Years
2019 2018
Douglas Masek Saxophone Recital
2018-07-31

with Neal Stulberg (piano)

31 July 2018

Odeion

19:30

The Los Angeles-based duo, in the country for the SANNSS, is touring the major South African cities. Both Masek and Stulberg, leaders in their respective fields, are internationally acclaimed soloists. The duo performs rarely heard selections from the concert saxophone repertoire in major cities around the country. Their program includes music by well-known composers such as Astor Piazzolla, David Heath, and even the South African composer, Allan Stephenson.

Internationally renowned saxophonist DOUGLAS MASEK, whose performances emphasize his versatility in a wide range of musical styles, from classical and contemporary to jazz, has consistently garnered critical acclaim. : The Los Angeles Times writes, (Masek’s) “...playing is smooth, sinuous, stunning, stylish, dazzling, and glowing with the requisite rich color.” In South Africa, The Argus describes “Masek’s tone: beautiful and pure” and the Cape Times adds “dynamic and magical.” With extensive concert touring in the United States, Europe, Asia, South Africa, and South America, he has also performed as a soloist at numerous festivals. He has performed with notable conductors, including Esa-Pekka Salonen, Kent Nagano, Placido Domingo, John Mauceri, Andre Previn, Michael-Tilson Thomas, James Conlan, Gustavo Dudamel, Valery Gergiev, Giselle Ben-Dor, Rachael Worby, JoAnn Falletta, Arthur Rubinstein, Grant Gershon, Carlo Franci, Hubert Soudant, Paul Freeman, Allan Stephenson and Bernhard Gueller. He has also worked on motion picture sounds tracks for John Williams, Randy Newman, David Newman and others, for Sony, Warner, Paramount, Universal, Disney and 20th Century, along with television and radio broadcasts. Masek's discography includes seven solo CD collections; Distant Memories, Windwood, Recrudescence, Saxvoir Faire, Saxtronic Soundscape, Saxophone Alternative, and EclectSax. He has recorded for Centaur, Albany, Cambria, Atlantic, Navona, Koch International, Stereophile, Summit and Philips Classics recording companies. Masek completed his academic education with a D.M.A. from the University of Southern California. Currently Professor of Saxophone at UCLA, Douglas is also a Vandoren Elite Artist and Conn-Selmer Artist.

www.dougmasek.com

Although an acclaimed pianist in his own right, it is as an orchestral conductor that NEAL STULBERG has been heralded by the Los Angeles Times as "…a shining example of podium authority and musical enlightenment," Stulberg has garnered consistent international acclaim for performances of clarity, insight, and conviction. Since 2005, he has served as Director of Orchestral Studies at the UCLA Herb Alpert School of Music and currently serves as both Professor and Chair of the UCLA Department of Music. Stulberg has already led numerous North American orchestras, and international engagements have included the St. Petersburg Symphony Orchestra, Moscow Chamber Orchestra, Hong Kong Philharmonic, Taipei Symphony Orchestra, Seoul Philharmonic, Korea Philharmonic (KBS), Queensland, Adelaide and West Australian Symphonies, to name but a few. Behind the keyboard, Stulberg appears as recitalist, chamber musician and with major orchestras and at international festivals as pianist/conductor. His performances of Mozart concertos conducted from the keyboard are uniformly praised for their buoyant virtuosity and interpretive vigour. He has recorded for West German Radio, Donemus, Yarlung Records, Sono Luminus and the Composers Voice label. Stulberg is a graduate of Harvard College, the University of Michigan and the Juilliard School. He studied conducting with Franco Ferrara at the Accademia Nazionale di Santa Cecilia (Rome), piano with Leonard Shure, Theodore Lettvin, William Masselos and Mischa Kottler, and viola with Ara Zerounia.

PROGRAMME:

  • Melvin Solomon (b.1947): ‘a la Mozart’
  • Astor Piazzolla (1921-1992): Café 1930 (arr. Isoda/Sugawa)
  • Maria Grenfell (b.1969): Time Transfixed
  • Allan Stephenson (b.1949): Introduction and Allegro
  • Maria Newman (b.1962): Parens (Ancestors)
  • Bill Cunliffe (b.1956): Bechet
  • David Heath (b. 1956): Coltrane (solo saxophone)
  • Pedro Iturralde (b.1929): Suite Hellenique
  • John Boswell (b.1960): Waterfall
  • John Boswell: Kindred Spirits

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


Back
White Horse Project
JESS OLIVIERI AND THE PARACHUTES FOR LADIES

You are invited to the opening event of the Vrystaat Kunstefees on Sunday 12 July 2015. Join over 200 fellow Bloemfonteiners in a parade of song, dance and costume down Raymond Mhlaba Street (formally Andries Pretorius Street), to celebrate the White Horse of Bloemfontein, a mysterious rock formation on the side of Naval Hill.

The White Horse has several historical narratives attached to it. Some believe is was created in the image of the horse Thabure (Destroyer of the Enemies), which belonged to Chief Lerotholi, a grandson of King Moshoeshoe, the founder of the Basotho Nation; others believe the British Garrison that was stationed at Naval Hill during the South African War (Anglo-Boer War) of 1899 to 1902 built it because they where restless and wanted something to remind them of home. In addition it was thought that the White Horse served as a landmark and indicator of a hospital for horses injured during the South African War. It is also said that every time a couple kisses at Naval Hill the White Horse moves one step forward and that on a Saturday night you can hear him galloping!

The White Horse Project is about allowing space for the sharing of multiple narratives and celebrating difference of opinion. Given the current debate on statues and symbols in South Africa, the White Horse offers an opportunity to re-purpose and re-imagine symbols in South Africa. For the last two years the project team has been collecting stories for the work and since May 2015 workshops with artists, scholars and community members have been held in order to create performances for the parade.

Join the parade at 3pm at Two Tower Church (Tweetoringkerk), Charles Street Bloemfontein on 12 July 2015. There will be spare instruments and costumes for those who join in. A braai/chesen yama will take place at ‘Nice Place’ 92 Raymond Mhlaba Street (formally Andries Pretorius Street) at the end of the parade.

For more information visit www.facebook.com/TheWhiteHorseProject

Concept: Jess Olivieri
Dramaturge: Gali Malebo
Curatorial advisor: Angela De Jesus
Production Manager: Mandi Bezuidenhout
Production Assistants: Charne Visser, Sandy Little
SituateArt in Festivals Media: Tiani Chilemi
SituateArt in Festivals Executive Director: Kelli Alred
Director Salamanca Arts Centre: Rosemary Miller
Videographer: Louis Kruger (documentary), Luis Herholdt (Elysium Productions)
Lights: Creative Kilowatt Productions
The Parachutes for Ladies (performers): The wonderful artists of Bloemfontein; Soprano Zanne Stapelberg; Hodisa Choir; Navalsig High School; Smiley Kids Association; Bloemspruit School; Sisonke Theatre Production.

The White Horse Project is part of the Programme for Innovation in Artform Development (PIAD/PIKO), an initiative by the University of the Free State and Vrystaat Arts Festival and supported by the Australia Council for the Arts, Free State Department of Sport, Arts, Culture & Recreation, SituateART in Festivals, Salamanca Arts Centre, Arts NSW, NAVA, Creative Partnerships Australia and the University of Sydney.

Secure parking at Two Tower Church and shuttle service will be available.

For further inquiries contact:
Roxanne Konco
Marketing Manager
Tel: +27 (0)51 404 7947 roxanne.konco@volksblad.com

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