Years
2019 2018
THE RHAPSODIC ORGAN
2018-06-07

with Gerrit Jordaan

7 June 2018

Odeion

19:30

Gerrit Jordaan studied organ under the guidance of Stephan Zondagh (pupil of Marcel Dupré and Nadia Boulanger), Wim Viljoen (pupil of Marie Claire Alain) and Daleen Kruger (pupil of Jean Claude Zender). In 2007 he completed a DMus with a dissertation on Stefans Grové's Afrika Hymnus II. This Hymnus was dedicated to Gerrit – as it was conceived in a dream wherein the composer heard him playing this work.

Since his student days, Gerrit has been involved with South African organ music, commissioning and performing new works – of which some had been dedicated to him - writing articles on this repertoire, working towards performances with the insight of the composers, recording this repertoire, typesetting and adapting instrumental works to the organ. As an enthusiast of South African music, he presented recitals in Europe as well as Finland and Canada. In 2016 he was invited to play the final recital at the Klangzeit Festival for contemporary music in Münster (Germany). Some of his articles were published internationally in Het Orgel, Organ – Journal für die Orgel, Orgue Nouvelles as well as in local academic publications. He wrote reports on the Stylus Phantasticus in the Praeludia of Buxtehude and on the Choral Preludes of Brahms. He studied historical performance practice of standard repertoire in numerous masterclasses at UNISA Organ Simposia, Haarlem Summer Academia and in Pistoia from organists including Luigi Tagliavini, Harald Vogel, Ludger Lohmann, Bernard Lagacé, Wolfgang Zerer, Olivier Latry, Marie Claire Alain and Szigmund Zsathmary. Until recently, Gerrit was chair of the Church Organist Committee of Southern Africa (SAKOV). He compiled three volumes of original Southern African choral preludes and choir pieces for SAKOV. He is a member of VONKK – a committee that develops new Afrikaans church music – creating new songs, providing organ, choir and instrumental arrangements to this growing repertoire.

PROGRAMME:

  • Johann Sebastian Bach: Prelude and Fugue in G major (BWV 541)
  • Jacobus Kloppers: Celtic Impressions (2003/4) - Two Strathspeys, Two Airs, Two Jigs, Toccata on two marching songs
  • Surendran Reddy: Toccata for Madiba (ca. 8:00)
  • Antalffy-Zsiross Dezso: Sketches on Negro Spiritual Songs (ca. 7’00)
  • George Gershwin: Rhapsody in Blue (organ transription: Tobias Zuleger)

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
For colored girls who have considered suicide when the rainbow is enuf

Venue:  Scaena Theatre, UFS-Main Campus

Language: English 

Genre: Choreopoem / Drama

 

Date and times:

12 September @ 19:30

13 September @ 19:30

14 Septermber@ 19:30

 

Tickets:         

R 40.00 per person

R 30.00 for students, scholars,

R 25.00 for pensioners

 

Bookings Computicket (0861 915 8000)

 A beautiful fusion between dance, poetry, drama and music is what you can expect in For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf, the next play brought to the stage by the University of the Free State Drama Department. Issues women all over the world are struggling with, like abuse, identity crises, the coming of age and self-love, empowerment and depression, are themes this choreopoem explores. Written in 1975 by American author Ntozake Shange, it is today just as relevant as then.

 For Colored Girls uses nineteen poems by seven women who experience different individual problems. Each of these characters go through a journey of their own but come to realise that they are not alone. While they are all confronted with similar issues, they are not as different from each other after all.

“she’s half-notes scattered

without rhythm/ no tune

sing her sighs

sing the song of her possibilities

sing a righteous gospel

let her be born”- Lady in Brown

The characters’ names reflect the colours of the rainbow: Lady in Red, Lady in Blue, Lady in Brown, Orange, Yellow, Purple and Green.

American playwright, poet and feminist activist fighting for the rights of black women, Ntozake Shange, was born in Trenton New Jersey, as Paulette Williams. When she separated from her first husband, she often attempted to commit suicide. However, focusing her anger and hurt on the limitations that black women have she was able to regain her inner strength. She then took her African name, from South African friends at the time – Ntozake Shange – which means “she who comes with her own things “and “she who walks like a lion”.

Being an educator, performer/director, writer and committed solo spoken word artist, she said “the poems find[ing] their way through me to the audience”, but that she was so nervous in the beginning of putting these poems into a performance, because “I was a performance poet, not a theatre artist.”

For Colored Girls will be performed by second year drama students from the UFS, from 12 – 14 September 2018, at 9:30 in the Scaena Theatre, UFS.

Please note the age restriction of 16 years, as some content is too mature for younger viewers. Tickets are available at Computicket. For more information go to https://www.facebook.com/ufsdrama/

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