as Astor Piazzolla, David Heath, and even the South African composer, Allan Stephenson.

Internationally renowned saxophonist DOUGLAS MASEK, whose performances emphasize his versatility in a wide range of musical styles, from classical and contemporary to jazz, has consistently garnered critical acclaim. : The Los Angeles Times writes, (Masek’s) “...playing is smooth, sinuous, stunning, stylish, dazzling, and glowing with the requisite rich color.” In South Africa, The Argus describes “Masek’s tone: beautiful and pure” and the Cape Times adds “dynamic and magical.” With extensive concert touring in the United States, Europe, Asia, South Africa, and South America, he has also performed as a soloist at numerous festivals. He has performed with notable conductors, including Esa-Pekka Salonen, Kent Nagano, Placido Domingo, John Mauceri, Andre Previn, Michael-Tilson Thomas, James Conlan, Gustavo Dudamel, Valery Gergiev, Giselle Ben-Dor, Rachael Worby, JoAnn Falletta, Arthur Rubinstein, Grant Gershon, Carlo Franci, Hubert Soudant, Paul Freeman, Allan Stephenson and Bernhard Gueller. He has also worked on motion picture sounds tracks for John Williams, Randy Newman, David Newman and others, for Sony, Warner, Paramount, Universal, Disney and 20th Century, along with television and radio broadcasts. Masek's discography includes seven solo CD collections; Distant Memories, Windwood, Recrudescence, Saxvoir Faire, Saxtronic Soundscape, Saxophone Alternative, and EclectSax. He has recorded for Centaur, Albany, Cambria, Atlantic, Navona, Koch International, Stereophile, Summit and Philips Classics recording companies. Masek completed his academic education with a D.M.A. from the University of Southern California. Currently Professor of Saxophone at UCLA, Douglas is also a Vandoren Elite Artist and Conn-Selmer Artist.

www.dougmasek.com

Although an acclaimed pianist in his own right, it is as an orchestral conductor that NEAL STULBERG has been heralded by the Los Angeles Times as "…a shining example of podium authority and musical enlightenment," Stulberg has garnered consistent international acclaim for performances of clarity, insight, and conviction. Since 2005, he has served as Director of Orchestral Studies at the UCLA Herb Alpert School of Music and currently serves as both Professor and Chair of the UCLA Department of Music. Stulberg has already led numerous North American orchestras, and international engagements have included the St. Petersburg Symphony Orchestra, Moscow Chamber Orchestra, Hong Kong Philharmonic, Taipei Symphony Orchestra, Seoul Philharmonic, Korea Philharmonic (KBS), Queensland, Adelaide and West Australian Symphonies, to name but a few. Behind the keyboard, Stulberg appears as recitalist, chamber musician and with major orchestras and at international festivals as pianist/conductor. His performances of Mozart concertos conducted from the keyboard are uniformly praised for their buoyant virtuosity and interpretive vigour. He has recorded for West German Radio, Donemus, Yarlung Records, Sono Luminus and the Composers Voice label. Stulberg is a graduate of Harvard College, the University of Michigan and the Juilliard School. He studied conducting with Franco Ferrara at the Accademia Nazionale di Santa Cecilia (Rome), piano with Leonard Shure, Theodore Lettvin, William Masselos and Mischa Kottler, and viola with Ara Zerounia.

PROGRAMME:

  • Melvin Solomon (b.1947): ‘a la Mozart’
  • Astor Piazzolla (1921-1992): Café 1930 (arr. Isoda/Sugawa)
  • Maria Grenfell (b.1969): Time Transfixed
  • Allan Stephenson (b.1949): Introduction and Allegro
  • Maria Newman (b.1962): Parens (Ancestors)
  • Bill Cunliffe (b.1956): Bechet
  • David Heath (b. 1956): Coltrane (solo saxophone)
  • Pedro Iturralde (b.1929): Suite Hellenique
  • John Boswell (b.1960): Waterfall
  • John Boswell: Kindred Spirits

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


Back
Anzél Gerber (cello) & Ben Schoeman (piano)

28 May 2015

Odeion

19:30

 

Praised by various critics for her ability to capture the audience through her mature artistic approach, extraordinary musicality and technique, Anzél Gerber is increasingly performing on internationally renowned stages.  Her art as cellist has been shaped by Russia's most prominent teachers and soloists, starting with Alexander Fedortchenko (Spain), and Alexander Kniazev (Moscow State Conservatory).  Later, as part of her PhD in performance (Goldsmiths College, University of London, 2008), she pursued her studies under Natalia Shakhovskaya.  She is a dedicated exponent of the Russian school.

 

She received her first cello lessons from Glenda Piek and later Marian Lewin.  Under Lewin's tutelage she won several music competitions and scholarships, which enabled her to further her studies abroad.  She received guidance from David Geringas, Karine Georgian, Ralph Kirshbaum and Maxim Vengerov and has also attended masterclasses by Mstislav Rostropovich, Natalia Gutman, Heinrich Schiff, Bernard Greenhouse, Gary Hoffman, Maria Kliegel, Young-Chang Cho, Philippe Muller and Julius Berger.

 

As soloist she has collaborated with numerous conductors, including Gérard Korsten, Yasuo Shinozaki, Guido Ajmone-Marsan, David Tidboald, Leslie B Dunner, Christopher Dowdeswell, Robert Maxym, Gordon Hunt, Richard Cock and Hector Hevia.  Together with Ben Schoeman she received the Baronessa Constanza Arezzo Giampiccolo di Donnafugata IBLA Award as overall winners of the IBLA Grand Prize International Music Competition (Italy, 2012). 

 

She served on the faculty and was a member of the jury for the International Music Academy and Competition in Cremona (Italy, July 2013).  She is lecturing cello performance at the University of Stellenbosch since 2014. 

 

Ben Schoeman is regarded as one of South Africa's foremost pianists.  He studied at the University of Pretoria, the Accademia Pianistica 'Incontri col Maestro' (Imola, Italy), the Guildhall School of Music & Drama (UK) and the Scuola di Musica di Fiesole (Italy).  His teachers include Joseph Stanford, Michel Dalberto, Louis Lortie, Boris Petrushansky, Eliso Virsaladze and Ronan O'Hora.  He is currently completing a doctoral thesis on the piano music of South African composer Stefans Grové.  He has won the first grand prize in the 11th UNISA International Piano Competition (2008), first prize in the Royal Overseas League Music Competition (London, 2009), the Standard Bank Young Artist Award for Music (2011) and the Contemporary Music Prize at the Cleveland International Piano Competition (USA, 2013).  He has given solo, chamber music and concerto performances throughout Europe, Canada, the USA and South Africa in such prestigious concert halls as the Wigmore, Barbican, Cadogan and Queen Elizabeth Halls (London), the Konzerthaus (Berlin), Paleis het Loo (the Netherlands), the Gulbenkian Auditorium (Lisbon), Teatro del Giglio (Lucca) and the Romanian Athenaeum (Bucharest).  He has performed at major festivals in the United Kingdom, Italy, South Africa, Romania and Canada. 

 

His solo album, featuring works of Franz Liszt, was released in 2011.  Ben was awarded the KykNet Fiësta and Kanna Awards in recognition of his performances of Liszt's music during the bicentenary of the composer (2011).  He is a Steinway Artist.

 

PROGRAMME

Anton Rubinstein: Sonata no. 1 in D major for cello and piano, Op. 18

Benjamin Britten: Sonata for cello and piano, Op. 65

Frédéric Chopin: Sonata for cello and piano in G minor, Op. 65

Bohuslav Martinu: Variations on a theme of Rossini for cello and piano (1942)

 

ADMISSION

R130 (adults)

R90 (pensioners)

R70 (UFS staff)

R50 (students and learners)

R50 (group bookings of 10+)

Tickets available at Computicket.

 

ENQUIRIES

Ninette Pretorius (tel. 051 – 401 2504051 – 401 2504)

We use cookies to make interactions with our websites and services easy and meaningful, to better understand how they are used and to tailor advertising. You can read more and make your cookie choices here. By continuing to use this site you are giving us your consent to do this.

Accept