Years
2019 2018
Douglas Masek Saxophone Recital
2018-07-31

with Neal Stulberg (piano)

31 July 2018

Odeion

19:30

The Los Angeles-based duo, in the country for the SANNSS, is touring the major South African cities. Both Masek and Stulberg, leaders in their respective fields, are internationally acclaimed soloists. The duo performs rarely heard selections from the concert saxophone repertoire in major cities around the country. Their program includes music by well-known composers such as Astor Piazzolla, David Heath, and even the South African composer, Allan Stephenson.

Internationally renowned saxophonist DOUGLAS MASEK, whose performances emphasize his versatility in a wide range of musical styles, from classical and contemporary to jazz, has consistently garnered critical acclaim. : The Los Angeles Times writes, (Masek’s) “...playing is smooth, sinuous, stunning, stylish, dazzling, and glowing with the requisite rich color.” In South Africa, The Argus describes “Masek’s tone: beautiful and pure” and the Cape Times adds “dynamic and magical.” With extensive concert touring in the United States, Europe, Asia, South Africa, and South America, he has also performed as a soloist at numerous festivals. He has performed with notable conductors, including Esa-Pekka Salonen, Kent Nagano, Placido Domingo, John Mauceri, Andre Previn, Michael-Tilson Thomas, James Conlan, Gustavo Dudamel, Valery Gergiev, Giselle Ben-Dor, Rachael Worby, JoAnn Falletta, Arthur Rubinstein, Grant Gershon, Carlo Franci, Hubert Soudant, Paul Freeman, Allan Stephenson and Bernhard Gueller. He has also worked on motion picture sounds tracks for John Williams, Randy Newman, David Newman and others, for Sony, Warner, Paramount, Universal, Disney and 20th Century, along with television and radio broadcasts. Masek's discography includes seven solo CD collections; Distant Memories, Windwood, Recrudescence, Saxvoir Faire, Saxtronic Soundscape, Saxophone Alternative, and EclectSax. He has recorded for Centaur, Albany, Cambria, Atlantic, Navona, Koch International, Stereophile, Summit and Philips Classics recording companies. Masek completed his academic education with a D.M.A. from the University of Southern California. Currently Professor of Saxophone at UCLA, Douglas is also a Vandoren Elite Artist and Conn-Selmer Artist.

www.dougmasek.com

Although an acclaimed pianist in his own right, it is as an orchestral conductor that NEAL STULBERG has been heralded by the Los Angeles Times as "…a shining example of podium authority and musical enlightenment," Stulberg has garnered consistent international acclaim for performances of clarity, insight, and conviction. Since 2005, he has served as Director of Orchestral Studies at the UCLA Herb Alpert School of Music and currently serves as both Professor and Chair of the UCLA Department of Music. Stulberg has already led numerous North American orchestras, and international engagements have included the St. Petersburg Symphony Orchestra, Moscow Chamber Orchestra, Hong Kong Philharmonic, Taipei Symphony Orchestra, Seoul Philharmonic, Korea Philharmonic (KBS), Queensland, Adelaide and West Australian Symphonies, to name but a few. Behind the keyboard, Stulberg appears as recitalist, chamber musician and with major orchestras and at international festivals as pianist/conductor. His performances of Mozart concertos conducted from the keyboard are uniformly praised for their buoyant virtuosity and interpretive vigour. He has recorded for West German Radio, Donemus, Yarlung Records, Sono Luminus and the Composers Voice label. Stulberg is a graduate of Harvard College, the University of Michigan and the Juilliard School. He studied conducting with Franco Ferrara at the Accademia Nazionale di Santa Cecilia (Rome), piano with Leonard Shure, Theodore Lettvin, William Masselos and Mischa Kottler, and viola with Ara Zerounia.

PROGRAMME:

  • Melvin Solomon (b.1947): ‘a la Mozart’
  • Astor Piazzolla (1921-1992): Café 1930 (arr. Isoda/Sugawa)
  • Maria Grenfell (b.1969): Time Transfixed
  • Allan Stephenson (b.1949): Introduction and Allegro
  • Maria Newman (b.1962): Parens (Ancestors)
  • Bill Cunliffe (b.1956): Bechet
  • David Heath (b. 1956): Coltrane (solo saxophone)
  • Pedro Iturralde (b.1929): Suite Hellenique
  • John Boswell (b.1960): Waterfall
  • John Boswell: Kindred Spirits

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


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Duby Duo Jazz Concert

18 June 2015

Odeion

19:30

 

This concert is dedicated to Noel Stockton – legendary Jazz pianist who has established a wide reputation as a leading jazz arranger, composer, performer and teacher.

 

Marc Duby was born in Cape Town where he obtained a BA degree (majoring in English) from the University of Cape Town in 1975, having begun his professional career as electric and acoustic bassist in that city in 1972. He returned from overseas to begin musical studies at the University of Cape Town in 1980, culminating in the award of the first masters’ degree in jazz performance (cum laude) in South Africa (University of Natal, 1987) under the supervision of Prof Darius Brubeck. Duby completed his PhD thesis at the University of Pretoria in 2007 on the topic of Soundpainting - the framework for live composition developed by the New York composer / saxophonist Walter Thompson. Awarded established researcher status in 2010 by the National Research Foundation, he has presented papers at conferences in Brazil, England, Greece, India, Italy, Mexico, and the United States.

 

A prize-winning composer of film music, Marc Duby is active as a performer, composer/arranger, and music educator, and currently serves as research professor in musicology in the Department of Art History, Visual Arts and Musicology at UNISA. 

 

Viljoen, associate professor and acting Artistic Head of the Odeion School of Music (UFS), is the foremost expert of Schenkerian Analysis in South Africa and is a celebrated South African pianist.  Upon the release of his second CD, Transcendental Schubert, critic Paul Boekkooi remarked the following about Viljoen’s playing: “Viljoen se spel weerspieël Schubert se ander-wêreldse gevoel en intieme spiritualiteit en versoen die komponis se Klassieke én Romantiese inslag op ideale wyse”.

 

PROGRAMME

Just in time (Irving Berlin)

Satin doll (Ellington-Strayhorn-Mercer)

Waltz for Debby (Evans-Lees)

Can’t help lovin’ dat man of mine (Kern-Hammerstein)

Round midnight (Thelonious Monk)

As time goes by (uit Cassablanca)

Strangers in the night (Frank Sinatra)

All the things you are (Kern-Hammerstein)

One note samba (A C Jobim)

Silence (Charlie Haden)

In a mellotone (Duke Ellington)

Body and soul (Heyman-Green-Sour-Eyton)

Song for the whales (Charlie Haden)

Bluesette (Toots Thielemans)

Quiet nights of quiet stars (A C Jobim)

Don’t get around much anymore/ I’m beginning to see the light (Duke Ellington / Ellington-James-Hodges-George)

Take the A train / The girl from Ipanema (Duke Ellington / A C Jobim)

 

ADMISSION

R110 (adults)

R70 (pensioners)

R60 (UFS staff)

R40 (students and learners)

R40 (group bookings of 10+)

Tickets available at Computicket.

 

ENQUIRIES

Ninette Pretorius (tel. 051 – 401 2504)

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