Years
2019 2018
Douglas Masek Saxophone Recital
2018-07-31

with Neal Stulberg (piano)

31 July 2018

Odeion

19:30

The Los Angeles-based duo, in the country for the SANNSS, is touring the major South African cities. Both Masek and Stulberg, leaders in their respective fields, are internationally acclaimed soloists. The duo performs rarely heard selections from the concert saxophone repertoire in major cities around the country. Their program includes music by well-known composers such as Astor Piazzolla, David Heath, and even the South African composer, Allan Stephenson.

Internationally renowned saxophonist DOUGLAS MASEK, whose performances emphasize his versatility in a wide range of musical styles, from classical and contemporary to jazz, has consistently garnered critical acclaim. : The Los Angeles Times writes, (Masek’s) “...playing is smooth, sinuous, stunning, stylish, dazzling, and glowing with the requisite rich color.” In South Africa, The Argus describes “Masek’s tone: beautiful and pure” and the Cape Times adds “dynamic and magical.” With extensive concert touring in the United States, Europe, Asia, South Africa, and South America, he has also performed as a soloist at numerous festivals. He has performed with notable conductors, including Esa-Pekka Salonen, Kent Nagano, Placido Domingo, John Mauceri, Andre Previn, Michael-Tilson Thomas, James Conlan, Gustavo Dudamel, Valery Gergiev, Giselle Ben-Dor, Rachael Worby, JoAnn Falletta, Arthur Rubinstein, Grant Gershon, Carlo Franci, Hubert Soudant, Paul Freeman, Allan Stephenson and Bernhard Gueller. He has also worked on motion picture sounds tracks for John Williams, Randy Newman, David Newman and others, for Sony, Warner, Paramount, Universal, Disney and 20th Century, along with television and radio broadcasts. Masek's discography includes seven solo CD collections; Distant Memories, Windwood, Recrudescence, Saxvoir Faire, Saxtronic Soundscape, Saxophone Alternative, and EclectSax. He has recorded for Centaur, Albany, Cambria, Atlantic, Navona, Koch International, Stereophile, Summit and Philips Classics recording companies. Masek completed his academic education with a D.M.A. from the University of Southern California. Currently Professor of Saxophone at UCLA, Douglas is also a Vandoren Elite Artist and Conn-Selmer Artist.

www.dougmasek.com

Although an acclaimed pianist in his own right, it is as an orchestral conductor that NEAL STULBERG has been heralded by the Los Angeles Times as "…a shining example of podium authority and musical enlightenment," Stulberg has garnered consistent international acclaim for performances of clarity, insight, and conviction. Since 2005, he has served as Director of Orchestral Studies at the UCLA Herb Alpert School of Music and currently serves as both Professor and Chair of the UCLA Department of Music. Stulberg has already led numerous North American orchestras, and international engagements have included the St. Petersburg Symphony Orchestra, Moscow Chamber Orchestra, Hong Kong Philharmonic, Taipei Symphony Orchestra, Seoul Philharmonic, Korea Philharmonic (KBS), Queensland, Adelaide and West Australian Symphonies, to name but a few. Behind the keyboard, Stulberg appears as recitalist, chamber musician and with major orchestras and at international festivals as pianist/conductor. His performances of Mozart concertos conducted from the keyboard are uniformly praised for their buoyant virtuosity and interpretive vigour. He has recorded for West German Radio, Donemus, Yarlung Records, Sono Luminus and the Composers Voice label. Stulberg is a graduate of Harvard College, the University of Michigan and the Juilliard School. He studied conducting with Franco Ferrara at the Accademia Nazionale di Santa Cecilia (Rome), piano with Leonard Shure, Theodore Lettvin, William Masselos and Mischa Kottler, and viola with Ara Zerounia.

PROGRAMME:

  • Melvin Solomon (b.1947): ‘a la Mozart’
  • Astor Piazzolla (1921-1992): Café 1930 (arr. Isoda/Sugawa)
  • Maria Grenfell (b.1969): Time Transfixed
  • Allan Stephenson (b.1949): Introduction and Allegro
  • Maria Newman (b.1962): Parens (Ancestors)
  • Bill Cunliffe (b.1956): Bechet
  • David Heath (b. 1956): Coltrane (solo saxophone)
  • Pedro Iturralde (b.1929): Suite Hellenique
  • John Boswell (b.1960): Waterfall
  • John Boswell: Kindred Spirits

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


Back
Ben Capps (cello) & Pieter Grobler (piano)

American virtuoso cellist in concert!

 

20 August 2015

Odeion

19:30

 

Exciting young American cellist Ben Capps enjoys a versatile performing career as a soloist, chamber musician and orchestral principal.  His artistry has been praised as “most appealing” by the New York Times, “virtuosic and impassioned” by the Barre Montpelier Times.  The Holland Times hailed Capps as a “young cello phenomenon from New York” with “dazzling technique and a fearsomely meaty tone”, and the Epoch Times proclaimed that “Capps has it all ... cello playing of the very highest standard.” 

 

Ben started playing the cello at age four with Nellis DeLay.  At ten he was admitted to Juilliard Pre-College, where he studied with Anne Alton, Andre Emelianoff, and modern cello guru Fred Sherry.  He received a BMus degree at Manhattan School of Music, and an MMus from Juilliard (2010), both under the guidance of David Soyer.  He is currently enrolled in the Graduate Diploma program at New England Conservatory (Boston), where he is a student of Laurence Lesser.  He is the recipient of many awards, including the New York State Association of Music Teachers Scholarship Competition (1999); Juilliard Pre-College Symphony Concerto Competition (2001), the Lillian Fuchs Award (2004), the Francis Goelet Scholarship (Juilliard, 2008-2009), the Irving Mulde Scholarship (Juilliard, 2009-10), and the Piatigorsky Scholarship (New England Conservatory, 2012-13).  He has coached with numerous cellists, including Bernard Greenhouse, Ko Iwasaki, Paul Katz, and Nathanial Rosen, has performed in masterclasses for Steven Isserlis, Alexander Rudin, Mischa Maisky, Natalia Gutman, Peter Wylie, Timothy Eddy, Matt Haimowitz and Jonathan Biss. He has performed at such prestigious venues as Carnegie Hall's Stern Auditorium, Weill and Zankel Halls, Lincoln Center's Avery Fisher Hall, Alice Tully Hall, the Kennedy Center for the Performing Arts in Washington D.C., Mann Hall in Tel Aviv and Sala Nezahualcoytl in Mexico City.  He has appeared as soloist with the Philharmonic Orchestra of the Americas, the New York Concerti Sinfonietta, the Manchester Music Festival Orchestra and the Manhattan School of Music Composer's Orchestra.  Recent performance highlights include a recital tour of China and recital appearances in New York, Greece and Spain.  Highlights of the 2013 season include solo performances of the Schumann Cello Concerto with the Danbury Symphony & The Liora Chamber Orchestra and Shostakovich Cello Concerto No. 1 with the Orchestra Filarmonica de Jalisco.  At age 21, Capps was appointed principal cellist of Philharmonic Orchestra of the Americas.  An avid chamber musician, he has participated in the Bowdoin Schlern Int'l (Italy), Burgos Int'l (Spain) and Summit Summer Festivals, the Perlman Music Program, and the ChamberFest and FOCUS! Festivals in Lincoln Center. Ben Capps plays a William Forester cello built in 1782 in England.

 

Pieter Grobler worked with Joseph Stanford at the University of Pretoria obtaining BMus and BMusHons degrees in piano performance (cum laude).  Postgraduate studies were with Joseph Banowetz at the University of North Texas (USA), where he completed the MMus and DMA piano performance degrees.  His training was further enriched through masterclasses from Leonard Hokanson, Andrzej Jasinski, Pascal Rogé and Niel Immelman, to name but a few.  During the 2003 Unisa/Vodacom National Piano Competition he was awarded the Bill van Tonder Prize.  In August 2013 he was also heard on WFMT-Classical Radio in a live broadcast from the Preston Bradley Hall as part of the International Music Foundation's Dame Myra Hess Memorial Concert Series in Chicago (USA).  He is also regularly heard on ClassicFM radio in South Africa.  After completion of his studies he worked for three years in Ohio where he was on the piano faculty of Heidelberg College. Pieter is currently on the piano faculty at the University of Stellenboschwhere he is also the head of practical music studies and maintains an active concert schedule.

 

PROGRAMME

Britten: Cello Suite No. 1, Op. 72

Debussy: Sonata (1915)

Chopin: Introduction and Polonaise Brillante in C major, Op. 3 

Mendelssohn: Cello Sonata No. 2 in D major, Op. 58

 

ADMISSION

R130 (adults)

R90 (pensioners)

R70 (UFS staff)

R50 (students and learners)

R50 (group bookings of 10+)

Tickets available at Computicket.

 

ENQUIRIES

Ninette Pretorius (tel. 051 – 401 2504)

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