Years
2019 2018
Douglas Masek Saxophone Recital
2018-07-31

with Neal Stulberg (piano)

31 July 2018

Odeion

19:30

The Los Angeles-based duo, in the country for the SANNSS, is touring the major South African cities. Both Masek and Stulberg, leaders in their respective fields, are internationally acclaimed soloists. The duo performs rarely heard selections from the concert saxophone repertoire in major cities around the country. Their program includes music by well-known composers such as Astor Piazzolla, David Heath, and even the South African composer, Allan Stephenson.

Internationally renowned saxophonist DOUGLAS MASEK, whose performances emphasize his versatility in a wide range of musical styles, from classical and contemporary to jazz, has consistently garnered critical acclaim. : The Los Angeles Times writes, (Masek’s) “...playing is smooth, sinuous, stunning, stylish, dazzling, and glowing with the requisite rich color.” In South Africa, The Argus describes “Masek’s tone: beautiful and pure” and the Cape Times adds “dynamic and magical.” With extensive concert touring in the United States, Europe, Asia, South Africa, and South America, he has also performed as a soloist at numerous festivals. He has performed with notable conductors, including Esa-Pekka Salonen, Kent Nagano, Placido Domingo, John Mauceri, Andre Previn, Michael-Tilson Thomas, James Conlan, Gustavo Dudamel, Valery Gergiev, Giselle Ben-Dor, Rachael Worby, JoAnn Falletta, Arthur Rubinstein, Grant Gershon, Carlo Franci, Hubert Soudant, Paul Freeman, Allan Stephenson and Bernhard Gueller. He has also worked on motion picture sounds tracks for John Williams, Randy Newman, David Newman and others, for Sony, Warner, Paramount, Universal, Disney and 20th Century, along with television and radio broadcasts. Masek's discography includes seven solo CD collections; Distant Memories, Windwood, Recrudescence, Saxvoir Faire, Saxtronic Soundscape, Saxophone Alternative, and EclectSax. He has recorded for Centaur, Albany, Cambria, Atlantic, Navona, Koch International, Stereophile, Summit and Philips Classics recording companies. Masek completed his academic education with a D.M.A. from the University of Southern California. Currently Professor of Saxophone at UCLA, Douglas is also a Vandoren Elite Artist and Conn-Selmer Artist.

www.dougmasek.com

Although an acclaimed pianist in his own right, it is as an orchestral conductor that NEAL STULBERG has been heralded by the Los Angeles Times as "…a shining example of podium authority and musical enlightenment," Stulberg has garnered consistent international acclaim for performances of clarity, insight, and conviction. Since 2005, he has served as Director of Orchestral Studies at the UCLA Herb Alpert School of Music and currently serves as both Professor and Chair of the UCLA Department of Music. Stulberg has already led numerous North American orchestras, and international engagements have included the St. Petersburg Symphony Orchestra, Moscow Chamber Orchestra, Hong Kong Philharmonic, Taipei Symphony Orchestra, Seoul Philharmonic, Korea Philharmonic (KBS), Queensland, Adelaide and West Australian Symphonies, to name but a few. Behind the keyboard, Stulberg appears as recitalist, chamber musician and with major orchestras and at international festivals as pianist/conductor. His performances of Mozart concertos conducted from the keyboard are uniformly praised for their buoyant virtuosity and interpretive vigour. He has recorded for West German Radio, Donemus, Yarlung Records, Sono Luminus and the Composers Voice label. Stulberg is a graduate of Harvard College, the University of Michigan and the Juilliard School. He studied conducting with Franco Ferrara at the Accademia Nazionale di Santa Cecilia (Rome), piano with Leonard Shure, Theodore Lettvin, William Masselos and Mischa Kottler, and viola with Ara Zerounia.

PROGRAMME:

  • Melvin Solomon (b.1947): ‘a la Mozart’
  • Astor Piazzolla (1921-1992): Café 1930 (arr. Isoda/Sugawa)
  • Maria Grenfell (b.1969): Time Transfixed
  • Allan Stephenson (b.1949): Introduction and Allegro
  • Maria Newman (b.1962): Parens (Ancestors)
  • Bill Cunliffe (b.1956): Bechet
  • David Heath (b. 1956): Coltrane (solo saxophone)
  • Pedro Iturralde (b.1929): Suite Hellenique
  • John Boswell (b.1960): Waterfall
  • John Boswell: Kindred Spirits

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


Back
Die troue

Description: Die Troue Tags: Die TroueName of production: Die Troue

Playwright: Anton Tsjechof

Director: Nico Luwes

Venue:  Wynand Mouton Theatre, UFS Main Campus

Language: Afrikaans

Genre: comedy

 

Dates and times:

2 March 2016             19:30 (free of charge, where donations can be made towards bursaries for needy students) 

3 March 2016             19:30

4 March 2016             17:30 & 19:30

 

Prices:  R 40.00 for adults / R 30.00 for students & scholars / R25.00 for pensioners.

Bookings:   Computicket (0861 915 8000)

 

Media release: Anton Tsjechof’s “Die troue” performed for student bursaries

 

Income from the first evening of this year’s first performance of the Free State University’s drama department in the Wynand Mouton Theatre, will be used for bursaries for needy drama students. No entrance fee will be charged, however, theatre-goers may either make a donation towards these bursaries, or enjoy the show for free.

 

The artistic year kicks off with a comical, newly translated ‘burlesque’, Die troue, (The Wedding) by world-famous Russian dramatist Anton Tsjechof (1860 – 1902). The play has never before been performed in English or Afrikaans in South Africa and is considered an unknown jewel for theatre-goers.

 

Prof Nico Luwes, head of the drama department, translated the comedy as ‘Die troue’ and will direct the show with honours students and a large group of third year drama students. Prof Nicol Viljoen of the Odeion School of Music will be the pianist at the wedding and will accompany the lady in the red dress when performing her French love song. Minette Grové-Reinach will choreograph the dances.

 

‘Die troue’ promises as much entertainment as the translated trilogy Tsjechov-Triptiek, three one-act plays which were performed at Vryfees 2015. The Tsjechov trilogy was named Best Free State Production 2015 and actor Chris Vorster bagged the prize as best actor for his role in ‘Tragiese kêrel – teen wil en dank’.

In ‘Die troue’, which will be performed as a full costume drama set in 1898, the audience will be treated to a typical Russian wedding with extravagant dances, boisterous singing, many a toast, comical speeches, amusing characters and other ridiculous traditions. As with many weddings, tensions run high, hoping everything goes well. But alas! Is the groom marrying for love or for the bride’s money? What is the bride’s ex-lover doing at the wedding? How does mother-in-law feel about the groom? Can the arrogant telegrapher keep his little Morse code hands off the seductive diva and pretentious singer? How does one maintain order when the guests have already tossed off so many vodkas, and tempers and hormone level begin to fly sky high?

 

And most importantly – will the General, whose presence will contribute a touch of status, ever arrive at the ceremony?

 

Come and enjoy the varying Russian temperaments of a group of eccentric characters and see how the jollifications and frolicsomeness of a wedding can unravel to the delight and entertainment of the whole family.

 

The play will be performed free of charge on 2 March at 19:30, in the Wynand Mouton Theatre, where donations can be made towards bursaries for needy students. Please phone 051 401 2160 to book for this performance. Bookings for the other performances on 3 March at 19:30, and 4 March at 17:30 and 19:30, can be made at Computicket.

 

*******

 

Come to a “wedding” and help a needy student!

One wouldn’t always get invited to a wedding in aid of a needy student! But ‘Die troue’ is not your customary wedding ceremony. It is a play brought to the stage by the University of the Free State’s drama department.

On the opening night of the play, no entrance fees will be asked, however, theatre-goers will have the chance to make a donation towards a bursary for needy students.

‘Die troue’ is a comical ‘burlesque’ set in 1989, in full costume, and is a newly translated Afrikaans version of dramatist Anton Tsjechov’s ‘The Wedding’.

It’s a typical Russian wedding with extravagant dances, boisterous singing, many a toast, comical speeches, amusing characters and other ridiculous traditions. Come and enjoy the varying Russian temperaments of a group of eccentric characters and see how the jollifications and frolicsomeness of a wedding can unravel to the delight and entertainment of the whole family.

The play will be performed free of charge on 2 March at 19:30, in the Wynand Mouton Theatre, where donations can be made towards bursaries for needy students. Please phone 051 401 2160 to book for this performance. For the other performances on 3 March at 19:30, and 4 March at 17:30 and 19:30, please book at Computicket.

We use cookies to make interactions with our websites and services easy and meaningful, to better understand how they are used and to tailor advertising. You can read more and make your cookie choices here. By continuing to use this site you are giving us your consent to do this.

Accept