Years
2019 2018
SARITA URANOVSKY Violin Recital
2018-06-14

With Annalien Ball (piano)

14 June 2018
Odeion
19:30

A native of Cape Town, Sarita Uranovsky, enjoys an exceptionally active and diverse career as soloist, recitalist, chamber musician, orchestral musician and teacher across the globe. She held positions of Concertmaster with Orchestra Geminiani de Fallonica (Italy), the RSAMD Symphony Orchestra and Assistant Concertmaster of the Cape Cod Symphony Orchestra. A founding member and violinist of MONTAGE Music Society, she can be heard on Montage Music Society's "Starry Night Project" released on MSR Classics and has recorded and broadcast for both the BBC and SABC and appeared on numerous recordings for BMOP (Boston Modern Orchestra Project). She can be heard performing regularly in groups around Boston including Boston Philharmonic, Boston Musica Viva, the Cantata Singers, BMOP, Boston Pops and Emmanuel music. She performed regularly for Sir Yehudi Menuhin's "Live Music Now!" scheme while in the United Kingdom and appeared as first violinist of the Royal Scottish Academy of Music and Drama Quartet in concert for HRH Prince Charles, HRH Princess Anne and at the church of St-Martin-in-the-Fields. She is the recipient of numerous awards including the Ellie Marx Memorial and Du Toit van Tonder Scholarships and was silver medallist and University of Natal Prizewinner at the SASOL Music Competition (South Africa). She was awarded an Audrey Macklin Bursary (England) from the Associated Board of Royal Schools of Music and won the prestigious Governors Recital Prize at the RSAMD as well as the Ian D Watt and Dunbar Gerber Prizes (Scotland) for violin and piano duo. An avid teacher, Uranovsky is on the music faculty at Tufts University and maintains a private teaching studio. She has been on the faculty of the Vianden International Music Festival (Luxembourg) and the Saarburg International Music Festival (Germany). She holds an Artist Diploma from Boston University, a BMus (with honours) and MMus (with distinction) from the Royal Scottish Academy of Music and Drama.

Professional accompanist Annalien Ball regularly performs with various South African and International artists. Highlights of 2017 include recitals in Cape Town and Johannesburg with French violinist Philippe Graffin, accompanying for a week of singing masterclasses with Professor Klesie Kelly-Moog as part of the Mozart festival, and concerts with cellist Berthine van Schoor (Port Alfred and Grahamstown). Annalien started piano at an early age and her piano teachers include Adolph Hallis and Marian Friedman. She completed a BMus, BMusHons and MMus at the University of Pretoria. After finishing her studies her main focus moved away from solo performance to chamber music and piano accompaniment. Annalien has been the pianist of numerous ensembles: The Allegri Trio, Trio Con Brio, Chalumeau trio, Trio Gloriosa, The Aulos trio, The Integration trio as well as The Magic Flutes. She performed at the Wakkerstroom festival in March 2018 with violinist Miro Chakaryan and flautist Malané Hofmeyr-Burger, as well as playing recitals with violinist Viara Markova. At present she is the accompanist of pre- and postgraduate music students at the University of Pretoria.

PROGRAMME

  • Dvorák: Romance in F minor Op. 11
  • Beethoven: Sonata No. 5 in F major, Op. 24
  • Sarasate: Romanza Andaluza
  • Brahms: Sonata No. 1 in G major, Op. 78
  • Smetana: From My Homeland

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Kastreer

Language:  Afrikaans / English

Directed by:  Walter Strydom & Helet de Wet

Based on plays by:  P.G. du Plessis, Reza de Wet, Pieter-Dirk Uys, Bartho Smit and Andre P. Brink

Complied for the stage by the ensemble

Featuring:  3rd Year Drama Students

Venue:  Scaena Theatre

Dates & times:

2 April at 19:30

3 April at 19:30

4 April at 19:30

Prices:  R 40.00 for adults / R 30.00 for students or scholars / R 25.00 for pensioners or for groups of 10 or more

Bookings:   Computicket (0861 915 8000)

Press Release

“Kastreer” brings hope?

It was a warm summer night about three million years ago in Southern Africa when our earliest human ancestor first came down from the tree, by accident. Since then the southern tip of the African continent has seen ages of crazy regimes, maniacal people and suppressive wars. Today we face 20 years of democracy with an inherent pessimism in not only our government, but also each other. Where will our saviour come from?

In the words of some of South Africa's leading writers for the theatre, eight final year students of the UFS Department of Drama and Theatre Arts create a voice for themselves in the setting of a chaotic, yet realistic classroom. Unsentimental and without any excuses, the state of the South African psyche – especially that of the youth –is examined: An investigation into the South African’s ape-man mentality – here and abroad.

Pieter-Dirk Uys’sVan Aardes van Grootoor, P.G. du Plessis’sNag van Legio, André P. Brink’sDie Jogger, as well as Bartho Smit’sDie Keiser and Reza de Wet’sAfrican Gothic,form part of the rich theatrical history unearthed by this new generation in their sardonic search for solutions. Dear audience, prepare yourself to remember: A teacher is there to scold, part of our confused youth, is to comply.

With directors Walter Strydom and Helet the Wet (creators of VREK, winner of BesteKopskuifstuk duringVryfees 2013), you can be assured of not only cutting commentary, but also an evening of hilarious entertainment with glaring moments of truth.

Just maybe you will find an answer in the UFS Scaena Theatre as to why the monkey fell off his little twig in the first place.

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