Years
2019 2018
Douglas Masek Saxophone Recital
2018-07-31

with Neal Stulberg (piano)

31 July 2018

Odeion

19:30

The Los Angeles-based duo, in the country for the SANNSS, is touring the major South African cities. Both Masek and Stulberg, leaders in their respective fields, are internationally acclaimed soloists. The duo performs rarely heard selections from the concert saxophone repertoire in major cities around the country. Their program includes music by well-known composers such as Astor Piazzolla, David Heath, and even the South African composer, Allan Stephenson.

Internationally renowned saxophonist DOUGLAS MASEK, whose performances emphasize his versatility in a wide range of musical styles, from classical and contemporary to jazz, has consistently garnered critical acclaim. : The Los Angeles Times writes, (Masek’s) “...playing is smooth, sinuous, stunning, stylish, dazzling, and glowing with the requisite rich color.” In South Africa, The Argus describes “Masek’s tone: beautiful and pure” and the Cape Times adds “dynamic and magical.” With extensive concert touring in the United States, Europe, Asia, South Africa, and South America, he has also performed as a soloist at numerous festivals. He has performed with notable conductors, including Esa-Pekka Salonen, Kent Nagano, Placido Domingo, John Mauceri, Andre Previn, Michael-Tilson Thomas, James Conlan, Gustavo Dudamel, Valery Gergiev, Giselle Ben-Dor, Rachael Worby, JoAnn Falletta, Arthur Rubinstein, Grant Gershon, Carlo Franci, Hubert Soudant, Paul Freeman, Allan Stephenson and Bernhard Gueller. He has also worked on motion picture sounds tracks for John Williams, Randy Newman, David Newman and others, for Sony, Warner, Paramount, Universal, Disney and 20th Century, along with television and radio broadcasts. Masek's discography includes seven solo CD collections; Distant Memories, Windwood, Recrudescence, Saxvoir Faire, Saxtronic Soundscape, Saxophone Alternative, and EclectSax. He has recorded for Centaur, Albany, Cambria, Atlantic, Navona, Koch International, Stereophile, Summit and Philips Classics recording companies. Masek completed his academic education with a D.M.A. from the University of Southern California. Currently Professor of Saxophone at UCLA, Douglas is also a Vandoren Elite Artist and Conn-Selmer Artist.

www.dougmasek.com

Although an acclaimed pianist in his own right, it is as an orchestral conductor that NEAL STULBERG has been heralded by the Los Angeles Times as "…a shining example of podium authority and musical enlightenment," Stulberg has garnered consistent international acclaim for performances of clarity, insight, and conviction. Since 2005, he has served as Director of Orchestral Studies at the UCLA Herb Alpert School of Music and currently serves as both Professor and Chair of the UCLA Department of Music. Stulberg has already led numerous North American orchestras, and international engagements have included the St. Petersburg Symphony Orchestra, Moscow Chamber Orchestra, Hong Kong Philharmonic, Taipei Symphony Orchestra, Seoul Philharmonic, Korea Philharmonic (KBS), Queensland, Adelaide and West Australian Symphonies, to name but a few. Behind the keyboard, Stulberg appears as recitalist, chamber musician and with major orchestras and at international festivals as pianist/conductor. His performances of Mozart concertos conducted from the keyboard are uniformly praised for their buoyant virtuosity and interpretive vigour. He has recorded for West German Radio, Donemus, Yarlung Records, Sono Luminus and the Composers Voice label. Stulberg is a graduate of Harvard College, the University of Michigan and the Juilliard School. He studied conducting with Franco Ferrara at the Accademia Nazionale di Santa Cecilia (Rome), piano with Leonard Shure, Theodore Lettvin, William Masselos and Mischa Kottler, and viola with Ara Zerounia.

PROGRAMME:

  • Melvin Solomon (b.1947): ‘a la Mozart’
  • Astor Piazzolla (1921-1992): Café 1930 (arr. Isoda/Sugawa)
  • Maria Grenfell (b.1969): Time Transfixed
  • Allan Stephenson (b.1949): Introduction and Allegro
  • Maria Newman (b.1962): Parens (Ancestors)
  • Bill Cunliffe (b.1956): Bechet
  • David Heath (b. 1956): Coltrane (solo saxophone)
  • Pedro Iturralde (b.1929): Suite Hellenique
  • John Boswell (b.1960): Waterfall
  • John Boswell: Kindred Spirits

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


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William Berger (baritone) & Melvyn Tan (piano)


William Berger (baritone) & Melvyn Tan (piano)
4 November 2010
Odeion
19:30

"...one of the best of our younger baritones."
Gramaphone Magazine

"…Tan's technical skill and sensibility produced a very special interpretation of the work, harmonious, and most coherent."
Kronenzeitung (Oliver Lang)

William Berger is an associate and graduate of the Royal Academy of Music. In concert William has performed with the CBSO, LPO, English Concert, Philharmonia Baroque (San Francisco), Hanover Band and Cape Town Philharmonic. Recitals include his Wigmore Hall debut and Wolf's Italienisches Liederbuch (Oxford Lieder Festival) as well as two recordings: Songs of Spring and October Roses. Winner of the Kathleen Ferrier Society Bursary for Young Singers in 1999, he was also awarded a Countess of Munster Trust Scholarship, an MBF grant and the Ernest Oppenheimer Memorial Trust Award. William’s opera roles include roles in La Boheme (Schaunard), Don Giovanni (Masetto), Madam Butterfly (Prince Yamadori), A Hand of Bridge (David), Barber of Seville (Fiorello), The Carmelites (Monsieur Javelinot), Salome (Second Nazarene), Billy Budd (Novice’s Friend), Cosi fan tutte (Guglielmo), Zauberflüte (Papageno), Le Nozze di Figaro (Count Almaviva), The Cunning Little Vixen (Harastra) and Orfeo (Shepherd).

Melvyn Tan has lived in London (UK) since leaving his native Singapore at an early age to study at the Yehudi Menuhin School and the Royal College of Music. His teachers have included Nadia Boulanger, Marcel Ciampi and Vlado Perlemuter. He built a formidable international reputation during a long exploration of the precursors of the modern piano. Since returning to the modern piano in 1996, Melvyn has performed in most major festivals and concert halls throughout the world including many leading concert halls and with orchestras such as, amongst others, the London Philharmonic, the Netherlands Symphony Orchestra, Academy of St Martin's in the Fields, Salzburg's Camerata and Mozarteum Orchestras, New World and Melbourne Symphonies and the Australian Chamber Orchestra. Chamber music and Lieder hold an important place in Melvyn's repertoire. His chamber music and Lieder collaborations are numerous and include Steven Isserlis, Anne-Sophie von Otter and the Škampa Quartet. Melvyn have recently released two CDs with, among others, Mozart’s Piano Concerto no. 12 and Beethoven’s Piano Concerto no. 2

Programme:
Mahler: Selection from Das Knaben Wunderhorn
Liszt/Schubert Transcriptions: piano solo by Melvyn Tan
Schumann: Liederkreis, Op.39
Dvorak: Gypsy Songs, Op. 55
Ravel: Don Quichotte a Dulcinee
Montsalvatge: Cinco Canciones Negras

Admission:
R120 (adults)
R80 (pensioners, students and learners)
Tickets available at Computicket (at all Shoprite / Checkers shops, Mimosa Mall information desk, Izami Florist) and at the doors.

Enquiries:
Ninette Pretorius (tel. 051 - 401 2504)
 

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